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Dr. Stern is just now releasing his latest book: Vatican Gold. I hope this leads to a trilogy. How about: Hollywood Gold? Gold Fever would make an excellent movie, and I imagine Vatican Gold will as well. I gave the book (Gold Fever) 4-stars because it was too short! I cannot wait for the Dr. Stern gold series to hit the big screen! Welcome to Hollywood, Dr. Ellison!
Wealth beyond measure. Extraordinary tests of character, love and friendship. Tom Stern starves a cold and serves up a feast to feed this "Gold Fever." A must read for fans of mystery, high stakes adventure and romance. This book makes you hope for a chance to test your love and courage. This author writes with an uncanny grasp of life-affirming humanity. A great story teller and a great story.
RX for fun="Gold Fever" May I suggest Russell Crow for Doc. Ellison. Enjoy!
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Coens and Jenkins want us to get busy on working together towards improving processes and the system of delivering value to our customers, and give up the quest for finally pinpointing, once and for all, who the "1"s, "2"s, "3"s, etc. are in the organization. They want us to quit thinking that a person's value and performance can somehow be reduced to a number. They explain how this is a fallacy and illusion, given the impossibility of separating out the individual's contribution from the contribution of the system or environment that she works in, inherent measurement and judgment biases, and organizational politics. More importantly, such reductionism is degrading and demoralizing to the individual. And "we trivialize an individual's work, often involving heart and soul, from something unique and wonderful into a cold and sterile numerical rating that purportedly signifies the person's total contribution."
The approach the authors take is to first surface, then examine, and ultimately attack the assumptions underlying appraisal, and then to build alternatives from "newer, more hopeful assumptions." They are thorough and convincing in making the case to abolish performance appraisal.
W. Edwards Deming, who mentored Jenkins, was often asked, "But if we eliminate performance appraisal, then what will we replace it with?" He would reply, "Try leadership." Whereas Coens and Jenkins would surely support such a true and succinct response, they also offer specific guidelines and methodology for an organization to wean itself from the nonproductive and harmful anachronism of performance appraisal. For example, they describe how to effectively "debundle" management concerns, such as motivation, coaching, counseling, retention, discharge, goal setting, pay, promotion, and discipline, which are often packaged as part of the appraisal process.
I highly recommend this book for anyone who values dignity, respect, and trust in the workplace, and who believes that holding such values is crucial in striving for true organizational excellence.
I would like to give ABOLISHING PERFORMANCE APPRAISALS by Tom Coens and Mary Jenkins my highest recommendation.
For years I have been convinced that appraising the contribution of individuals is a highly destructive organizational enterprise. I have come to this conclusion through my own experience and through the persuasive writings of Peter Scholtes (The Leader's Handbook) and W. Edwards Deming (The New Economics) and other authors.
Coens and Jenkins have written a thoroughly researched and documented text that provides a wealth of information on why performance appraisal should be eliminated, and what instead should be done to perform the functions it allegedly achieves.
Pages 306 and 307 provide an excellent summary of principles that can be used to improve organizational performance, coach employees, provide feedback, determine compensation, make promotion decisions, develop employees, help poor performers, and provide appropriate legal documentation in the event of a lawsuit.
Figure 10.1 on page 286 provides an excellent summary of the process necessary for an organization to free itself from the grip of individual appraisal and refocus its attention on improving system performance. It is appropriately called a "Sixteen-Step Program to Recovery from Appraisal".
Coems and Jenkins have made an extremenly valuable contribution to those organizations that seek to create humane work places.
Sincerely,
Laurenece J. Quick, Ph.D Associate Professor of Management Aurora University Aurora, IL.
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This cinematic treatment of his ghostwritten World War II memoir of the same name differs in many ways from the book. Novak is killed when Murphy was in the hospital according to the book, but in the movie, he dies before Murphy's eyes. Audie is seen at the film's beginning taking care of the family; in truth, he was in orphanages. But again, the movie has Murphy.
And for me, that's enough. Not too many heroes get to portray themselves on the screen. And Audie had enough acting ability to play himself on the screen (something Mickey Mantle or Jackie Robinson couldn't really do with all due respect).
Still, it's a fun movie and it does give viewers Murphy's war experiences in a nice digestible hour and a half. Heck, even if half of what is portrayed on the screen was true, Murphy's war experiences would eclipse 99% of all the others (the guys of E Company in Band of Brothers are included here too).
It's a good intro to Murphy's war career if somehow his book is too daunting or if one doesn't have the time.
The movie truly is a classic; tightly directed, poignant, honest, accurate, and showing gripping combat without being gory or maudlin. It sometimes decends into travelogue movie-theater type newsreel moments, but these are thankfully rare and forgiveable. On the other hand, this is an interesting and absolutely true story of a common and uneducated boy from rural Texas who wanted more than anything to be a soldier and serve his country, and his subsequent deeds and patriotism above and beyond the call of duty inspired a whole generation of us who wanted to imitate his call to country. Unfortunately we walked into another time and the miasma of Vietnam. But that's another story for another time. Escape back to a time when the moral choices were clearer, and a real live hero was available to act his way memorably through an accurate recounting of his extraordinary if abbreviated military career. He may be gone too soon, the victim of a plane crash in the early 1970s, but his lifetime admirers remain. Enjoy!
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I work in the Airline Industry in Australia in an operational role that has aspects of Industrial Relations associated with it. To read a book that relates so many interesting and insightful stories into the trials and tribulations of De-reg in the US and the power plays between the various airlines and the Unions was nothing but fascinating.
Well researched, well written and very enjoyable. I recomend it to anyone employed or aspiring to airline management
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The action of the novel begins with a view of the Allworthy family, a landed gentleman, Thomas Allworthy and his sister, Bridget. Into this family is dropped an orphan, a foundling - a child, if you will, of questionable parentage. This child, Tom Jones, is raised alongside Bridget's child, Blifil, as relative equals. Both are tutored by two ideologues, the philosopher Square and the theologian Thwackum. Jones is a precocious, free-spirited youngster, spoiled by Allworthy while Blifil, the heir apparent to the estate, becomes the favourite pupil and spoiled accordingly by his mother. As the two youths age, Tom develops a fondness for the neighbour's daughter, Sophia Western.
Tom's sexual development begins to get him in trouble, as it tends to throughout the novel, and as a result of one such incident, coupled with the goading jealousy of Blifil, Tom is driven out of the Allworthy home, left to seek his fortunes in the world. Meeting his supposed father, Partridge, on the road, the two begin a quixotic ramble across England. Sophia, meanwhile, pressured into marrying Blifil, runs away from home, beginning her own voyage of discovery.
"Tom Jones" begins with the narrator likening literature to a meal, in which the paying customer comes expecting to be entertained and satisfied. All 18 books of "Tom Jones" start out with such authorial intrusions, each cluing us into the writer's craft, his interactions with his public, and various other topics. This voice is actually sustained throughout the novel, providing a supposedly impartial centre of moral value judgments - each of which seems to tend toward enforce Fielding's project of a realistic, and yet, didactic portrayal of a world full of flawed characters.
Some of the issues the novel deals most extensively with are modes of exchange, anxieties over female agency, and the power of rumour and reputation. Exchange and the ways in which value is figured include a wide range of goods - money, bodies, food, and stories - and are integral to the story. The treatment of women is a great concern in "Tom Jones": from Partridge's perpetual fear of witchcraft to the raging arguments between Squire Western and his sister over how Sophia should be treated, to general concerns about sexuality and virtue. A novel that can be in turns hilarious, disturbing, and provoking, "Tom Jones" is never dull. Despite its size, the pace of the novel is extremely fast and lively. So, get thee to a superstore and obtain thyself a copy of this excellent and highly entertaining novel.
Although I am a fan of Jane Austen I was shocked by the freshness and wit that Fielding's writing still retains. Every book in the novel begins with an essay by the author. Do not skip these, they are one of the best features of the book. My favorite is the essay before the ninth book which explains the purpose of these introductory chapters. What a riot!
The story of big hearted and big appetited Tom Jones and his adventures and misadventures is one long satirical gem. Fielding's interpretation of morals, piousness, love, and high society is still as hilarious and relevant as it was in the 18th century. For anyone who appreciates wit and history, this is a must read.
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