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One curious example would be the character of Ms. Bevan who connotes pure compassion and understanding; a true Madonna figure. She is modern, monied, dignified and thought to be Protestant by everyone in town, which she is not. This subtle reflection of Irish self-loathing and the fact that Mr. Sheehan, a kind of suffering moral hero, is the only one capable of even speaking to her makes an interesting commentary.
Also of note is the book's ambiguous treatment of Irish Republicanism. IRA members are all damaged characters suffering from their involvement and regretful, neurotic or base and ruthless in the extreme. It is fundamentally a romantic novel whereby the enviable qualities are of a personal nature and the "collective" goals are misguided and taken-up by unfortunate rabble and impetuous youth.
Who is responsible for Willie's death? The English, the IRA, all who where present, only those in favour of the killing, the village that reared the killers? The verdict seems to be that all are guilty, the pain real and perhaps the living suffer most.
Mr. Phelan's book is so touching, so powerful, I was moved to tears at one point. It's a deeply emotional account of one boy's personal tragedy... and coming out of it feels like coming off a long and painful relationship gone wrong. I'm grateful for having read it, and even more grateful to Mr. Phelan for writing it, but I hope I never suffer as much in my lifetime as little Seanie Doolin.
A great read, and suprising page-turner .. an absolutely unforgettable narrative. At times it reminded me (vaguely) of William Faulkner.
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area, to at least watch the Yankees, perhaps even to grudgingly root for them. Forced into this spiritually untenable position, I chose to only
root for the scrubs, which made Cliff Johnson my favorite player. I'll never forget the game where he tagged a pitch and Phil Rizzuto started
screaming that : "That one's outta here", bringing joy to the heart of every Heatchliff fan, only to have his towering popup caught by the
second baseman.
"The Scooter" was easy to laugh at, with his myriad phobias, his propensity for saying unintentionally offensive things about minorities, his
tendency to leave the ballpark early when the Yankees were home, etc. But then there began appearing in The Village Voice a most
remarkable feature : verbatim text from Scooter's broadcasts rendered as poetry. We were suddenly confronted with the frightening prospect
that Scooter was not only making sense, but serving up literature, even profundity. Consider the wisdom, about baseball and about life [....]
As it turns out, this kind of exercise even has a name, it's called "found poetry." The Rizzuto poems are as good as any I've seen[...].
At any rate, this book is a hoot and once you read it you'll never again think of Rizzuto as just a good glove man, nor listen to a baseball
broadcast without noticing the frequently poetic nature of the announcer's line of patter.
GRADE : A
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little boy and even now as a vulnerable adult and hug him and congratulate him that he managed to survive mostly intact through
a very harrowing childhood and for many years an extremely lonely
adulthood.
This book was written after the author's mother passed on. All
of the memories of a traumatic childhood growing up in Vienna,
Austria w/ the threat of Hitler and his domineering mother came
flooding back and are told beautifully in this sad but inspiring book. It was wonderful.
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I would highly recommend this book to those who have the time to read through it, as it offers the necessary concepts needed to understand this fascinating area.
There has also been a definite effort to clean-up things a bit for the juvenille reader in this first "Malcolm in the Middle" book. For example, we no longer have the litany of past offenses for which Francis was banished to the Marlin Academy in Alabama and Lois greets Ms. Miller wearing a bit more than she actually did in the pilot. Such things are to be expected I suppose. However, . . . I do . . . not think . . . that Stevie . . . ever spoke . . . in bursts . . . of only . . . one word . . . I think . . . he always . . . does two . . . words at . . . a time . . . Although I . . . may be . . . wrong about . . . that. Ultimately this book is an interesting trade off. On the one hand, Mason and Danko have provided a more realistic version of the television show, but on the other hand it is the manic zaniness of this collective of crazed individuals that makes the show so compelling (just think of the opening of the episode shown after the Super Bowl where Hal and Dewey try to get a spider out of the house only to succeed in pitching it out the front door and right into Lois's open mouth). However, there is really no way to capture such inspired lunacy on the printed page, which means the authors made the right choice. Then again, maybe the show has become more surreal as time goes bye and maybe this is something we must remember.
Jordan