
List price: $17.99 (that's 30% off!)




List price: $35.95 (that's 30% off!)











I can't wait until the Author's release of his next book. I'll be first in line to buy a copy.







Wildside Press are doing a great service of taking risks and keeping valuable work available.

This book's title, Gedanken Fictions, refers to a basic tool of science, the gedanken or thought experiment that must be used when laboratory experiments are not practical or possible.
Dr. Thomas A. Easton is Professor of Life Sciences at Thomas College in Waterville, Maine. He is also the author of Taking Sides: Clashing Views on Controversial Issues in Science, Technology and Society.



While such orientation does not predominate, it is there and has always been there. Now, contemporary country fights the battle with other venues of the pop culture. Amazing the story of Alan Jackson at the CMC awards. Right on Alan. I knew this man was a winner!
One learns much about the real world from country music. Nothing is hidden in the lyrics of this music, it tells it like it is. People can relate to it. It's not all the hype of pop. Until, Garth et al started letting it seep in.
Suggest also Mark Zwonitzer's excellent book on the Carter Family where he shows how the Jerry Lee Lewis, Elvis types cut their musical teeth on Country Gospel, then lost it to the commercialism.
What we sell our souls for! This book exposes that while admirably detailing how traditional country supports classic Christian values. Well done and great read!






List price: $14.99 (that's 30% off!)



Of all the books I researched when I first set out to undertake this task, I found Frank P. Thomas' "How to Write the Story of Your Life" to be among the most concise and most helpful. It became my constant companion as I spent those long hours at night in my study pounding away on my keyboard or sitting at the dining room table handwriting a vignette to be added to the book.
Thomas' book is laid out in an easy-to-read format, lending itself not only as a step-by-step guide, but sectionalized in such a way as to be used as a handy research resource manual. There is a lot of sound advice contained within his book that I found to be highly effective. For example, it helps not to ignore news and current events occurring during the telling of one's life, even if you don't actually relate the news items directly. By spending a few hours in the library to research certain magazine articles and newspaper headlines from a particular period, I found my memory banks were stimulated and I was often able to capture a flavor of the political climate, social mores, fashions, and/or cultural fads of the time. Those influences were incorporated into the events of my life. Sometimes I was able to relate to current events of the time directly, which helps to allow readers to identify with you personally.
Another important lesson I learned was that in order to capture and maintain a reader's attention, you must stimulate as many of his/her senses as you can. Therefore, I found myself going through my text trying to find places where I could introduce stimuli to sight, sound, touch, taste, and smell.
This is but a mere sampling of the invaluable direction I received from Thomas. The result was my autobiography was published under the title "Surrender the Jealous Mistress" (available through amazon.com), which I'm told is engaging and reads like a novel. If that's true, then I attribute a large portion of that compliment to Frank Thomas' sound advice and guidance.
No matter how insignificant you may perceive it to be (it's not), I encourage you to attempt to write your life's story. Once that decision is made, I highly recommend obtaining a copy of Frank Thomas' book, "How to Write the Story of Your Life," to guide you through the process.




This collection of short stories does much to restore an unappreciated side of Fitzgerald the writer, most notably his willingness to experiment with technique, his almost existential grasp of human absurdity and his articulation of unease and pessimism about the possibilities of the American Dream.
The stories range widely in quality from precious parodies from his Princeton years ("Jemina") to profoundly moving glimpses of the human condition ("The Lees of Happiness"). Even the most insubstantial of the stories printed here are worth the read for, if nothing else, they show that even at his youngest and roughest, Fitzgerald had a keen grasp of voice and description and how to use it to breath life into wispy plot lines.
I take issue with some of the critical recommendations contained in Patrick O'Donnell's fine introduction to the collection. I did not, for instance, find "The Diamond as Big as the Ritz" particularly impressive. I think the best stories are those that hew to a psychological theme prevalent in Fitzgerald's fiction and his adult life -- the dread of what comes after youth and a nostalgic fixation on youth as the best time in a person's life. The stories I liked most -- "The Lees of Happiness," "The Ice Palace," "The Cut Glass Bowl," "Benediction," "The Four Fists," "'O Russet Witch!'" -- all tackle this theme.
Many of the stories in this volume aren't profound, but are just a delightful read. I defy you, for instance, to read "The Camel's Back" without bursting out loud in laughter over its protagonist's gyrations and setbacks in quest of his true love.
There is a wistfulness at the center of Fitzgerald's prose and his life story that seems to have faded from our collective remembrance of him as a Great American Author. This volume does much to remind us of that winsome note and to remind us that Fitzgerald paid dearly for it in his personal life as it lit up his writing at the same time.
Before reading this book however I would recomend the Ghost in the Taikado Inn. This first book is also excellent and will help you understand everything in the second book.