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I've received comments on the seeming high price of Cancelled Words, and it seemed a good idea to explain why this should be. I was the editor at Routledge responsible for publishing the book in 1992.
This is a ground-breaking work, about what can happen when an author gets into the hands of a determined editor. Thomas Hardy was then a virtual unknown, not recognized as one of the world's greatest writers. He had little choice but to allow his editor, the august and supremely self-confident, Leslie Stephen, to 'cancel' Hardy's own words in 'Far from the Madding Crowd'.
Stephen was worried that Hardy's very Un-Victorian presentation of human relationships and sexuality would offend the sensibilities of readers. So when he reacted badly to Hardy's improprieties, he just cut them out.
So we have always read a purged Far from the Madding Crowd, without seeing the book that Hardy first wanted us to have. Very few of Leslie Stephen's changes made it a better novel: Hardy's own first words and ideas are always immeasurably superior.
But that was not the end of the story. Years afterwards the original manuscript was rediscovered by accident and preserved so we can now know what Thomas Hardy really wanted to say before he was censored. That manuscript is now in the Beinecke Library at Yale University and has been used to write 'Cancelled Words'.
Rosemarie Morgan believed that it is essential to see what were Thomas Hardy's own words as he wrote them. That was the essence of the book and we at Routledge took the decision that a quarter of it should be given up to Hardy's words, in his own handwriting, faithfully reproduced in facsimile with the cancellations and changes visible for all to see.
Of course, regrettably, this made the book more expensive, but I still think this was the right decision. And the publication of Cancelled Words contributed substantially to her groundbreaking new edition of Far from the Madding Crowd, published by Penguin Books, and giving back that original edition to the world.
I would hate to think that our decision should put off future readers from buying a book that takes you into the heart of one of the master works of English fiction.

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