The introduction by Steve Bodio is worth the price of the book.
Read this book. You won't be disappointed.
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My rating has got these origins: Empirical research on Compensation,EVA and CFROI-Fade: A+. Discussion of EVA/CFROI: D-. Terminology: D value for 'Hands-on-valuation': F- Structure: F- Style: F-.
This book does contain interesting empirical research on EVA etc, but it does not offer 'A practical Guide to Implementation' because it does not contain a STAGE-Approach. Its terminology differs from any other book I've read, you must often guess, which formulas the authors used, because they did not have the courtesy to express their formulas. Some formulas are wrong nad their discussion of the 'metrics war' betweenn EVA and CFROI lags 5 years behind reality. They attack old methods of CFROI,which Boston Consulting and Holt Value published 5 (!) years ago. They fail to know, that BCG have refined CVA/CFROI and that BAYER. Lufthansa,and VEBA have implemented these refined CFROI-techniques,which are way better, than the old methods, which the book attacks.
Moreover, this book is terrible to read due to a lack of structure, the absence of clear definitions, the lack of formulas, a wordy style,which exhausts your nerves, and many value judgements....
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Where the book fails is in the discussion of the multitude of errors that went into the planning and excution of the Operation. It was a campaign that was begun as much as a result of Montgomery's desire to be the one to win the war and not be bested by the Americans and Patton, as by military necessity. Once began, the British ignored the advise of the local resistance, utilized tactics that played into the strength of the Nazi resisters, and were too ambitious. This is not to mention the intelligence failures that convinced the Allies that they would be facing second rate worn out units.
All in all, Market Garden is a case study of what should not be done. Not only did it lead to the needless deaths, but it took vital resources away from the Patton's Third Army where they could have been put to better use and resulted in ending the war sooner.
Recommended for all who have a perepheral interest in the subject, as well as one who is already quite knowlegeble of it.
When a portion of the British Airborne marched towards Arnhem, they could have taken the ferry but did not (not in their orders)and went past the railroad bridge that was blown up. Had they had better "situational awareness" they could have taken and kept the ferry. But this book goes a step further---so what?
The point of penetrating into Arnhem was to get across the Rhine river and run wild in the German industrial regions and smash war machinery and deprive the enemy with the means to continue fighting. But to do a "Sherman march" like this, these areas had to be undefended. That opportunity simply was not there. The Germans had compressed their lines of supply/communication and were defending in depth. So if we had kept the bridge or the ferry across the Rhine, we would have only been stopped on the other side by the Germans. THAT----is what is not understood by most people especially after seeing the superb but not quite accurate film, "A Bridge too Far" by Cornelius Ryan. Those that label Operation Market-Garden as a "failure" fail themselves to realize that what it sought--a collapse of the enemy from the inside---was not possible against a nation on a desperate total war footing, so such negative labeling is unjustified.
I'm all in favor of Airborne units receiving light AFVs in order to effect off-set DZ insertions, if there was a "time machine" I'd go back and have Hamilcar gliders deliver Bren gun APCs and Locust M22/Tetrarch light tanks that existed at the time. I'd have some of Gavin's 82d Airborne drop directly onto the south of Arnhem bridge to support the British 1st Airborne driving across from the north in the Bren gun carriers/Locust/Tetrarch light tanks. I'd had Patton temporarily in charge of the 2-D dash up to Arnhem bridge. He'd have better, medium-sived tanks and aPCs that could swim themselves across and not need bridges in the first place. But at the end of the day, we'd be stopped on the far side of the bridge or the river bank by the Germans, a 50 mile penetration, definately worth doing, but a STRATEGIC AIM of driving unhindered into Germany to collapse their infrastructure was not possible at that time. This book explains this like no other work, and places it in a must-read category--if you don't read it you simply will not understand the battle and will be subject to the cliches' and labeling. When you understand this, you will remove your disappointment in the leaders at that time for not pursuing further. The truth is XXX Corps could have punched its way through to Arnhem bridge but the Commanders knew that there was no strategic vaccum behind it to exploit that would justify the human costs. A lot of hard fighting stood ahead of the Allies at this point.
Airborne!
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about the state of mankind!
But these are hazardous waters! Where should we begin
and where do we want to go from there? So, Having
Gould and Eco as guides seems like a clever start!
According to the book, the hebrew language has
no exact present tense?? The infinitely brief, the
very essense of the present, is not to be found - it
can be neither fixed, nor measured. It is therefore
completely justifiable, grammaticale speaking,
to leave out the present?
Yet, obviously, it is from the present we look at the
past and towards the future.
Stephen Jay Gould is always a pleasure to listen to -
and the right one to put time into perspective.
For a palaeontologist, like Gould, 7000 years
(timespand of human culture) is really no more than
the twinkling of an eye. So all we know is really in
the present - which hardly exist!
From this position we look out into concepts like
the eternity - which we obviously really can't grasp.
And into ourselfes were e.g. DNA was discovered as recently
as 1953. Mystery upon mystery.
So, we struggle to discover instances of regularity and
to fit them together with the help of stories. We throw
in a little religion "were religions do not
ask questions, they answer them". Still we are far
removed from any real "understanding".
And that is what these conversations are about.
With Umberto Eco and Stephen Jay Gould - it is
of course an ok read. But only an appetizer.
-Simon
Just think of a coffee table discussion, of a one on one discussion and you get to read the answers on questions of import. Each answering these questions with their respective insights and down-to-earth style. Each having their respective life experiences to draw from to unravel perplexing questions.
With fascination you read the thought-provoking answers. The answers will suprise some, others may be right inline with what you'd expect, but nerver boring... challenging, educational, lucid and erudite are more what you'd expect and you are not dissapointed.
This book reads fast and the questions are cogent with the general topic. Each respective thinker answers in a style of their own and the reader does not feel irrelevant. This is an interesting book in that questions asked make the reader think as well.
I found the book to be highly interesting and it has a fascination woven throughout the text captivating the reader.
I'm talking about that Darwinian theory of Natural Selection you keep telling as if it were true. It is "differential reproductive success". So then that means I need at least 2 different things to call some event NS. So then I ask myself what do these 2 different things have to do with each other? So then I say well either they influence each other's reproduction some way, or they could as well be in different environments. So they must influence each other's reproduction some way. So then I ask, what ways can the one influence the reproduction of the other?
+/- increase reproduction at cost of the other +/+ mutual increase of each other's reproduction -/- mutual decrease of each other's reproduction +/0 and so on -/0 0/0
but what you do, is pretend like there are only +/- relationships. You ignore all other type of relationships with NS. Your natural selection theory is false, for being unsystematic in describing the relationships between living beings. You make teachers into liars by it.
I have also heard two of these renound speakers, in person, and in my opinion, they indeed "walk their talk". I am greatful on this special Thanksgiving.
John Rossetti Deerfield Beach, Florida
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The scope of this work is as broad as is the expanse of human history. Indeed, the first chapter begins with a survey of prehistoric art and prehistory. Spanning all the ancient cultures, there are chapters devoted to the art of the ancient Near East, Egypt, the Aegean, Etruscan and Roman art, Christian, Jewish and Byzantine art, Islamic art, the art of India, China, Japan, the Americas and Africa. And from there, it gets complicated!
This book tackles all the issues of art: philosophical considerations (the relationship between art and reality, and the meaning and importance of beauty in art), focus on artists in general and in particular, society's relationship to art, including the role of the patron, the importance of museums, and an investigation that goes behind the phrase, 'I know what I like.'
'Art history, in contrast to art criticism, combines the formal analysis of works of art--concentrating mainly on the visual elements in the work of art--with the study of the works' broad historical context. Art historians draw on biography to learn about artists' lives, social history to understand the economic and political forces shaping artists, their patrons, and their public, and the history of ideas to gain an understanding of the intellectual currents influencing artists' work.'
In addition to presenting a history of art, Stokstad and her contributors also present an introduction to various aspects of art appreciation, without with art history loses much meaning. Each chapter has an explanation of the techniques that were developed and important during the time under examination (for instance, lost wax casting, glassamking and Egyptian faience, Japanese woodblock technique, and Islamic carpet making, among many others, are illustrated in detail to enhance the knowledge and appreciation of the finished art works). Each chapter and time period also has a section entitled Elements of Architecture, which include discussion on elements from pyramids to skyscrapers and much in between.
The text is clear and concise, carefully explaining technical terms when they are used, and then using them sparingly. Every page is a visual feast, with full colour plates of photographs of paintings, sculpture, artists, locations, or architectural examples in great form, as Henry N. Abrams, Inc. publishers are famous for doing. There are literally thousands of illustrations, as there are often many per page; almost no page is without one, and the book is nearly 1200 pages long.
As an aid for those who will use this book for more scholarly purposes, there is an extensive bibliography in the back, in three classifications of listings -- general surveys and art history references, a selected list of art history journals, and then a chapter-specific directory of further reading for each art topic/period. Additionally, it has after the bibliography as Website Directory of Museums, which includes museums in every state in the United States and most major museums around the world. The index includes listings by artist, period, topic, and particular works of art.
This book has been intended to be useful as a text for a course in art appreciation, but also designed to be a joy to read for the casual reader who might not want an academically rigourous presentation. As Stokstad says in her preface, the intention was make this book itself a work of art, and in that task she has succeeded admirably.
I recommend this book to any and all art lovers, whether beginners, advanced students, or just those who desire a comprehensive reference for library or home use. I personally consider this publication a better choice than the otherwise excellent Janson "History of Art" for most readers-- the writing is just more user-friendly, in my opinion (and the content is more inclusive, especially regarding non-Western art).
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I wanted to get specific, detailed insight to which scanners worked well, and how to get great and consistant color out of them.
I got none of that. There was no detailed instruction on how to make and use color profiles with scanners.
They talk "about" scanning quite a lot, but give no hard specifics. Often the advice is that "more expensive scanners work better." That's something that I didn't need the book to tell me.
It does cover a great deal of basics for first-timer users, but little for people who already know how to pump pixels.
Every time I thougt it might get into some of the details I wanted, the chapter ended.
It is written too casually for me. It appears to be written by a few guys who have been around publishing. It reads like a collection of casual "shop talk," more than hard info. The authors occasionally get in over their heads technically and make some mistakes trying to explain things that they admit they don't understand, like how JPEG compression works.
I returned my copy, a great thing about Amazon. I got nothing out of it. One cool trick they suggested for Photoshop didn't even work. (c) 2000 kenrockwell.com
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Ambrose has always been blatantly biased in Ike's favor and makes no bones about it. His first words are, 'Dwight Eisenhower was a great and a good man," which is undoubtedly true, but a biographer should take more pains to disguise their own feelings. There is very little criticism of Ike in Ambrose's work, which borders on the hagiography. Perhaps a bit more of Harry Truman's invective towards Eisenhower could have infused this tape.
Still, Ambrose is a wonderful writer and his works are always fun to read and informative. This is interesting listening even if it is a completely uncritical examination.