For a marriage to get back on track, many factors need to change. This workbook puts it all together in clear steps. Easy to read and very comprehensive. It is now my first choice in books to recommend to the couples I work with as a marriage counselor.

A very helpful book for dealing with relationship issues. I would hightly recommend it.

I've been a fan of IJ since reading it in the summer of '96, but I've never read such a lucid and thoughtful analysis as this book provides. Burns has put enormous effort into analyzing Wallace's writing style, and avoids the simple analysis that Wallace is concsiously trying to undermine. Even though there are many subjects in the book that I would love Burns' opinion on, he is forthcoming about the limitations of the 'readers' guide' format, and has chosen his few topics for detailed analysis with care and skill.

I especially liked his understanding and analysis of IJ's literary context: rather than simplistically comparing Wallace's work to Pynchon or DeLillo, as many have done, he explores the richer tradition of myth materials and 20th-century literature that informs Wallace's brilliant novel.

My only criticism is Burns' failure to comment on Wallace's sense of humor, which was one of the reasons I loved IJ so much, and why I find it worth re-reading from time to time. I've enjoyed other writers endorsed by Wallace, like Irvine Welsh and Dave Eggers, but some literary analysis of Wallace's effective use of different varieties of humor would have been helpful. Still, given the lucid and concise analysis Burns provides, this criticism should be understood as part of my wishlist, not any negative take on Burns' sense of humor.

A remarkable book - and a fitting tribute to DFW's wonderful novel. Quite how Stephen Burn has managed to cram so much lucid opinion and information into a book of this brevity is beyond me, but he should be warmly applauded for doing so. One quibble only, for the publishers: labelling this book a 'readers guide' is doing it a disservice. Burn's book is much, much more than that.

This is a really meaty book, with lots and lots of good, solid scholarship. Some of the articles are path-breaking; all are rewarding.

Articles by S. Kent Brown, David B. Honey and Michael P. Lyon, Victor L. Ludlow, Lousi Midgley, Marian Robertson Wilson, John L. Sorenson, John F. Hall, Richard Neitzel Holzapfel, Hugh W. Nibley (The Last Days, Then and Now), Donald W. Parry, Daniel C. Peterson and Stephen D. Ricks, David Rolph Seely and Jo Ann H. Seely, Andrew C. Skinner, Richard D. Draper, C. Wilfred Griggs, Kent P. Jackson, Daniel C. Peterson, and Stephen D. Ricks.

Can't ask for authors better than these...

The sections include Book of Mormon Studies, Old Testament Studies and Ancient History, and New Testament Studies and Early Christian History.

I got it for the article on Leroy Robertson's Oratorio from the Book of Mormon.

The book itself is nicely done. It has a lot of interestingpictures and facts. It is a must for anybody who is even mildlyinterested in Wilde. A wonderful account of his life, complete with quotes and photos.

This book is nicely done - lots of pictures and illustrations, with a narrative that moves well, and is plenty comprehensive - Wilde was an in interesting man, but - like Truman Capote - a superficial thing. One doesn't need more detail than this book offers.

Thich Nhat Hanh has updated the traditional Buddhist precepts in this book. His version goes beyond "do not kill," for example, to be mindful of that we might be killing inadvertently. He makes us aware of the broadness of the precepts and thus encourages us to be more mindful. If we are not mindful, we break the precepts. Therefore, he calls them Mindfulness Trainings. Thay's approach frames the precepts in a way that is helpful in our daily life. He makes them relevant.

In a world of deceit, excess, killing, lying and stealing, the present moment works with faith FOR A FUTURE TO BE POSSIBLE by enlightenment from the Buddha, the practice of love and understanding, and ever bigger and greater numbers of communities seeking wisdom, harmony and awareness. Art and meditation send energy into cell nutrition and nervous system health. Mindfulness teaches respect for all life, generosity, responsibility, careful speech and healthy diet for concentration and insight. Nobel Prize winner Thich Nhat Hanh's book is a beautifully reader-friendly steppingstone to THE GOOD HEART by the Fourteenth Dalai Lama, AWAKENING THE BUDDHIST HEART by Lama Surya Das, and LOVINGKINDNESS by Sharon Salzberg.

Whether you need info on migraine, cluster headaches, tension-type headaches, or any other headache problem, this book will have it. The outline format, tables, and illustrations make the content easy to access and understand. Includes an outstanding section on medications.

This 2nd edition of the handbook is comprehensive and concise. The arrangement of the book provides a methodical review of basic issues in headache from etiology to treatment. Specific attention to the various classifications of headache provides highly valuable information regarding evaluation and management of the headache patient. The section reviewing medications used in headache treatment is comprehensive and highly informative. Especially notable is a general atomsphere of care and concern for the plight of the chronic headache patient regarding the multitude of complex factors affecting pain. This handbook is an excellent reference for any practitioner dealing with headache management.

One issue that I grapple with frequently is the difference between "art" and "illustration". In the world of fine art illustrators are generally looked on as an inferior breed by the critics. In his introduction to "Hardyware" David A. Hardy expresses his reproof at modern art's derision of anything beautiful or representational.

This got me thinking. If SF art is "mere illustration" as an art critic would say, what about all those historical paintings of heaven and hell, the last judgement and armageddon? Critics seem to love those.

But I digress. SF art does have its place, and it plays an important role. The main body of "Hardyware" gives us a glimpse of the possibilties that await us in the future. If things turn out properly and we don't destroy ourselves, our descendents will become great builders with the potential to conquer the stars. Most of the artwork in this collection is done in gouache and acrylic, although more recently the artist has turned to digital media.

We see visions of the past as well as the future. One of my favourite pieces is a scene from "The War of the Worlds". I remember seeing that image on a cover jacket when I was 12, although I didn't know who the artist was back then. The image of a dinosaur looking up at a descending asteroid is hauntingly grim.

I often think SF artists are underrated. Though they are often proved wrong, their visions provide a valuable contribution to the development of our civilization, giving inspiration to those who have the ability to make fantasy a reality.

This super book contains well over a hundred examples of the work of perhaps our best living space artist, along with a fascinating text full of insights into his thinking and his modus operandi.

This amazing dramatization of the Pooh books is performed by a marvelously talented group of British entertainers who truly bring the Pooh characters gently and lovingly to life. As for this tape, I finally got this figured out. This is part of a four-tape program that represents the complete two-book Winnie-the-Pooh story collection, except the stories are out of order (probably so that they would fit equally on the tapes). Book 1, "Winnie-the-Pooh," is represented by "Pooh Goes Visiting" (stories in order: 1, 2, 3, 4, 9, 10) and "Piglet Meets a Heffalump" (stories: 5, 6, 7, 8). Book 2, "The House at Pooh Corner," is dramatized by "Tigger Comes to the Forest" (stories in order: 1 2, 4, 3, 9, 10) and "Pooh Invents a New Game" (stories 5, 6, 7, 8). When stories that depend on previous information are out of order, it gets confusing. My suggestion: Get the "Winnnie-the-Pooh" / "The House at Pooh Corner" gift pack, which is also four tapes (the same recordings), but in the proper order.

[This is a review of the Hodder/Headline audiocassette version] I learned to read by listening (again and again and again and again) to a pair of well-loved and well-worn LPs of the Pooh stories read by Maurice Evans. I always considered them the finest Pooh audiobooks ever recorded. Up until now! Now there's this wonderful series of fully-dramatized adventures of Pooh featuring a brilliant cast of wonderful British actors: Stephen Fry ("Jeeves and Wooster") as Pooh, Geoffrey Palmer ("The Madness of King George") as Eeyore, Judy Dench ("Shakespeare in Love") as Kanga...and best of all, the *incomparable* Jane Horrocks ("Little Voice" and Bubbles from "AbFab") as a squeaky, alarmed, and altogether adorable Piglet. You don't have to be a kid to appreciate these fine recordings (and there are plenty of adult Pooh fans out there who will *love* these versions). Accept no substitutes: this is simply the finest Pooh audio series yet created, beating by a *far* distance the Alan Bennett and (ugh!) Charles Kuralt versions. There's more than just this one tape in the series, too. The series includes "Tigger Comes to the Forest" (ISBN: 1840322195); "Piglet Meets a Heffalump" (ISBN: 1840320524) and "Pooh Invents a New Game" (ISBN: 1840322268). Type the 10-digit ISBN number into the Amazon search field to go directly to the webpages for these cassettes.

The Postmodern Bible provides what is as close as anyone will ever get to a contemporary handbook on "postmodern" methods of approaching, reading, using and interpreting the Bible. One might ask why such a book is needed. I would reply that this book is needed because it implicates the readers of the Bible in the matters it wishes to bring to bear in biblical study. This book attempts to show (in my estimation) that reading the Bible is a social act, a personal act, a political act and a cultural act. And this book preaches what it practices for it is written by a self-styled "Bible and Culture Collective", a group of scholarly "young turks" no less, who amply demonstrate that projects worked on together need not end up being mish-mashes of the wants and desires of those composing them.

This book has both direction and drive. In seven compact yet thorough discussions we are introduced, in theory and practice, to seven contemporary approaches to the practice of biblical reading. Many, if not all, of these (reader-response criticism, poststructuralism, feminist and womanist criticism) are hardly novel outside of the biblical field but then that seems the point of this book; that is, to attempt (or continue to attempt) to intergrate biblical studies ever more closely with, or into, literary studies and cultural studies. This seems the pervasive agenda of this book.

I must admit that I have an interest in reviewing this book, however. I was taught for three years as an undergraduate by one of the "Bible and Culture Collective", Stephen D. Moore. I can confirm that the Collective, if Moore be an example, do indeed practice what they preach in this book. I have to say it sets the Bible on fire in new and exciting ways. If you want to engage the Bible from some new angles or just want to get up date and clear in your mind on contemporary methods of biblical interpretation then get this book. It has no serious challengers in its field to date.

If you've ever been puzzled by the formula of 'post-modern' and 'biblical studies,' then you'd be wise to pick up this exhaustive and personable piece of academic fervor. Among others, The Postmodern Bible fuses epistemological, religious, and cultural frameworks into a textual craft that will keep you poised with more questions. I recommend this book to anyone who takes the Bible seriously - whether you're a theologian, academic, or a heady poser, you'll want to have this book on the shelves of your mind.

Written in the highly polished Augustan prose style of the period, this is a fine selection of essays from the pen of the great Scottish philosopher, historian and economist, David Hume. The essays range from aesthetics, commerce, history and ethics, which include such pieces as "The Epicurean", "The Stoic" and "The Sceptic" (Hume's own credo) all which are rather curiously positioned and excellently written guides to living. "Of the Immortality of the Soul" and "Of Suicide", two of Hume's most controversial essays touching on theological topics, are also included in this volume. Both succeeded, with their bold, original arguments, in outraging the British clergy, which helps us to understand why Hume decided to have them published posthumously.

This comparatively short book consists of extremely well-selected essays by the great Scottish philosopher and historian, on everything from public credit to delicacy of taste. Also included are the different classes of philosphers, including the class Hume falls under, The Sceptic (Hume's sp.). There is also an exceedingly interesting essay on the populousness of the world in ancient times. Apparently, the accepted notion at Hume's time was that there were hordes of people in ancient times and that our race has been dwindling ever since. Hume, on the other hand, proposes the radical notion that just the opposite is the case, and sets out to prove it quite handily.-Overall, the best introduction to one of my favorite writers that I've yet to read.