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And yet War Dragons is one of the better Star Trek books out there. The plot structure is intriguing. Kirk's and Sulu's stories occur twenty years apart and are told in alternating chapters until they converge for the last third of the book. Each story has plenty of suspense and action and, once one puts aside the frame story, are well-written. There are excellent Trek moments, including a charming description of the beginning of Kirk & Spock's working relationship, and a tasteful cameo by Tuvok. Also interesting is the idea that Sulu pegged Chekov to be his first officer; Graf successfully explains Chekov's eventual return to the Enterprise.
Not great literature, of course, nor great science fiction (read Harry Harrison's West of Eden for a masterful treatment of reptilian cultures that speak with physical movement as well as verbal cues). It is, however, very good Star Trek - amusing, entertaining, and satisfying.
I was a little disappointed by how Sulu was characterized, a little too soft for my taste. Specifically, all that business about the lizard he found in the gardens. I haven't found a story beyond those of canon, yet, that has really captured the Sulu we know and love. The characterization of Kirk was pretty on. What really halted me on the story was in the characterization of Chekov. A lot of his character development is based on a faulty premise. The premise being that the crew of his first command post, The Reliant, had been killed during the Kahn incident. That is completely UNTRUE. It is KNOWN that Khan did not kill the crew of the Reliant, he stranded them down on Ceti Alpha V. After the incident Kirk returned with the Enterprise to pick them up. I might as well have been reading unlicensed fan fiction. The whole mess developed Chekov in to someone he shouldn't have been.
That part aside, the book wasn't bad. One of the cool items was the FL-70. A neat piece of technology, wouldn't mind seeing it again. A decent plot, however, not so much a page turner as others I've read. I hate to come off as a total Trekkie crank, but someone had to do it. The book is worth a read if you are bored or are delving into the whole Captain's Table series as a whole.
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Throughout the book, Christine often refers to lyrics in John's songs to further witness his spirituality and to provide more indepth analysis of his message. She has also included 8 pages of color photos of John and ends the book with a series of moving essays comprising a beautiful memorial to John by the author herself.
I truly believe you have to be a spiritual person to fully appreciate John Denver - his music, his message - the man himself. So kudos to Christine for enlightening us about the inner John plus also for portraying a powerful blueprint for us to transform our own lives through spiritual discovery and growth.
Since I do not want to give the whole book away, I'll simply say you have to read it! Thank you, Christine, for your time and effort in writing "A Mountain in the Wind"! I know it was a labor of love for you. And thank you, John, for being her inspiration for the book. It's a treasure! Peace. Carole
"A Mountain in the Wind" is indeed how John lived his life and this wonderful book is filled with his love for humanity, his respect for nature, his own personal inner strength and his spiritual beliefs. His sudden, tragic death moved people around the world. Wherever John may be today, I hope he truly does have, "Sunshine on his Shoulder" and the peace and contentment he believed in. For fans of Denver, this is a five star book and highly recommended reading.
Van Evrie's central theme is that white Caucasians are superior to every other form of life on this planet, and that God created other races of men, particularly black Africans, to serve whites. Because blacks are naturally inferior to whites, Van Evrie says, it is the natural order of things to force them to work, and what is called "slavery" in the United States is not slavery at all. Rather, because blacks are naturally subordinate, they are only free when put to such labor.
In support of this, Van Evrie includes a comparison of the white Caucasian and the black African, detailing the superiority of the white man's hair ("there is certainly no physical or outward quality that so imposingly impresses itself on the senses as a mark of superiority, or evidence of supremacy, as a full and flowing beard"), color ("color is the standard and exact admeasurement of the specific character"), features, language, senses, and the brain. This is all accompanied by hideous caricatures of the races, showing the tall and strong Caucasian, and the slouching, lazy Negro ("the anatomical formation ... forbids an erect position"), and all the races in between the most superior and most inferior.
Blacks all look alike, says Van Evrie - this is because, aside from age and sex, they are alike. They have no likes and dislikes, or at least not on the same level as whites. They cannot express emotions as whites can, and therefore do not have emotions at the same level. They do not learn like whites, and in fact peak mentally at about the age of fifteen.
Because of these things, it is ridiculous to want equality for blacks in the sense of treating them as whites. Rather, it is our God-given right, and even obligation, to use the "mud races" to our advantage.
It is a thoroughly disgusting work, but also an extremely important work, as it illustrates some popular beliefs during one of the darker periods in American history.