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Most projects of any substance that I have been involved with seem to fit the 'troubled IT projects' tag defined in the book, and the author presents a clear strategy for avoiding problems before and once they occur. I was particularly interested in the discussion of getting the initial proposal right before proceeding which is where, in my experience, problems often occur and we are then trying to catch up throughout the rest of the project.
I wouldn't say that the book necessarily taught me anything I didn't already know and to a large extent the material covered is really just common sense. However it is really useful and illuminating to see it all encapsulated in the one book.
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In the past, I have generally hated the X-Men's adventures in the Savage Land, or whenever they would go to outer space or get into really super sci-fi type situations. I always felt the X-Men stories worked much better when they were grounded in very normal, down-to-earth settings, because it made the X-Men themselves stand out and seem that much weirder. But this book is an exception to the rule. It's a big, crazy, larger-than-life adventure, part of which takes place in the prehistoric Savage Land, and part of which gets hyper technological, and it works out OK.
The artwork is tough and gritty. Jim Lee draws a mean, shadowy, ugly Wolverine who kills lots of villains and looks like he needs to take a shower very badly.
And Lee's women - whoa. This book contains more gratuitous cheescake shots than any X-Men graphic novel I've seen, but it's all very pleasing to the eye. Especially the scenes with Rogue, whose bare skin can kill anyone she touches and thus, understandably, was always the one major female character who kept herself completely covered at all times. This was the first storyline in the series where they finally drew her as a scantily-clad, sexy heroine. A real treat for male Rogue-fans who'd been reading the series patiently for years.
This storyline also chronicles the transformation of innocent young Psylocke into a mature woman trained in the art of Ninjitsu, and she becomes an ultra-violent, sexy bad girl. And then there are cameo appearances by other Marvel superheroes, namely Captain America (from the Avengers series) and The Black Widow (from the Daredevil series). All in all, it's a satisfying, action-packed, well-drawn, crowd-pleasing comic book in trade-paperback format.
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Each chapter is short, about 3-5 pages, and focuses on some aspect of the Work: e.g., attention, anger, tensions, the sitting. He includes excerpts of observations and experiences from his own journal. In the final chapter there is Mr. Fuchs' own version of an exercise to be done daily called "A Spiritual Accounting."
People interested in joining a Gurdjieff group often wonder what happens in a group, what sort of tasks and exercises are given. Mr. Fuchs gives us a glimpse into the actual transmission of the Gurdjieff teaching with illustrations from his own life as a student in the Work as well as from his meetings and personal instructions to students.
If one is a spiritual searcher just looking into Gurdjieff, "Forty Years" is a good introduction, although the next step would be to read something which gives a fuller, more organized accounting of Gurdjieff's teaching, such as Ouspensky's "In Search of the Miraculous." If one is already involved in the Work, "Forty Years" will offer help and an affirmation of the path they are already on. I still pick it up from time to time just for the support and encouragement it gives my own efforts.
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However, a descrition of Sir Thomas Robinson's incongrous alterations to the splendid mausoleum (1729 - 1745, though Summerson suggested 1742 as the date of completion) is not a sufficient account of his activities at the estate: the northern range of the house features several rooms completed under Robinson's supervision, but these are simply not mentioned.
The author combs out an icongraphical programme in Pelligrini's ceiling paintings in the domed hall (ie, the 'Fall of the Phaeton'), but a similar analysis with respect to the garden monuments draws different conclusions. Carlisle's changing position as a patron and politician accounts for this: the estate shifts, in Saumarez Smith's opinion, from being a an opulent panorama to an introverted retirement home for the earl, whom, in his dotage and increasingly unhappy free time, commenced autonomous study in matters of contemporary religious thought. This, therefore, effected his decision to build a grand mausoleum rather than allow his remains to fall into the hands of what his lengthy (and only) poem preserved at Castle Howard, described as corpulent and corrupt Anglican clergmen. As an explanation for the development of the garden buildings, this is not as simplistic as my description might phrase it: the book's account is entirely convincing. I do not imagine that 'The Building of Castle Howard' - an inexpensive but well-illustrated gem - will be in print much into the future. However, its interest is broader than simply an account of architectural patronage. Unlike other studies of 18th Century British art which read as prosaic 'case-studies' (especially in the case of portrait painting, all of which make the same point), Saumarez Smith's book is an autonomous and compelling analysis of specific buildings and their conception, not a dour treatise from which established generalities are laboriously combed out.
While this book doesn't always stick to the Conan stories continuity-wise, for the most part it fits in, filling little gaps in between those stories. Also, several of howard's better stories are adapted to comic format here; Tower of the Elephant, Frost Giant's Daughter, and Rogues in the House to name a few. We get the first comics' appearance of Red Sonja as well.
Overall, this is a fun, quick read, and although it's only in B&W, for the sheer amount of materiel included herein it's definitely worth the cover price.
Barry Windsor-Smith has long been my favorite "comic book artist," and this collection traces his evolution as such quite admirably. Indeed, not other collection could better serve that purpose. A simple comparison of the covers from Conan #1 and Smith's swansong issue #24 ("The Song of Red Sonja") evidences the transformation from artist to illustrator. For that matter you can also consider Smith intermediary style (e.g., #13 "Web of the Spider-God"). This transformation is as impressive because of how quickly in took place while he was drawing Conan as it is for the artistic growth. But even in his work today you can see how it is grounded in the style he developed while working on this comic.
These reprinted stories are presented in black and white, which is certainly better than nothing, but I look forward to Smith's work being presented in color as it originally appeared. I notice this most particularly in the Epilogue to Conan #20, "The Black Hound of Vengeance," which was originally presented in muted tones of gray, blue and brown. Smith abandoned panels in an interesting change of pace that underscored the emotional impact of the sequence. Without color that impact is most decidedly lost. One of the things that is still discernable is the increase in the number of panels per page from issue to issue through Smith's tenure as he became more comfortable with using art rather than dialogue to advance parts of the story. The best example of this is the hanging sequence on page 14 of Conan #10.
From a writing stand point it should be noted that there is a nice balance between stories adapted from Robert E. Howard's Conan work and original stories by Roy Thomas. For the former "The Tower of the Elephant" (#4) is usually considered the high point. The appearance of Michael Moorcock's Elric in issues #14-15 seems a bit forced, while the Fafnir character (original a quick tribute to Fritz Leiber's famous pair of thieves) becomes a wonderfully integrated character into an ongoing story line.
Of the 25 issues included in this collection not all are drawn by Smith. Several issues are drawn by Gil Kane because Smith had missed a deadline or took a hiatus from working on Conan. Thomas' ability as a storyteller capable of crafting bigger and longer storylines would continue to grow, and while John Buscema's artwork on Conan was quite excellent (especially when inked by Ernie Chan), Barry Smith's work will always stand on a plateau. Jim Steranko cracked open the door on stylized illustration in color comics, but Barry Smith was the one who gets credit for busting all the way through.
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Each sub-section is alphabetically ordered making it quick and easy to find whatever drug you are looking for, and there is a comprehensive index in the back containing both generic and trade names as well as some diseases and therapies! The down side of this is that the trade names relate to Canada and USA so some of the British drugs aren't listed by trade name. I haven't found this to be too much of a problem, but sometimes it is difficult to find drugs if you only know the trade name.
I found the drug dosages sections very useful as not only does it give the dose but also it gives the different doses for different indications and administration routes. I especially liked the exotics section since it gives you detailed information on rodents, rabbits, ferrets, reptiles and birds; subjects on which data is usually difficult to come by.
The size of the book makes it very handy to keep in your bag for reference during lectures and it is small enough to fit in your pocket when on clinics.
This book provides the usefulness of a formulary and the convenience of dosage charts, all combined into one pocket-sized handbook. It has been a great aid to my studies and I highly recommend it to vet students on either side of the Atlantic.
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Think of it: He never earned a college degree or a patent; never held political or corporate office; never had a telephone or paid any utility bills; never had a credit card or an automobile; never owned any real estate or made any contributions to the arts. Yet here we are, 33 years after his death and nearly 50 years after his departure from the wilderness as a hermit, writing and reading books about him.
Recently, there was a program given at the Adirondack Museum, by Jay O'Hern, in March of 1999. The place was packed and spanned multiple generations, to witness a one hour plus, slide presentation and talk on The Hermit of Cold River, Noah John Rondeau.
In August of 1999, this reviewer took a 40 mile hike into the Cold River Country of the High Peaks Wilderness in the Adirondaks, to meet the spirit of Noah John head-on, along the Northville-Placid Trail. I walked in his footfalls, slept in his woods and fished in his beloved Cold River for the native brook trout.
The trip was a watershed experience and a rite of passage for any hiker or backpacker. His spirit remains in the High Peaks Wilderness to all who have the inclination to venture there.
Jay O'Hern has, with this book, kept Rondeau "alive" for those who would read these pages. More than that, he has helped keep a special time in history fresh and relavent.
Highly recommended.
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Prevention and turnaround
John M Smith, IBM
The Institution of Electrical Engineers
Professional Application of Computing Series 3
2001, ISBN 0 85296 104 9
In this useful book John Smith has combined his significant experience in engineering, defence and technology with an excellent commercial sense to produce a very comprehensive project health checking volume. He simultaneously manages to entertain and yet present essential project structure material, not usually known for its entertainment value. This is achieved with a fair number of anecdotes and pertinent allusions to the real world, all done with the occasional understated wit and a sprinkling of pertinent pieces of IT industry history and commercial perspective.
The book is in four sections; Why Projects Fail, Preventing Troubled Projects at the Planning Stage, Reviewing Troubled Projects in Delivery and finally, Project Turnaround and Organisational Learning. It starts with a definition of a troubled project and presents 40 root causes of troubled IT projects drawn from research and the author's own practical experience. These 40 root causes are clearly tabulated and subsequently used as the basis of analysis in a variety of contexts to add insight to the business of problem identification and rectification.
The book will most appeal to vendors of IS and IT services, although buyers of such may also find it a useful insight, if nothing else, by seeing into the sales processes of the services provider. In fact Section 2 on Prevention of Troubled Projects at the Planning Stage starts with a chapter entitled 'A Professional Services Sales Primer'. The book will nevertheless be of interest to internal IS and IT departments and internal project management. It clearly and strongly addresses the importance of a well-defined specification, which is as pertinent to in-house projects as it is to Vendor/Customer situations. It also focuses strongly on the subject of roles, responsibilities and reporting lines; vital in whatever Vendor/User/IT Departmental structure may be in effect.
Highly comprehensive, the book contains many fulsome checklists and ends each chapter with a summary. In the chapters themselves there are many tables as well a variety of mini case studies to keep it all practically focused. Each chapter also ends with a few exercises which the author points out are intended to ensure the reader gets value, which I believe will undoubtedly be the case.
For those who seek to improve revenue or gross profit from the industry the author is evidently experienced in nurturing the essential relationship between vendor and buyer and gives many useful tips in that area for maximizing the value of that union although noticeably leaning towards the vendor's interests.
The aspects pertaining to project management covered in the book should be of interest to all readers. Techniques covered include the use of Function Points to help quantify the tasks in hand; Risk Management to open the reader's mind to the need to recognise that risks often (maybe always) accompany a major project, whether it be I.T....or building the GWR railway nearly two centuries ago - a very topical case study (ask Mr Byers)! The author also recognises the advantages of the 'less is more' concept of delivering basic functionality in a highly useable and robust system, early on.
Finally, following Section 3 on the review of troubled projects in delivery, the Project Turnaround material comes a little later than I would have preferred but is nevertheless welcome. I would also like to have seen a little more on IS/IT project success criteria being based on more than 'on time, budget and to user requirement' since user satisfaction appears increasingly to be a non bipolar entity. However, in all, my feeling is that John M Smith has several more interesting books up his sleeve for the IS and IT communities and I look forward to the next being not too far away.
David P Jacobs
Director
Profit from Information Ltd
"Maximising business value from information systems"