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The book describes the eight spirits who work through Toni and explains how each of them came to work with her and what their specialties are. Through the author's incredible interviews with Toni's spirit family, I have learned much that has helped me immeasurably on my own spiritual path.
I personally have been helped repeatedly by the healing, guidance, and protection of these loving healing ministers who work through Toni. I consider myself very fortunate, to say the least, to have met her and also to have been able to take advantage of the invaluable information offered in the "Living in Both Worlds" series of books. I can't recommend them highly enough.
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Private Lessons is quirky, typical Leto, with sexy, intriguing characters that is written with incisive sharp wit. Grant Riordan is a stuffed shirt. He is an investment broker with a firm that deals with elderly clients who abhor scandal. The firm already has weathered one such front page sex to-do and definitely does not want another. Grant has been pegged to live in the firm's property for a year, and is under the constant spot checks of his boss. Worse, is the old bat across the street is a local reporter for a gossip columnist and she is watching Riordan like a hawk hoping to find more dirt on the firm.
Grant's brother Gus springs a small bachelor party at the house - with Grant sweating bullets, and the nosey neighbour already calling Grant's boss reporting there are too many cars outside. Just as the boss calls to inform him he is coming over to check on Riordan, in walks Harley: the hired stripper. In the fuss that follows Harley informing she refuses to perform, she is knocked on the head and when awakens cannot recall who she is.
Grant is stuck with Harley, since he cannot call the police knowing the questions about a missing person would attact notice of the press and his boss. He has to maintain this stuff shirt life because his ex-wife took him to the cleaners. He needs the job, despite all the extra hassles, because he is fixing up his grandmother's home so she will be able to stay in it until she dies.
In spite of the problems presented by Harley, Grant is immediately attracted to her. He knows she came supposedly to be a stripper for the party, but she seems just the opposite. She is intelligent, well-educated and presents a caring, upright mind.
Harley and Grant are delightfully charming people that will have you smiling and laughing at their predicament.
Leto pulls the hat trick again!!
In Private Lessons, Hailey (aka Harley)was desperate for some quick cash and decided to accept an offer to substitute as a stripper for her cousin. The gig was a bachelor party at the company owned home of banker Grant Riordan. Upon entering his home and after a slight accident Harley developes amnesia. (Now we all know that the amnesia bit has been played to death but Ms. Leto's writing style prevents the story from becoming just another amnesia story.)
Grant allows Harley to stay at his home to rest and recover her memory. What follows is a well written story of two very likeable characters as they fall in love.
This story was published as a Harlequin Temptation Blaze. The series is known for very sensual, sexy stories and Private Lessons surely delivered on that account. If you like quick, fun, sexy reads with love scenes that are steamy, don't pass this one up.
In a sizzling story of true first-love, the author makes us privy to the characters' sensual awakening. Grant, divorced from a cold, corporate wife, had decided that the loner, stuffed shirt life suited him just fine, until 'Harley' showed up at his door the night of a bachelor party for his co-worker. From the moment Harley entered his life, Grant felt his heart begin to melt. First with concern, then with something much stronger, for there was no denying the strong sexual tension simmering between him and his houseguest.
Harley's heart began to pound each time they came close, until the their attraction could no longer be denied. Grateful for his generosity and caring while she attempted to patch the holes in her memory, Harley made sure nothing she did threatened Grant's position in the community or his job. Little did she know that for Grant, none of it mattered. She had come to be the overriding reason for his living. But what would happen when she did recover her lost past? How could they reconcile the two opposed worlds from which they came?
Private Lessons is one red-hot love story. Be prepared to turn up the air conditioning. I may never look at hot tubs or swimming pools quite the same way ever again. And I won't reveal anything further, except to say: The ending will leave you breathless.
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The book is colorful, funny and teaches kids surfer slanguage in a fun way and at a fun pace.
k55@pacbell.net
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Note especially the ominous picture in the Deluxe edition (illustrated by Marvin Besunder) of Trixie alone on a field investigation to a seedy neighborhood. (For a discussion of the various illustrators, editions, and authors, check out the Trixie Belden Library website.)
This book climaxes with one of my two most memorable moments from the entire series (the other being in the Mystery of the Blinking Eye). Let's just say that it can be advantageous to stay on good terms with one's occasionally annoying siblings.
As kids, we were often annoyed by our parents' tendency to trust our charming, rotten classmates and dislike our loyal, less polished friends. Therefore, it's easy to sympathize with Trixie, Di, and their friends when they can see through Di's uncle's trickery and her parents can't. Campbell shows real skill in making Uncle Monty subtly creepy without overdoing it.
How ironic that this warm, intelligent, realistic series is out of print, while the two-dimensional all-that-and-a-bag-of-chips Nancy Drew is still around! Trixie is an imperfect human being with real faults and limitations. Nancy was a great role model in many ways (she could change a flat tire - I never have!), but for a kid having growing pains, Trixie and her friends were so much easier to relate to. There is a real sense of warmth in these books that most of the old Grosset & Dunlap series (Hardy Boys, Dana Girls, Bobbsey Twins, Beverly Gray) lacked. Nancy's friends George and Bess were essentially ciphers; I used to wish that I could meet people like Trixie and her friends.
There's also a real sense of continuity - old friends don't just disappear from one book to the next, and the new friends they make get mentioned from time to time in subsequent stories.
And, to the best of my knowledge, the Trixie Belden books never had to be revised in order to remove racial slurs. Some elements seem slightly outdated, but with the emphasis on people rather than things, the books hold up surprisingly well.
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True to the title of the book "Some People Can't Surf" there isn't one website design to be found, but that may not be a bad thing as Chantry is a master within his medium. A very large body of work that spans three decades is showcased which includes everything from his very first poster design for a school concert to promotional work for major Hollywood record labels. One pleasant surprise is seeing quite a bit of logo design work which involves the charm and craft of hand lettering. In end Chantry reminds one of a later day Milton Glaser with a punk rock point of view.
At some points the book can become too crammed by trying to jam several posters onto a page by shrinking them down to matchbook size, however the work holds up pretty well under the strain. This volume would be valuable to any graphic designer looking for inspiration or anyone who is a fan of the Seattle music from the 90's.
In early 1991, I discovered and became obsessed with underground garagepunk & instro-surf music, the most exciting of which was coming out of the Pacific Northwest, and specifically Estrus Records, in Bellingham, Washington. It was the Estrus label that started my appreciation, and later, reverence, for Art Chantry's ir-reverent style of graphic design. When Nirvana's "Nevermind" was released later that year, the wall that previously kept mainstream riffraff from crashing "our" underground party came crumbling down, and as a result, grungy Northwest music had become suddenly (and inexplicably) marketable. The sudden onslaught of new bands inspired by this alleged "rebirth" of punkrock quickly caused the quality of Estrus' releases to assume an inversely proportional relationship to the quantity of records they put out (well, that's MY theory, at least...). Simply put, the really good music on Estrus soon became a rare commodity. Thankfully, what didn't change was the brilliant package design that thier slabs o' vinyl and silver frisbees were encased in. Art Chantry was responsible for the bulk of these designs, and is the only reason why a big chunk of my record and CD collection isn't fermenting in some used-record store somewhere. His artwork transcended the actual product it was emblazoned on, and made it worth keeping even if the music it promoted was supremely lame.
Chantry's work led me to notice and gain an appreciation for artists such as Stealworks' John Yates, Frank Kozik and even Roy Lichtenstein. But as great as those artists are, Chantry's work is the perfect amalgam of irony, humor, subversion, obnoxiousness and kitsch, and no one that I'm aware of has yet to outshadow him in this regard, even though he is without a doubt a man with many imitators. In fact, many people directly point the finger at him for popularizing the now passè movement in "grunge" design and layout. Whether this is actually true or not is debatable (although it certainly makes sense), but "Some People Can't Surf" is interesting in that it showcases a non-"grunge" (god, I hate that term) side of Chantry that most people would be very surprised to see. The same man responsible for some of the most outrageous and iconoclastic posters and album covers in music history was at the same time designing nondescript logos and brochures for boring, faceless corporations--biotech companies, architectural firms, airlines, etc.--and it's extremely interesting to see this real-world dichotomy brought to light in this book.
Another notable section of the book recalls the time when Art creatively attempted to get around a draconian 1994 Seattle anti-postering ordinance by posting up 'zine-like tabloids to telephone poles instead, ostensibly daring the city to attempt to fine him for what is fundamentally a First Amendment issue. As someone who firmly believes that graphic design and traditional "art" are not mutually exclusive, I found it refreshing to read this shining example of how designers can use their talent to actively influence and challenge the cultural status quo, instead of simply generating pretty pictures for passive consumer consumption.
When I first saw Art years ago in the documentary film, "Hype!" (which I also HIGHLY recommend), talking about the early Northwest music scene, and then proceeding to chop up his super-rare (and super-expensive) posters with a paper cutter, it completely validated what I always thought--this man is an ironic and wonderfully irreverent genius. "Some People Can't Surf" bolsters this fact even further, and I enjoyed reading this book's narrative at /least/ as much as looking at all the cool, full-color images of his brilliant work. I highly recommend this to any graphic designer who is tired of all the c.r.a.p. that tries to pass itself off as "cool", "grungy" or "retro" nowadays.