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Even if you aren't a fan of Wraith: The Oblivion, or ANY role-playing game for that matter, you can still get the messege that this book is trying to get across: Never again.
Shoah: Charnel Houses of Europe opens with a brief bit of history (prompting some to even go so far as to use this section as a textbook) before detailing the Dark Kingdom of Wire: the Holocaust's wraithly inheritors. The book presents the falsified Jewish society that detoured a Red Cross investigation (which, in turn, kept the world blind just long enough for a few million more deaths), the Polish ghettos of Warsaw and their almost-victorious hero, and a Russian camp. These are, obviously, in descending order of darkness, but each are richly detailed and usable for any who think their troupe can handle the content.
Auschwitz is last. It is detailed. It is thorough. If you decide your troupe should go to Auschwitz, it contains enough information to horrify the players: that this is the worst atrocity in human history.
The book is dark, troubling, nightmarish, and easily worth three thousand times the cover price for any roleplayer who knows what it contains. It is very simply the best RPG book I've ever read.
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It's hard to comment on specifics since the entries themselves are so widely varied, so let me just recommend a companion volume: Robert Audi's _Epistemology: A Contemporary Introduction_. (And _The Oxford Companion to Philosophy_, edited by Ted Honderich, is another keeper.)
The Blackwell "Companion" series is very good in general. See also _A Companion to Metaphysics_, which is highly recommended too.
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By: The Rev. Ben L. Somerville, II
December 28, 2002
This novel is a piece of literature, not just a great story. I call it literature because of its power of engaging the reader. The Epic of Porch engaged me as entertaining, thought provoking, reading my own story into it. I needed to think and look below the surface to infer philosophical and theological ideas and positions. It is a long read and never fails to engage a thoughtful reader.
Porch, the main character is not the only personality that stays with you and is not the only one to identify with as a companion on our own personal journey in life. Porch appears out of both romantic and tragic circumstances and is moved through the first part of life by love and protection from evil, showing the grace and power of love in one's early life. As he matures, he focuses on his dream and pursues it. There are many in life who knew what they wanted to do or be when they grew up and there are many others who wish they did. Either way Porch can capture your heart.
Porch's dream comes to fruition, but not in a smooth way nor in a way that we anticipate dreams coming true. Be careful what you pray for because you just might get it. The process of what we look for, dream about, or strive to achieve, often seems to have little reality to the idea or end we had in mind at the start. The development of the character of Porch as he faces trials and tribulations, surprises, and gifts of grace with hardships and friends of grace along the way is what turns this story of a journey of a person into an epic. The character grows into a full person with all the motives and emotions that go with being human. He has the full range of good and evil within himself and faces the full range of good and evil in life. The grandeur of the character is that even though evil is not defeated it is overcome by good. The victory is shown through a combination of the will of the person and intervention from outside self. Some may see this as luck and others as destiny. I inferred this to be an expression of forces at work in life that is beyond our control and that God is an active part in our life. The way we choose to accept who we are contributes to how we overcome evil within self and ward it off from the exterior world. The story of Porch and other characters and communities expresses this dimension of life. Do we choose to participate with the persona of evil or the persona of good? What force do we choose to guide our life, the force of evil or the force of good?
To think and contemplate the eternal is supported by the discovery of worlds that go beyond what we know. There are other rational ways of living that can involve creatures other than human who face the same struggle of the meaning of life and the difficulties that go with it. There is no place to go where the struggle is absent. There is one place to go when we choose our way and not the way offered to us by the one who is the giver of life, and that is not a place any wants to reside, but many do and others are saved from it by grace from the most unlikely places.
The author of The Epic of Porch, Jonathan Holman died December 16, 2002 and was buried with full Military Honors on December 19. I, his priest of the Episcopal (Anglican) Church presided at the funeral. Jonathan asked me shortly before he died that after I read the book to review it, and be honest about it specifically referring to the theology I saw. Was it good or bad? It is good.
Jonathan's death was timely for his leaving this world. It was untimely for us because he told me just days before he died that he had another novel in his head and the story line was great. Yet another statement by Jonathan that life goes on. He will write that novel somewhere or nowhere, but it is not lost. Thank you Jonathan for your offering.
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Published by CROSSLINES Global Report and Media Action International (formerly the International Centre for Humanitarian Reporting-ICHR)
The Crosslines Essential Field Guide to AFGHANISTAN Is the only detailed guidebook dealing with the current situation of the country available in English. Although certain elements in the book have been overtaken by recent events, the field guide is still essential reading for all journalists, aid workers, diplomats and military personnel operating in the region or otherwise interested in Afghanistan. Journalists and relief workers from the BBC, TIME, UNHCR, UNICEF and other media or aid groups have already informed us that the Essential Guide to AFGHANISTAN is the best thing going for quick and informed background information.
The book features over 500 pages of political, humanitarian and military analysis, biographies of key Taliban and opposition players, essential information briefs on agriculture, medical relief, environment, culture etc. as well as all regions of the country, street maps, advice on health and security, phrasebooks in Persian and Pashto, contact details for diplomats, aid agencies and journalists. Specially commissioned essays written leading experts analyse the country's political, military, humanitarian, and cultural situation. All country data was collated through first hand field research the editors.
The editors are Edward Girardet (a journalist and former correspondent for The Christian Science Monitor; also author of Afghanistan - the Soviet War) and Jonathan Walter (a former officer with the British Army's Brigade of Gurkhas, and editor of the World Disasters Report)
Perhaps the most suprising thing, right off the bat, is that this is a soft cover. Generally, one does not expect deeply disturbing images to leap from the pages of an oversized floppy book. Consistantly, White Wolf has challenged that assumption, and this is probably the best example everywhere.
When you open it, you will find a two-page black and white image. This image is one of the most haunting pictures I have ever seen. Countless thousands of men, women, and children stand on the shores of a river. Garbed in prisoner stripes, heads shaven, they wait, some standing in edge of the water, some with their arms raised in supplication. There are so very many of them.
There is a single small boat, with a single ferryman, ferrying them one by one into the afterlife. The magnitude, the idea that death is never wholesale, that it is always, always a personal matter, is message enough to be worth the purchase price.
This book is never trivial. It is never "fun". It draws immensely from history, and makes it very clear what is fiction, and what is drawn from a history far darker than that found in any fiction.
The background is superb, the infomation interesting and vivid. Places described are disturbing and realistic. Characters make sense, plots seem feasable.
For many who read this, this will likely be a first look into the subjects described. It is much more intense than they may be used to. It is recommended for "Mature Audiences", and while I think teenagers should read this exact sort of thing, I think care should be taken that they be aware of the seriousness of such a subject.
This is the sort of book that will remain on my shelf,long after the game system fades into obscurity.
Castle Wolfenstein, this is not.
Indra