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Bennett's character sketches in Talking Heads are devastating. The grown man whose safe little existence begins to unravel as he discovers his dear old mum has taken a lover, the vigilent, upright busybody who ends up in prison for invading her neighbor's privacy, the widow of "Soldiering On" whose emptiness of purpose is revealed through her inability to grieve--each uncomprehending character Bennett has created in these astonishing soliloquies is undone by his or her brave and steadfast unwillingness to acknowledge the bare-knuckled truth of human emotion.
Bennett is not cruel in revealing the weaknesses of his characters, but he is uncompromising in revealing those weaknesses. This is the Teddy Bear who brings to the picnic the sharp knives that cut through the bread and fat prepared and packaged by his companions.
Also recommended are Bennett's Writing Home, The Clothes They Stood Up In, and any and all of his other plays, particularly The Old Country; and, for those who just must have the soft and fuzzy version of the Teddy Bear, listen to Bennett's reading of Winnie the Pooh, or go see his stageplay of The Wind in the Willows.
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One thing I didn't expect to like, since I can read regular music notation, was their concocted music notation. To my surprise, I like theirs better. It's very intuitive, and after a while, you can pretty much sight-read the rhythms. If I hear/see a conga pattern I like in the future, I'll probably write it down using their notation.
If you are into conga playing, get this book for the price of half a conga lesson I am sure you will get some mileage out of it. I have been playing congas for years and I discovered a few things in this book I didn't know. Go for it! (...)
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While I have not had a chance to read Troop's first book containing the first-person account of Peter DelaSangre's earlier years, I can safely say that Dragon Moon is eminently satisfying on its very own. While Peter is a dragon by birth, he is remarkably human as a result of his experiences among men and women, and aside from his occasional slaughter and eating of humans, he is quite the dashing hero. His deep love for his son and for Chloe, as well as his interest in human pursuits, marks him as a very distinctive dragon; the fears, loves, regrets, dreams, and other emotional feelings and wishes he communicates are universally understood, making him an incredibly sympathetic character.
Troop inevitably draws comparisons, both good and bad, to Anne Rice, and I for one am at something of a loss to explain why this should be so. It is true that he has basically invented a brand new concept and history of dragons, remaking them in a thoroughly modern form, one which this book apparently explores in more detail than Troop's previous novel. Peter and Chloe also do spend a lot of time mating, but this is essentially just an expression of their love for one another. While Rice luxuriates in her prose, however, Troop maintains a riveting pace that manages to explore his characters rather deeply without ever impacting on the action and suspense. Ultimately, Dragon Moon is a work of fantasy about loss and love, the importance of family, honor, and bravery, making this tale of modern dragons a thoroughly human story.
His wife's sister Chloe is coming into heat so Peter's journeys to her home to mate with her because he cares for her. Once the mating is accomplished, they tell her parents who are displeased but allow the mating ceremony to begin. Midway through the rite, Peter is poisoned. By the time he's recovers, Chloe's brother is masquerading as him and holding his son as hostage. Both Chloe and Peter risk their lives to save Henri with the latter forced to battle his wife's father and brother to the death.
Although the hero of this book is non-human and thinks of us as fodder one can't help but admire the man who loves his son so much. He can't be judged by people standards though personification makes him seem somewhat human but he remains at all times (though it is sometimes hard to remember) another species. Peter has a good heart and his mate is his match in every sense of the word. There is a lot of action in DRAGON MOON but it is the characters that will win the hearts of the reader. Alan F. Troop does for dragons what Alice Borchardt has done for werewolves.
Harriet Klausner
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Viewer Caution: This book contains many nude images of women, men and children that would surpass what would allow the material to obtain an R rating as a motion picture.
Review: Edward Weston's photography reveals a personal fascination with form, shape and shadow that provide a unique vision into the natural world. He was especially intrigued to see how the shapes of one object or subject could complement another. For example, his female nudes are often posed outdoors in sand dunes or beach settings where the gentle curves play off of one another. Where he focuses on eroded rocks, each one combines with another to express the equivalent of an abstract sculpture, standing out exposed by the erosion around the harder rock that forms the image.
While his landscapes could be every bit as majestic as Ansel Adams's best work, Weston's tastes and interests developed mostly independent of the leading photographers of his time. That independence gave him a greater versatility as a photographer and a more personal style. Few would mistake his ability to locate the patterns within nature and human-made objects for the work of any other photographer. To me, the artist closest to his vision was Georgia O'Keeffe.
My favorite images from this book include: Ruth Shaw, a portrait, 1922; Armco Steel, 1922; Nude, 1925; Dancer, 1927; Chambered Nautilus, 1927; Cypress, Point Lobos, 1929; Bedpan, 1930; Pepper, 1930; Soil Erosion, Carmel Valley, 1932; Church at "E" Town, 1933; Nude, 1935 (first one); Bug Tracks in Sand, 1935; Whale Vertebrae, 1934; Dunes, Oceano, 1936; Nude Series of Charis, Oceano, 1936; Zabriskie Point, 1937; Tree, Lake Tenaya, 1937; Point Lobos, 1940; Dillard King, Monteagle, Tennessee, 1941; Civilian Defense, 1941; and Nude, 1945.
While you look at these works, you will imagine that Edward Weston is at your side . . . pointing out details that you might not have noticed. His photography always has that character of being a reflection of his eye, rather than what the casual observer would naturally see. Both realities have equal validity, but your mind and eye will prefer Weston's.
In the biographical material, you will learn about his weakness for changing partners and how that helped to provide his muse. Many of the models for his female nudes are his lovers (including his second wife, Charis) and his nudes of children are of his son. His passion for Tina Modotti brought him to Mexico and helped draw his attention to many fascinating scenes.
After you finish enjoying this work, I suggest that you think about what inspires you. What would you be happiest and most proud being remembered for as your source of inspiration? How can you express yourself in more personal ways that show your most inner self?
May your passion inspire the goodness in others!
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This guide provided an incredible wealth of information about everything Paris -- from sights to see, places to eat, and things to do. Almost every site is accompanied with a nicely written description, map, and full-color photograph.
Here are a few notes: 1.) The information (allbeit interesting and informative) is about the touristy stuff. If you're interested in going to visit lesser-known sites, you may want to get a supplemental guide. 2.) Make sure to look up every place you go/have gone. I was surprised to found out that many of the seemingly understated little cafes we visited have long, rich histories, which the book very colorfully described. 3.) The restaurant guide, while good, is not entirely complete. If your visit will center on the French culinary experience,you may want to do a little additional research beyond the confines of this book. 4.) This leather bound special addition also contains 4 laminated, easy-reference information cards (menu reference sheet, address finder, Metro map) and a full-size city map, all of which were incredibly helpful and can not be purchased separately. 5.) The section about customs is good, as it contained valuable information on topics such as tipping and using the bathroom. (Interesting Fact: In many restaurants you have to *pay* to use the ladies room -- even if you have already purchased a meal or snack. Make sure to carry a handful of 2 Franc pieces with you at all times.) 6.) The book, though helpful, weighs a ton. Be prepared -- or beg one of your travel mates to carry it for you!
Bon voyage!
The travel guides have wonderful pictures, well researched histories and facts about France and more specifically Paris, what wines to look for and taste (not just by region and vineyard but also by year), sample dishes that one should try, detailed walking tours, information on famous art (there is a great section on the Louvre and all how to speed thru if you only have a limited amount of time).
The guide covers customs, money changing, travel information - you name it! Most importantly, it shares with you the best places to shop (and there are SO many in Paris), where to get good deals and SOOO much more. The book give you wonderful ideas on how to see the city in a limited time or really enjoy it if you are there for more than a few days. The book also covers things to do that many tourists might over look as well as telling you what is worth your while and what to skip. The guide also has great ideas for day trips beyond the city itself.
This is one of the best guides available on the market. It is perfect if you are planning to go to a few cities in a limited time or for more in depth information when planning a longer trip. We always lend this out to people before they plan a trip and everyone else has agreed it is top of the line.
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Read this book. It's a mystery about cats and kittens and tails. This book is about a girl cat who has kittens and her friends from the alley. When she got back with her kittens her friends taught the kittens to do cat stuff, until one of the kittens got kidnapped by a one-eye cat. And some of Carlotta's friends go rescue the kitten by tricking the one eye cat.
I liked this book because it was funny. This book kept making me laugh. When I was reading this book it reminded me of a cat that fell off a tree and landed in my dad's arms.
I think the author wrote this book so that kids should find baby animals a home so they could know some animals are in danger.
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Topics in this book include cryptanalysis of substitution ciphers, polyalphabetic ciphers, playfair and rotor machines. It has a chapter on the design and analysis of the DES block cipher. The final part of the book concentrates on key management.
The approach is mainly from a statistical angle, as opposed to combinatorics or number theory (which is more common in crypto textbooks). There is not a lot on public key crypto (or even modern cryptanalysis methods) in here, but it is a nice introduction to cryptology from a well-respected cryptographer.
The knowledge is basic and essential for crypto-analysis. You will find this book indispensible, even though it doesn't cover topics such as interactive proof system which is more theory than practice as you find very little real world implementation in action.
Read it, program it, decrypt it and enjoy yourself.
Having said that, I'll offer a few minor criticisms. The whole art of cryptology (as distinct from the mathematics) lies in dealing with the fallibility of people who design and use (or don't use) crypto systems. Konheim doesn't emphasize this enough. For example, cypher-text-only cryptanalysis of a good modern cypher is apt to be extremely hard, but it is often unnecessary. Konheim does not discuss the enormous diversity of ways in which the cryptanalyst may hope to acquire plaintext or probable plaintext. Professional designers of ciphers and codes know all about this, and their choices are heavily influenced by the need to limit damage when, for example, a general sends a back-channel message in a weak cipher that has the same content as an official message in a strong cipher.
He also fails to discuss in detail just how hard it is for the designer of a cipher to create a cipher as strong as the designer believes it to be. This is unfortunate, but I can't lay the blame on Konheim. Most of the most interesting anecdotes to illustrate this point (such as the reasons why NSA rejected LUCIFER and instead worked with IBM to create NDES) are sort of known in the folklore, but not really in the public domain, so could not be included in a college textbook. This is also presumably why Konheim chose not to mention the earliest, original discussions about public key ciphers.
I'll also observe that Konheim's discussion of rotor ciphers is remarkably brief, in view of the importance and widespread use of various types of rotor ciphers in many countries for many years. I understand why Konheim decided not to delve into this topic in detail, but it leaves a serious gap in the student's knowledge. Similarly, Konheim's discussion of NDES pays little attention to chaining and related topics, although he surely had access to the NBS unclassified manual on this subject.
And finally, Konheim devotes less attention than I could wish to the problems of generating, distributing and safeguarding keys. There is a popular belief that RSA with a suitably long key is nearly impregnable, for example, and there is good reason for this belief, but only provided that nobody can steal keys or guess them. Stealing and guessing keys is a game not restricted to cryptology (or computing); it has occured to a huge number of people over the years that the easiest way to get at something you're not supposed to get at is to steal or make a copy of the key. How else could so much pilferage from locked storage rooms and "secure" file cabinets take place? The same problem arises in cryptology, and it's one of the most interesting aspects of the field.
All this being said, however, this is a wonderful book.
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It easily earns three stars as an least average British police procedural. The writing is competent. The clues (or lack thereof) all make sense in in the end. It gets another half star for its many thoughtful observations of the Yorkshire environment - both the landscape and the mentality of the people. I'm pretty much rounding up the score after that. I like Banks and plan to keep reading the series which has received considerable praise in recent years. Still, I haven't found anything so fascinating that I'm going to recommending the book or series to friends---yet.
Then, Sally Lumb, a local teenager whom Banks suspects of knowing more than she is telling, alarmingly disappears'
Very much an English 'cosy' in the tradition of writers like Ann Granger, this is another success for Peter Robinson. There seems to be nothing exceptionally challenging in these early novels, but they're very enjoyable reads. Robinson writes good prose, and structures his mysteries excellently. He develops his characters well, even if they themselves are nothing out of the ordinary. Banks is an excellent lead, very real and with a dry humour there is definitely something of Morse in him. But, it would be nice if we got to meet his family a bit more pretty soon'
Anyone who likes a nice, traditional, well-crafted and satisfying British mystery is guaranteed to like the books of Peter Robinson.
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I would recommend this book as an excellent all-around reference on the subject of nutritional healing.