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Van Gennep began with the three passages (separation, liminal, and aggregation) of initiatory ritual. Turner expanded the concept of liminal (on the threshold) to include more specific dynamics of liminal space. Eliade, from his perspective, has emphasized the combination of hierophany (manifestation of the sacred) and kratophany (manifestation of power) as a necessary part of initiatiory ritual worldwide.
In this book Robert Moore details the need and role of ritual elders in creating and containing the sacred space required in all transformative initiations in human experience. Though the book is fairly specialized, it is written with a minimal amount of technical terms. "The Archetype of Initiation" was originally presented as a series of lectures and essays from 1984 to 1995.
Throughout the book I found the audience's questions matched my own and the Dr. Moore's answers made the concepts clearer. Also, myself having been prey to previous initiations that have been toxic, I found this book to be a beneficial guide to use before one submits to any initiation.
Psychotherapists, leaders in the Men's Movement, as well as people involved in youth counseling, prison rehabilitation, clergy, and even bewildered parents of teens will find this book very useful.
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As with the great first-person narrators in classics like Brideshead Revisited and Fifth Business, Max Strong is a keen yet passive observer, comfortable enough blending into the scenery so as not to obstruct the reader's view of the novels fascinating characters. Charlie, the brilliant, extravagant architect with an ego to match his talent, bobs in and out of Max's life, first appearing at an Italian villa where he and Max have been invited as guests, then in Beijing where Max has offered his legal expertise while on sabbatical from Harvard Law School, then again in Cambridge, MA and the Berkshires where Max works and vacations respectively. Their relationship is both antagonistic and co-dependent, as Max serves as conscience and confessor for Charlie in regard to the latter's romantic involvement with Toby, the young, attractive, and troubled youth that Charlie takes under his wing. And yet, while Max rarely asserts himself as anything more than an astute narrator, the book is just as much about him as it is about those that he observes.
It is a remarkable accomplishment that Begley has expressed so much beauty in so few pages. His settings and his characters sing with authenticity, and his prose offers the perfect current to carry his flawlessly-crafted story.
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Look for the reference to Dick Tracy that Collins ames at the end: "It hurts."