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The book consists of short fictional portraits of various characters in the world of Edwardian arts and letters. Beerbohm was a satirist with a nimble touch -- he had the ability to poke fun at the pretensions of the art world while maintaining a gentle, bemused humanism.
Sir Max seemed to view the vanity and foibles of human nature not so much with scorn as with an endless amusement, and reading any of his essays or parodies or satires is like spending the evening chatting with a wise and witty friend.
Beerbohm once wrote, "How many charming talents have been spoiled by the instilled desire to do 'important' work! Some people are born to lift heavy weights. Some are born to juggle with golden balls." Beerbohm was an admitted juggler, and yet his seemingly "light" work is ultimately more insightful than most so-called serious projects. And often much funnier.
Beerbohm was also quite a caricaturist, and his theater reviews (many out of print) are still great to read all these decades later.
Get hold of this book and start off with the classics "Enoch Soames," the story of a third-rate poet who, convinced of his own greatness, makes a deal with the Devil in order to travel to the future to enjoy his posthumous success (with comic results), and "Savonarola Brown," a hilarious sketch of a frustrated playwright and his great "unfinished" opus.
Beerbohm's contemporaries referred to him as "the incomparable Max," and it's a title that fits. I wish I could've met him.
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It's a fascinating book. The collages are made of illustrations from lurid French novels popular at the time. The edges of the different cut and pasted pictures look seamless, and Ernst has a great design sensibility. The introduction is useful, if short.
The surrealist aesthetic toward women--that is, surrealist art (including that by women) constantly shows female figures, generally nudes, as victims or in suffering--is particularly visible here, probably helped by the source matter. It's significant that the major female artists involved in the movement, such as Remedios Varo, Leonora Carrington, and Dorthea Tanning, tended not to produce much until they had been seperated from the heart of the movement for years. It's the major flaw in the movement's thinking, but that doesn't stop this from being an intriguing book for occasional contemplation.
The original title pages are reproduced in facsimile and translated.
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We have read several of Max Lucado's books, but this is one of the best (I am told).
Thank you Max
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This set of CDs comes in an attractive black leather case. It's compact and zips up, and I plan to keep it in my car forever. The chapters are each on different tracks, so it's easy to find a particular Scripture or to go back and review. I found my set used, and it was missing a couple of CDs. I e-mailed the company, and they mailed me the CDs immediately at no cost!
As for the sound and reading quality, I am really amazed. At first, the accent was different and sounded a bit strange, but I quickly fell in love with it. The telling of creation is breathtaking. In the New Testament, you hear the words of Jesus as if you're one of the disciples. I can't really tell you how listening to Jesus' words in traffic is affecting my life. It mixes the eternal with the mundane in a way that changes my perception of life. It also fills my mind with godly thoughts and ideas. I find myself listening to each CD more than once; it's just that good!
Listening to the Word is definitely different than reading it. You hear the Bible read as the early Jews and Christians did in the synogogues. It touches different parts of you, as you get a broad overview of themes instead of a deep analysis of each verse. You will find yourself understanding more about Jesus' ministry. If you think about it, so many of His words were spoken in a short period of time. They affected those listening in a way that we may not know, since we ponder each verse. I highly recommend this purchase. It is expensive, but it is an investment that will last forever. It really is a new encounter with God.
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