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From Roosevelt Island to Cuban Ledge, the authors give a very thorough and well researched book on the many islands inhabiting the New York archipelago. Many islands which were once islands, but have long since been connected to the boroughs by artificial landfills are also covered here (e.g. Coney Island-Brooklyn, Hunter Island-Bronx, Battery Park area-Manhattan, etc..) are also covered here.
If you live in the city or plan on visiting, please make sure to pick up a copy of this guide, and make sure to visit the many hidden treasures found in this city.It makes an excellent companion book while aboard a plane or even in the subway.
Besides Manhattan Island, Roosevelt Island, Staten Island, etc., there are a host of tiny lesser-known islands all around the waterways of the city, and this book describes them all. Each and every one of them has a unique history - most were settled at one time or another, most are abandoned now - as well as a unique ecosystem. The book does a great job exploring all these aspects, in prose that has just the right level of detail to inform and excite. The histories it relates are miniature, fractured reflections, serving to both highlight and contrast with the mainstream narrative of NYC history.
Here are a few islands you may never have heard of before - North Brother Island, Swinburne Island, Shooters' Island, and - my personal favorite - U Thant Island, named for a late U.N. diplomat. Yes, there really is a place within New York City limits called "U Thant Island!" Reading this stuff makes you want to go to these places. Most of them are illegal to visit, and unfortunately the authors are responsible, law-abiding individuals who won't tell you how to get to them. Too bad :)
For urban historians, this book is like a collection of lost pottery shards of NYC life. For ecologists, it is a testament to the resilience of wildlife in some of the busiest waterways in the world. And for aspiring urban explorers, it is a temptation to buy a raft, flashlight, and wire cutters....
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Val Suan, Houston,TX, svaljr@ix.netcom.com
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I'm serious.
For me, a guy with a solid background in networking and systems architecture but without the classical human factors education required for intelligent product design this one document did a far better job of firmly rooting me in the basics than anything else.
Mad props to Norman and Neilsen for pointing me in this direction in the first place. But with this book I finally felt "full."
There were a solid list of findings I'd never heard of until I'd opened this book. Not only did this book introduce me to these sorts of things, it also illustrated them to me. I walked away understanding.
Like all of my other faves, this book is opened often. I've bought many copies for friends (with friends like me...) and I reference it often.
Its notable that the most leading edge work today related to this topic is being driven by the same guys who wrote this book so long ago. Its among my top five most suggested books for those I know who want to take their design to the next level.
This book, though nearly 20 years old, contains much essential material that is unknown to many practitioners in the field! If you are designing interfaces, on the Web, for PCs, or for information appliances, you should read and understand the basic material in this book, which can never go out of date as long as humans use keyboards and mice with their hands and scan the screen with their eyes.
My own recent book, The Humane Interface, is -- in many aspects -- just following in the footsteps of this pathbreaking, pioneering, and important work.
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Our profession (golf architecture) is indebted to the editors for their second volume of Tillinghast essays. It is to be followed by a third title within two years entitled GLEANINGS FROM THE WAYSIDE. (I think the first, THE COURSE BEAUTIFUL is still available.)
Frank Hannigan says in the foreword that golf architecture is an art form requiring engineering expertise mixed with 19th century principles of landscape design. Vision is also required in the creation of golf courses as it was in the creations by Olmstead and other 19th century landscape architects.
Somehow Tilly's essays demonstrate this. Reading them and studying the descriptive illustrations one reaches that conclusion.
REMINISCENCES...... IS A WORK WORTHY OF STUDY AND A PLACE IN ALL OUR LIBRARIES AND AS A GIFT TO CLIENTS AND OTHERS. We urge members to obtain it and if still available THE COURSE BEAUTIFUL. This trilogy will live and could influence our profession far into the future, because the three volumes will be studied by all seeking the upward progress of our profession which must be one of the most intriguing ever practiced. As Rees and Ben indicate, Tilly ranks among its most unique practioners.
-- Geoffrey S. Cornish, Historian, American Society of Golf Course Architects