Among More's last works, "A Dialogue of Comfort Against Tribulation" is one of his most important. There are scholarly editions, from Yale and the University of Indiana Press, and there are popular editions from Everyman and Septer that are available. More wrote this book in the Tower of London as he awaited execution, but the style is not the raging virtupretive one he used when confuting Tyndale. There are "merry tales" such as the one about the German who was never satiate his own praise, in Book Three Chapter 10, but most of the book is given over to meditation on death. More has two characters, Anthony a young man, and Vincent, his aged Uncle. They are placed in Budapest and they are fearful of an impending invasion by the Turks. More's story has been read as thinly veiled alagory of his own situation. Anthony standing in for More's son-in-law William Roper, and Vincent for More himself. That may be putting it too simplistically, but it is a good starting point. Unlike More's best known work "Utopia," "A Dialogue of Comfort" was not written in Latin, but in English. I doubt one in a thousand readers have read More's classic in the original Latin, but everyone who reads English can read More's "Dialogue of Comfort" without the aid of translation. This is a spiritual book. In this book More asks where shall comfort come from. More answers his own question: "For God is and must be your comfort, and not I."

For those of us who are interested in bringing old values and giving new directions to our present day education talk- this is a good book.

The book begins with a brief thought provoking Foreword by Thomas Moore on the meaning of "real education".

The author, John Miller discusses "Education and the Soul" [book's title] in two parts. In the author's words Part-1:Exploring Soul, "explores the nature of the soul" and Part-2:Nurturing Soul, "deals with how we can bring the soul into our schools".

The first part is a dicussion of the relevance of the Soul in Education, different (religious, philosophic, and contemporary) views of the soul, and the love -soul- work relationship. The second part is a discussion of a spiritual curriculum. It offers practical suggestions for the evolution of a soulful- curriculum, teacher and school.

For those of us who believe in the primacy of the heart over the mind kind of education, where words like "loving kindness, mindfulness, ..." are important, this book will confirm our beliefs. It will encourage our endeavours with more ideas to think about and act upon. For skeptics, this book might make you want to pause and re-think your views and practices. It will invite you to "bring soul into our classrooms and schools".

This is good reading especially for teachers, researchers and educators.

This book was fantastic, complex and intriguing. It was difficult at first to understand the imagery and where the author was going with such a graphic description. Lately I have been aware that our society has been inundated with subtle imagery of sex and violence, but this book helped me embrace the true personal significance of that imagery, particularly if it is reoccurring. It is avery personal book that allows you to read it from the perspective that it is the author's story, yet still gain so many insights about yourself, even if you can only relate to glimpses of the account. I think the book is appropriate for anyone who is on a journey of self-awareness and discovery and looking for answers for some sexual or violent imagery. This book can help take those images and place them in the context of your own experience and enable you to open up to them in a very positive and useful way. They go from disturbing nightmares to acceptable thoughts. Highly recommeded for all those on a path to a higher self.

This is a set of papers written by Stigler in his marvelous career. It is divided into 5 parts: I. Contributions to economics; 2. contributions to political economics; 3. contributions to industrial organization; 4. history of economic thought; 5. the wit of George Stigler.

It is very difficult to gather all these 23 articles in only one place. The book is worth because you can find a bunch of deep knowledge.

Enjoy the book, revisit old ideas very clear and well written, and perhaps get other ones.

What more can I say. Nothing else is adequate

George Gordon, Lord Byron, gave the rights to his autobiography to his friend, Thomas Moore -- and Moore, thinking to protect his friend and benefactor's reputation, consigned the work to the fire. With it, went Byron's only chance to answer the accusations of his estranged wife, Annabelle Milbank -- who spent the rest of her life displaying the wounds she received in their one year of marriage.

In return for destroying Byron's autobiography, Moore was assured of cooperation from Annabelle and others in his preparation of a biography. Reader's of Doris Langely Moore's "The Late Lord Byron" will know how that prospered. Still, Moore's biography is a valuable start to understanding Byron. Although Moore's portion of the book is typical of the period, stilted and dull, the book itself is largely a collection of Byron's letters and journals, all delightful. Anybody who has met Byron through Childe Harold and any of the poetry written before Don Juan will get a new view of this wonderful writer and charming personality in his own words. Other biographies may offer more insight into Byron's psychology, but none can provide the same pleasure of his conversation. It contains many of his occasional pieces, short rhymes and amusements. The unaffected Byron is a delight, and his political views are remarkably fresh, even for our own time. Short of reading Marchand's collection of the letters, which is rather more expensive, this is the best way to get to know Byron as he was, and not as Belle wanted him to appear.

Lord Byron's parting gift to his friend, Tom Moore, was the publication rights to Byron's autobiography. Moore, however, yielded to pressures from Lady Byron, and burned the autobiography, thereby assuring, among other things, that Lady Byron would have the rest of her life to vilify her late husband without the risk of contradiction. (Do get a copy of Doris Langley Moore's The Late Lord Byron for the details of this story.) In return, Moore was given the rights to prepare an authorized biography, which would say nothing to harm his friend's reputation. The result would have been a long, tedius book, of interest only to scholars and insomniacs -- if it weren't for one thing: in addition to Moore's writing, there are large collections of Byron's letters and journals. Byron was to letters what Pepys was to diaries, and his prose is fresh, sprightly and gossipy. The letters reveal more of Byron than any of the poems, with the obvious exception of Don Juan. They can be read for fun as much as for literary or historical insight. For the modern reader, there are far better biographies of Byron, but for anybody who has become interested in the poet, this volume combines a passable biography with an excellent collection of Byron's own writing. For those wishing to do more detailed studies, the fact that this is the closest thing to an authorized biography makes the Moore volume an essential starting point.

This is really what this very fine and lively discussion of health and longevity is about. The deception of the public and the willingness of the public to be deceived are topics this book will inform you about. Not a book for people who want life and health to be simple and someone else's responsibility to take care of. Wonderful and very informative book about the realities of modern health care. Of value to anyone who wants to know the truth about health and longevity. It's no wonder this book has found only a small audience and is out of print.

Primitive and patriotic, sentimental and silly, and lacking in grammar, rhythm, and rhyme, the work of "the Sweet Singer of Michigan" is often laugh-out-loud funny. Julia Moore's most famous couplet runs: "Come all you people from far and near,/ Oh, come and see what you can hear." Little of her work ever rises above that level-- but what makes this homespun Homer especially thrilling is she's always sincere, oblivious to her lack of talent. She's like a found-object guest on the Letterman show, or a nineteenth-century Ed Wood: she's the only one who isn't in on the joke she's telling herself. Most of Moore's poems are occasional pieces inspired by newspaper articles on subjects as diverse as politics, plagues, and temperance, and many are set to popular ballads of the day. Her greatest inspiration, however, came from the obituary pages. Even among Victorians she is notable for the degree to which she could get worked up over the death of a total stranger. Her influence was vast. Mark Twain parodied her loopy sentimentality; Ogden Nash imitated her penchant for forced rhymes and missed beats. The difference is that Twain and Nash intended their comic effects: poor Julia's were accidental, and she was understandably upset when at long last she realized people were laughing at her. "Like Herman Melville," one critic observed in 1928, Moore retreated into silence for many years after reading too many unflattering reviews. All praise is due Thomas Riedlinger for preserving Moore's work for a new generation of readers. It's awful-- in every sense of the word.

John Hume is a virtually unknown figure in the United States, but he has been steadily gaining recognition due to his work in the Northern Irish peace agreement. This recognition is overdue and much deserved. This monumental book outlines Hume's political philosophy - a philosophy which seeks to brush aside the vengefulness and intransigence of Northern Ireland's past, searching instead for reconciliation through justice for all. Hume is heavily influenced by Matin Luther King, Jr. and John F. Kennedy, and quotes from these two figures flavor Hume's text. Hume's themes may seem repetitive, and his ideas seem to be based on the shakey foundation of human progress, but this work demonstrates that he is a champion for for a true peace in Northern Ireland - a peace that is just for all.