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This book spotlights the triumph of faith, the faith that two of the characters in the story maintain, to finally reach the stars. Great Book!


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I am sure genetics has advanced much since this book was written but I doubt that it's theories have been proven wrong. It is a well written, easy to read explaination of the molecular similarities between man, chimp and ape. And, using the molecular information, the authors propose an evolutionary tree that, to me, rings true.
Read this book.

The puzzle of the title is this: DNA studies show we share 95% of our genome with chimps. How can such a slight difference in our respective genetic blueprints account for such a huge difference in skull and brain anatomy?
This book proposes an explanation which, right or wrong, is just a splendid idea, a kind of intellectual marvel. The idea is that the brain is an ancient structure. It fully evolved over a period of many, many millions of years. This whole long evolutionary period is remote from us. It came and went a long, long time ago. In this scheme, the brain might, for example, have evolved within the head of an increasingly quick witted, deeply thoughtful, man-sized reptile. A big green one, let's say.
In subsequent evolution the structure of the big brain was lost. It went silent, unexpressed. But it rode the genome down through the eons until suddenly, just 2 million years ago, it was re-expressed in apes. Ourselves. A biochemical accident. Today, chimps still carry the silent code for a big brain, just as they (and we) carry the silent code for many ancient structures like gills and flippers. Chimps don't express DNA encoding the big brain, but we do.
If the hypothesis of an ancient big brain is accepted, a lot other problems suddenly solve themselves. The sudden, seemingly overnight appearance of the human brain, 2 million years ago, allows almost no time for such an elaborate structure to evolve. The answer: it didn't evolve 2 million years ago. It evolved long before, over a suitably long period of time, and simply re-appeared in man. Popped up fully realized.
A current book, The Prehistory of the Mind, by Steven Mithen, an archaeologist, emphasizes a fascinating observation. Although the big brain appeared 2 million years ago, mankind did nothing particularly intelligent or impressive until 1.9 million years later, that is, just 100,000 years ago. Man was a toolmaker, yes, but he kept making the same oafish, primitive tool, a stone axe, consisting of a rock tied to a stick, for nineteen hundred thousand years.
Finally, just 100K years ago, human beings suddenly got smart -he or more probably she -- finally found the boot disk.
Everything, the whole explosion of human progress, has happened since that day. An explanation of the long night of the human brain, per Gribbin's Monkey Puzzle, would be genetic drift. Lack of maintenance. An ancient brain would have come down us in very poor operating condition. DNA encoding for any feature that is unused over time will lose fidelity like a fading photograph. So it took 1.9 million years to get the biochemistry of the brain to start working right once again. Finally, 100,000 years ago, it happened to kick in. And the rest is history. Find this wonderful book.

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A wonderful essay by John Lahr chronicles his life, from the tough streets of Hoboken to a room in Beverly Hills shortly before his 80th birthday. A now well chronicled life, but captured by Mr Lahr in all its complexity and contradiction.
At the heart of this life was his great gift - singing. At the very end, in the Beverly Hills room, surrounded by Bruce Springsteen, Bob Dylan (what were they doing there?) Steve Lawrence and others, he insisted on singing the solo. It was his right then, as it had been his right throughout his life. And he was undeniable.
A beautifully designed and produced book, it is adorned with a perfect selection of photographs to complement the essay. Look at the faces on page 102, completely transfixed by "The Voice" and see what James Agee called "an erotic dream".
A must have for Sinatra fans, and anyone fascinated by popular culture.

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If telepathy is a rare but very real talent, just how does society as a whole make productive use of it? One obvious use is to find out exactly what is wrong with people who are mentally ill, to become the ultimate psychiatrist, and if the talent extends to 'projection' of thoughts onto another brain, to effect corrective changes in the ill mind. With acceptance of this talent, the definition of 'ill' could possibly be extended to those who are violent, the trouble-makers of society. Coupled with a far more effective UN than exists today, telepaths could be used to help defuse the attitudes and situations that lead to revolutions and wars. This is the background against which Brunner tells a tale of a child of just such an aborted revolution, a child born with physical deformities, an uncaring mother and a dead father. Gerald Howson grows up without hope, the object of ridicule, trapped in a cycle of minimal dead-end jobs that are limited by his deformities.
But in his early twenties, he suddenly finds that he is one of the fabled telepaths, and a very powerful one. His first real use of the talent is to draw a deaf and dumb girl into a detailed fantasy, made more than real by his talent, a fantasy neither would really wish to wake from. Forcibly dragged out of this fantasy by other telepaths who have tracked down his radiated power, he is taken to the UN center for training and rehabilitation. But Gerald is far from a whole man at this point, and the story of his growth and maturation forms the balance of the work.
The characterization of Gerald is excellent, a man we can see change and empathize with. Many of the secondary characters are just as sharply delineated, and the interplay between them and the envisioned world society so dominated by the actions of the UN peace-keeping forces forms a convincing picture of what could be. Issues of privacy, individuality, self-responsibility, and the proper use of power form the thematic backbone, highlighted against some vivid scenes of internal mental worlds that demonstrate just how alluring living inside such a fantasy can be.
Portions of this book are somewhat dated, from the use of typewriters to a stated method of trying to combine music and visual form, which has been long superceded by modern computer integration of the two. But these technological items are almost irrelevant to the thrust of the story, of just what it is that man does beyond surviving to give him that inner feeling of correctness and satisfaction with doing something that is worth doing.
Incomprehensibly out of print, this book was nominated for the 1965 Hugo Award, and to my mind is better than the book that won that year, Fritz Leiber's The Wanderer.
--- Reviewed by Patrick Shepherd (hyperpat)


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After trying and trying and trying for years to deal with difficult issues in my marriage, nothing seemed to work. I was spinning my wheels. I read this book and, voila, I have confidence that this relationship will be positively resolved. Next time I'm invited to a wedding, 7 Best Things will be one of the gifts I buy. Wish I'd read it many years ago! It has given me the tools I need for my relationship. Other books haven't helped at all. My eyes have been opened. I now know what I didn't know before about having a fulfilling, adult relationship! Thank you, Linda and John Friel!!!!!

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Most people in advertising run into the same road block as this main character (Is this work really important? And if so...Why?) Our hero in this book illustrate a common cynicism that makes you think, laugh and cry. Although the mood is dark, the ideas brought forth in this novel are very enlightening.
On the surface this book is about the perils of working in advertising. But deep down this book is about the perils of working in ANY job that demands you put more in your professional life then you do in your personal job. Although profoundly funny, this book is a reminder of what's really important in life.
Now if you'll excuse me, I have a job to quit.

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That said, it takes a while to fall in to. It's written with such attention and depth that I got lost a bit in the first few pages until I shifted into a kind of reading that isn't usually demanded by modern novels. There's so much interior detail here that I had to shift into Henry James mode, and having done that, I love this book. The characters are so well drawn, so rigorously plumbed, so wide, that they give me hope in a thousand unexplainable ways. For the world, for writing in general, for humanity, even. The way this relationship is described is so non judgemental and so intelligent that the novel reads as an implicit contradiction to the title, which implies a simple romance. The love here is brutal and open but above all invented, exploratory, and engaged- the extent to which the characters and the narrator avoid the obvious is almost heroic; in that way that heroism is usually mixed with a little numb stupidity.
I haven't read Spartina, and it took me a while to get into this one, but if you liked The Half Life of Happiness you will like this one. It seems like an earlier novel to me in many ways; the voice is more rangy and less structured and the ambitions, in a strange way, are more unchecked. The Anya character reads as a younger Joss in Half Life of Happiness, so if Joss irritated you in that book (she's not easy to tolerate from a moralistic point of view) she will drive you crazy here- but if you're reading for morals or adventure Casey's not the right person for you anyways. I am stunned that this book is out of print. It's great. It's totally intimidating and redemptive and inspiring and you should read it.