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It's a simple idea: be the best kind of friend a girl wants, and they'll also want to sleep with you. Hard to believe, but the authors have a concrete, no psycho-babble approach to helping you change your approach and start connecting. This is a simple plan, that works even better when several guys work together. And it's a gas.
Remember, tho', nice guys (usually) finish last, and it drives chicks wild. But sometimes, you should finish first, so they can be in control.



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In these ten issues Stan Lee and Ditko consistently work in all of the familiar elements that made Spider-Man the most popular comic book superhero of the 1960s. Peter Parker loves Betty Bryant, but when her brother is shot during a fight she ends up blaming Spider-Man (#11), showing that when it comes to the romance department our hero rarely has any good luck. To add to his troubles Spider-Man is "Unmasked by Dr. Octopus" (#12), has to tangle with both the Green Goblin and the Incredible Hulk (#14), teams up with Daredevil to battle the Ringmaster (#16), has to deal with a supervillain created specifically by J. Jonah Jameson ("The Coming of the Scorpion," #20), has to worry about poor old frail Aunt May (#17), and even ends up seeing a psychiatrist because Mysterio is driving him crazy (#13). For Spider-Man, being a superhero is not all it is cracked up to be.
One of the improvements in this second collection is that we are dealing with the best of Spider-Man's villains: Kraven the Hunter, Mysterio, and the Scorpion, with Dr. Octopus and the Green Goblin appearing in two issues apiece. This is a big improvement over the Terrible Tinkerer and crossover bad guys like Dr. Doom. Stan Lee is writing better stories about both Spider-Man and his secret identity, creating a situation that is more and more complex. The predictability of these stories is getting less and less as Lee goes out of his way to keep taking things in new directions. But keep in mind: this is not the best of 'The Amazing Spider-Man' by Lee and Ditko; that is yet to come (that would be the Master Planner/Doctor Octopus trilogy in issues #31-33, which means you have to wait for Masterworks Volume 4).


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You may never need to make a bar of soap, or pasteurize milk in your own kitchen, but you will gain an appreciation of todays modern conveniences.
To me, this book has reminiscent as well as nutritional value. You see...this is how I remember Grand-ma cooking. Can't you smell...snf,..snf...the fresh baked bread and potato soup cookin' on the old wood stove. Um..Um..!

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The key thing to remember when you get to the next pair of stories is that Stan Lee is no longer writing the book and therefore killing off Peter's girl friend was not his idea: (4) "Amazing Spider-Man" #112, "The Night Gwen Stacy Died," Story by Gerry Conway, Art by Gil Kane and John Romita, Sr.; and (5) "Amazing Spider-Man" #113 "The Goblin's Last Round," Story by Gerry Conway, Art by Gil Kane and John Romita, Sr. Of course, the title of that first issue does not appear until the final page, since it obviously gives the game away, but just as clearly that is not a problem for this trade paperback collection. I think Conway did away with Gwen because Peter was getting pretty close to actually being happy and Spider-Man needed to get back to the oppressive sense of guilt that drives him because of the death of a loved one. Now, in addition to Uncle Ben, there is Gwen (Spider-Man was much more responsible for Gwen's death than that of Captain Stacy). Little would we know that the end of this story, where Mary Jane Watson stays with Peter to comfort him after Gwen's death, that this would end up being the start of something special.
Also included in this collection is "The Kiss," by John Marc DeMatteis and John Romita, Sr., which is reprinted from "Webspinners: Tales of Spider-Man #1," which serves as a poignant epilogue to the main events. This 112-page edition has a new cover by new painted cover by John Van Fleet. I would not exactly say that the deaths of Gwen Stacy and the Green Goblin were "great" Spider-Man stories, but they were certainly important and constituted an impressive one-two punch for consecutive issues. The historical importance would apply to the Lee stories as well. Unfortunately, these events eventually led to introducing the horrible idea of clones into the story line, both for the late lamented Gwen and Peter himself. More often than not, the dead should stay dead, even in the world of comic books.


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Basically, in "Until The Stars Turn Cold," which collects issues #40-45, two things happen. First, the dust is settling from the aforementioned revelations (Aunt May gives JJJ a piece of her mind regarding her new perspective on his Spider-man vendetta), and Peter is finally getting around to doing something about his estrangement from Mary Jane. However, this is complicated by the second set of things which happen within these pages, namely a set of three-issue battles. The first is with a new villain called the Shade, and requires the help of Doctor Strange, Master of the Mystic Arts. The second is with Doctor Octopus; actually, this would be Doctor Octopi, since there is the original Otto Octavius and a new, younger, leaner, meaner, version. Of course, both conflicts thwart Peter's endeavor to reconnect with his wife (so what else is new?).
Although there are some echoes from Volume 1 in terms of the time there were two, count them, two Vultures, what Stracynski and Romita are really doing with this second story arc is their own homage to what I consider the greatest Spider-Man story of all time, in "Amazing Spider-Man" #31-33 (yes, even over the first two issues down by Romita's father when the Green Goblin learned Spidey's secret identity, the three drug issues with the Comic Code seal of approval, the death of Gwen Stacy, the wedding to Mary Jane, the death of Aunt May the first time around, or anything else you want to name as a possible alternative). If you have access to that story, which also involved Doc Ock, then check it out before or after you read these stories so that you can appreciate the resonance of the old within the new.
As a homage "Until the Stars Grow Cold" is not bad; we do not have Aunt May on death's door this time around, but we do have here constantly being cute as the dickens when it comes to dealing with her knowledge about Peter being you-know-who. Actually, the part of Stracynski's writing that I find myself enjoying the most is his wry sense of humor (which becomes pretty blatant in terms of the movie Mary Jane is making out there in Tinsletown). We will have to wait and see how this avatar of the spiders thing turns out, but Aunt May knowing (and Aunt May knowing that Mary Jane knows that she knows) is turning out pretty well. It would have to, because it changes a major element in the dynamic of the comic book.


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