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I have modified my fishing techniques to match the behaviours noted in the book.
I have also found it very useful in making flies that work on hard fished eastern waters.
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He starts with a brief account of his not eventfull part in the 1940 western campaign and his role as liaison to the italians. His first "active combat role" was in charge of the 17th Panzer in the attempted relief of stalingrad and aftermath. He then has a liaison role in Sicily, evacuates Corisica/ Sardinia followed by cassino and the retreat up Italy. His narrative is not only descriptive but also has insightful sections on tatical and operational considerations.
highly recommended.
Burton-Page paints a fascinating portrait of a composer who has worked in many fields, and whose complex personality gives his music a depth and range which are only hinted at in some of his more popular works.
Why is this valuable book no longer available? In late 2001, just when many concerts around the world are celebrating Arnold's 80th birthday, it seems perverse that the book is no longer in print. There must be some enterprising publisher out there who should seize the moment. Get the authoritative Piers Burton-Page to revise the book and bring it up to date. Burton-Page charts the extraordinary ups and downs of a leading musican's life with affection and honesty. Now let's have the revised edition.
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Van Doren's preface, itself a famous piece of work, accounts for both the best and worst of Whitman's creations (Van Doren seemed to share Randall Jarrell's view that we can only appreciate the best of Whitman's poetry by acknowledging the depths of his worst work), and seeks to locate the personal Whitman within his verses. This essay alone is arguably worth the price of purchase.
What really sets this anthology apart from others like it, though, is the manner in which Van Doren takes his argument - that Whitman's work was always intimate, even though its themes were variously epical or universal - and applies it to his selection of poems. In inevitable inclusions such as 'Song of Myself', 'Mannahatta' and 'Crossing Brooklyn Ferry', we see Whitman the oracular poet, bringing into his egalitarian imagination the disparate bustle and brio of nineteenth-century New York and ordering them in verse. But when we read alongisde these poems 'Ashes of Soldiers', 'When Lilacs Last in the Dooryard Bloom'd', 'Native Moments' and 'Once I Pass'd through a Populous City', we begin to recognise the truth in Van Doren's thesis. Whitman's fear of death, his concern for the memories of the individual dead (as we see in 'As Toilsome I Wander'd Virginia's Woods'), and his nascently homerotic fascination with his own body (he writes in 'As Adam Early in the Morning', 'Touch me, touch the palm of your hand to my body as I pass,/ Be not afraid of my body'), complement those aspects of his poetry for which he is perhaps most famous: his mythical imagination, exclamatory verse, and descriptive catalogues of local people and places, which remind me of Homeric battle lists, except that they are predicated upon peace, not war.
Combined with his eloquent prose accounts of his activities as a nurse during the Civil War, his letters, and his thoughtful, incisive tributes to those he recognised as great poets (his critical work occasionally resembles the scrupulous excellence of Samuel Johnson), Whitman's poetry discloses subtle resonances that readers might otherwise be inclined to overlook, or forget. Long-time admirers of Whitman will be overjoyed by this classic edition of his work. Those who haven't yet experienced the joys of his language could do worse than look here for a comprehensive overview of his oeuvre.
First and foremost, Whitman follows Emerson's thread of thougth in his nature-loving poetry, but Whitman allows himself fewer limits: He not only writes in free verse, he also writes explicitly about his sexuality.
His power, though, lies in his ability to take everyday things and use them in what we might call catalogue rhetoric: In a way he is just making drafts without logics. This is his way of putting everyday America into a poem. And it works. We may wonder what his point is, but Whitman is about sensation, not logics, and the feeling you experience when you read 'Song of Myself', his masterpiece, is truly unique. It is the same feeling you have when you see a beautful forest or sunset. This is poetry at its best.