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Especially of interest to Tolkienian linguists are the Lhammas, or book of tongues, which outlines Tolkien's former conception of the dividing and multiplying of the Elvish languages. While this scenario is extremely out of sync with Tolkien's final conception, it is still of interest historically and important in order to understand the section that follows, the Etymologies.
The Etymologies are a /must/ for any Tolkienian linguist. They were and remain the greatest source of vocabulary in all the Elvish languages, and almost the only source for Primitive Elvish stems. While confusing to the non-technical reader, the Etymologies are still the main reference used by Tolkienian linguists. Allthough some of the material in the Etymologies is out of sync with what Tolkien imagined his languages to be as when he wrote Lord of the Rings, the changes necessary to bring Etymologies-style languages to 'modern' languages are mostly well documented.
In short, if you're just someone who enjoys Tolkien's works, this would be a fun read. If you're a serious Tolkienian linguist, this is a requirement.
Actually, it is two books in one. The major book is a history of horology, "The science of the measurement of time or of the construction of timepieces." It covers over 2000 years, from the sand hourglass "clock" of the Egyptians to the atomic clocks of modern times. In between, for example, we learn about the advances in the design of mechanical clocks enabling the chronometers so vital to navigation in the 18th century. And, we are given a glimpse of time measurement based on the heavens beyond our solar system (sidereal time). It is a fascinating account of horology, though probably a bit too technical for the average reader.
Meantime, in the counterpoint book we are treated to a Shakespearian tragedy in miniature of how the protagonist's wife's life ticks away -- not happy reading for anyone who has had to attend a member of his immediate family dying from Alzheimer's disease. The time (actually longitude) of her death is measured "precisely" -- almost. Perhaps ordinary solar time, as measured by the rotation of the earth on which we live, is good enough.
Wilkins is a skillful writer. A master of the bawdy as well as of the beautiful in the prose (figures of speech in particular) in one book, and of clarity in the other. And, he has a philosophical message. Or does he? Maybe it's just a question -- beyond the mind of human beings to comprehend, not helped one whit by Einstein's contention that the time of even atomic clocks is altered by how fast the clock is moving. What IS time?
The mechanics and philosophy of time discussed in the book contrasts clinically with the deeply emotional personal story which is told with great skill and grace.
There is one chapter of the book, in which a doctor explains to the husband the nature of his wife's disease, which is one of the most remarkable pieces of writing I have ever read. The reader is transported to that place and time and is as confused and heartbroken as the narrator.
I read the UK version of this book which is called The Horizontal Instrument, a reference to one of the timepieces discussed in the novel. I am amazed that the book, now 2 years old, has not been a huge success - surely word of mouth alone would ensure strong sales. I will purchase a copy for friends in the same way as I have done with The Secret History, Cold Mountain, Snow Falling On Cedars and others.
A remarkable novel which I will read again and again.
A perfect book - even though strange.
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I wish Dawn and Giles had more roles but neverless I enjoyed them.
I felt the authors captured the apporipate feelings of the characters and how they'd respond to each other. It was very descriptive and I was able to form a vivid picture in my mind.
I enjoyed the interaction between Spike/Angel and Buffy. There were many comments shared between the gang that I felt I could imagine them saying and such.
I look forward to more books like these. I heard there is gonna be one with Riley, Sam (his wife) and Angel. I look forward to that one.
Because of Monster Island, I picked up the Unseen Triology. I look forward to it!
I just picked up Impressions, which was an earlier Angel novel, and am not enjoying it half as much. Angel novels are extremely uneven, from the ridiculous to the sublime. One needs to pay close attention to the author.
For some odd reason I haven't picked up a Jenna Blake book for quite a while but when I saw this in the store i just had to read it. Once again I was not dissapointed. Golden is a talented author or suspense and once again delievers a new novel with a powerful mystery filled with great charecters. If you're a fan of the series I reccomend this novel. Have fun!
Particular note goes out to the two introductory writers, Peter Hunt and Christopher Lee, who both offer excellent background and depth.
One downside is that a map would have been quite effective to achieve the sense of geography and distance to these locations. As only a one-time visitor (so far!) to London, I don't quite know the relationships to the districts and locales, etc. In this case a map would have been quite helpful.
Gary Giblin took up the challenge of writing such a book in January 1998. I shall not go into full details here as they're covered in Jordan Charter's interview located here. However, what started as a book entitled James Bond's Britain eventually had to be subdivided into two books. As a result of a lot or hard work James Bond's London was published in December 2001.
To begin with, James Bond's London isn't your average book, nor is it what I originally envisaged it would be; but that's not a bad thing, quite the opposite actually. What Giblin has presented is a travel guide to the world of James Bond in London. Quite simply, the book is the most useful source for anyone who wants to travel in the footsteps of James Bond, something, which could easily seem a mammoth undertaking.
Giblin has been very particular in the material that he has covered. By his own admission in an interview with CommanderBond.Net he has omitted literary material not written by Ian Fleming; of course indicating he is a purist to the work. Giblin has also omitted non-EON Productions cinematic material; again a sign of purity as there is only one true James Bond film series.
That said, the amount of material Giblin has included is still amazing. There a literally hundreds of locations that can be found in the novels and in the films. What is most amazing about the film locations is how many of them were used for non-British locations in the films. For instance the car park from Tomorrow Never Dies is actually in London and not Hamburg. Also, aside from locations that we read of and watch are locations where significant events of the Bond world took place. For instance, the birthplace of Ian Fleming or the former offices of EON Productions. If it's Bond related and it's in London you'll find it in "James Bond's London".
Thankfully, for those of us not well versed in travelling around London Giblin has an explanation of how to get to each location. Not only does he include the standard address, suburb and postcode but also details for getting there via the London Underground. As a part of this he's mentioned the platforms and the stations one should use and once leaving the station which streets one should follow.
The locations in the book are also well categorised. Rather than organising the locations by film, novel or perhaps relation Giblin has taken the initiative of organising them by location. So one could simply spend a day in a certain part of London and visit several Bond related locations. The guide makes it that simple.
As for the detail on each location Giblin has included quite a lot. To describe each location Giblin has used icons to begin with; for instance a clapperboard icon represents a film related location. As a part of the textual description for each location Giblin has not only included Bond related information but information on the locations non-Bond history. Readers will not only learn a great deal about Bond but a great deal about London too.
In passing good comments about the work that Giblin has done one must also highlight downfalls to "James Bond's London" - something that is not an easy task let me assure you. While I can find no fault in the material that Giblin has presented I must say that I was disappointed to find that the book was not offered in a hardback edition. However, in saying that one can definitely appreciate the fact that Giblin and the Daleon, whom published the book, made all attempts to keep the prices low. My only other complain is about one of the icons in the book; the skull and cross bone. The icon is disproportionate and according to Giblin this is a problem that occurred at the printers.
All in all James Bond's London is a must have for any Bond fan of any calibre. Gary Giblin has researched extensively into all aspects of the locations and the films and help from Bond legends such as Peter Lamont have made this a completely unique and factual reference guide.
Immerse yourself in this one!
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To which I replied, "it may be a gimmick, but YOU try writing a script with a gimmick like that."
The "gimmick" is the non-linear progression of the story that Christopher Nolan uses in both of the scripts in this book, "Memento" and "Following." It's an experimental style of storytelling, to be certain, but it's a successful experiment. Both scripts, "Memento" in particular, show events not in the order they happen, but in the order of importance, and it's a brilliant way to tell the story. Nolan's a magnificent screenwriter -- can't wait for his next one.
A little warning: The script is NOT word for word to the movie. Some parts are different in many ways. The order of events are a little different and a lot of good lines that were in the movie were not included in the screenplay. Is this a bad thing? OF COURSE NOT! In fact, it was a great surprise. This was what the movie was going to eventually lead up to looking like. It was a rough layout of what could happen in what order. Of course, things change when you're filming the movie. Certain scenes are changed or cut out, lines are either trimmed or dramatically changed, and so on. The story in no way is changed and the resolution is still very much the same as the movie. The point is that it's fascinating to see how the script developed into the finished product, which is a masterpiece of a film that should go down as one of the greatest films in history. I loved reading the screenplay, and it makes me admire how the film turned out in the end even more.
Another movie that is included in this wonderful book, a movie you might have never even heard of, is "Following." This script was a little more similar to the movie in most parts than "Memento" was. I also enjoyed reading that part of the book. I have seen the movie before hand, so I kind of knew what I was in for. Again, this screenplay is filled with sharp and witty dialogue and life-shattering consequences that won't appear visible until the shocking conclusion.
Another cool feature of this book is that it includes an interview with Christopher Nolan and one of the stars from "Following." It also includes some photos from both movies and how the idea for "Memento" came about.
Christopher Nolan has a talent when it comes to forcing characters to face severe consequences and ugly truths, as well as coming up with great dialogue that can only be created by a pro. He can also manipulate time and make it confusing for us as well as for his characters. If you have seen the movie or movies, get this book as soon as you can. I recommend that you see them first, then read the book. All in all, this was a terrific read and I look forward into reading it again and again.
Feynman was often criticized for not giving greater weight to the moral consequences of the actions of scientists like him who were responsible for creating "the" Bomb. At one point toward the end of the book, and partially in response to this question about the morality of scientific progress, Feynman observes the interesting irony that it's only in the most free, open, and democratic societies (i.e, the U.S.) that computers capable of infringing the most upon individuals' privacy have been developed. I.e., the countries that would have stood to benefit the most from this advanced "snooping" technology (i.e., the USSR, China, etc.) during Feynman's Cold War days, weren't able to produce the requisite technological infrastructure.
Later, towards the end of the book, the Nobel laureate, Marvin Minsky speaks about a feeling he and Feynman shared about man's soul. "Now here you are, a person, and thirty thousand genes or more are working to make the brain, the most complicated organ. If you were to say it's just a spirit, just a soul, just a little hard diamondlike point with no structure, a gift from some creator, it's so degrading! It means that all of the sacrifice by all of our animal ancestors is ignored. It seems to me [any by implication, Feynman] that the religious view is the opposite of self-respect and understanding. It's taking the brain with a hundred billion neurons, and not using it. What a paradoxical thing to be taught to do!"
So at once you have Feynman then specifying democracy and freedom as the necessary precursors to allow for scientific innovation. Then later he's demonstrating his "belief" in the pre-eminence of reason over non-fact-based belief and religion. Though non-Objectivists and spiritualists could debate his point-of-view, it is particularly refreshing to observe in thought and action a true seeker of the way things truly work. In many respects, Richard Feynman was Ayn Rand's John Gault.
This book should be read as a precursor to getting to know one of the great characters of the 20th century. But it won't suffice if one really wants to understand his genius. For that, one has to read his two books of "Six Easy Pieces", his lecture on Quantum Electrodynamics, or most appropriately of all, his Lectures on Physics.
If you want to know a little about what feynman was like, then you must read this book. I said
"little" because there is no way you will ever get to know this man just by reading a book. This book was really good at taking out the really good stuff from other books and integrating it.
I like what his friends and family had to say about him and adventures they had, as much as when Feynman was quoted. It is
really interesting and gives you a really deep insight on stuff he may not had put into his other books.
Even if you don't like to read biographies, or care about feynman, you could read this book like a novel. Its little
stories are so interesting funny (sometimes sad) that you forget that you are reading a biography. I say this because
reading biogrphies usually gets me bored. Not this one however, its and adventure!
After I read this book I felt like I lost a friend and mentor--it was that good or perhaps feyman's life was that interesting--I actually missed a guy I never met before! It sounds flaky, but I guessed Feynman would had liked it that way!
Alex Lee
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