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The poems are dense and full of Civil War references, so it would behoove the reader to brush up on his history. Likewise, the reader will quickly realize why Melville's poetry didn't receive the critics' acclaim. They are melodramatic, with an overemphasis on composing within the traditional (some would say archaic) rules of poetry: rhythm, rhyme scheme, etc., which does not translate well into our time and makes it not the most entertaining style to read...
These are interesting poems, but seem to have more historic value (U.S. history and the history/development American poetry) than poetic.
My personal favorites include: "The Stone Fleet," where Melville experiences romance for the whaling ships sailing out of harbor and which, consequently, he never sailed on; and, "The House Top," from where he overlooks the New York enlistment riots, where he implies that those who don't fight for our country aren't for God.
--ross saciuk
First, _Battle-Pieces_ should be credited as artistic, sometimes beautiful, poetry. Some of the poems are somewhat doggeral, and would be much improved by a few less forced rhymes. Others, however, are truly moving.
In these latter poems, Melville conveys the horrors of the war--and occasionally the humanity that shone through, uniting the brothers across the battlefield. Few men or women of the time had the experience (he participated in a chase of a Southern soldier) and writing ability to show us this time so effectively. As a result, he produced what, in my opinion, is a book at least as good as his most well-known novel.
At the end of the book he includes an essay on Reconstruction, in which he pleads for an easy reconciliation with the conquered South, more along the lines with Lincoln and Johnson's plans than the Radicals'. While somewhat disappointing (we'd like the man who created QueeQueg to support Southern blacks' rights a little more), the essay is well-written, and allows us to read the nonfictional beliefs of a man we usually associate with fiction--just as the poems let us read the verse of a writer of prose.
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The reading is clear, but lacks the impact of other versions I own on cassette.
Have A Blessed Day!
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After a thrilling and bloody firefight at the enemy base, the men begin their long trip to the helicopter rendevous point. Along the way, they are hunted and killed, one by one, by an unseen creature that uses the jungle to hide. Finally, only one man remains, left to hunt the hunter and free the earth from it's carnage.
The book maintains a nearly impossible breakneck speed from start to finish. Not only is this a finely crafted science fiction story, but it is also a glorious Rambo-style novel full of big guns and even bigger battles. A great and wholly satisfying read.
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A science-themed comic is especially appropriate, as the art-text combination inherent to comics would seem perfect for conveying complex/cosmic ideas. This collection features some terrific artists - notably Bernie Mireault, David Lasky, Colleen Doran and Sean Bieri - but I was a bit disappointed in the writing. Ottaviani's stories so intent on being unorthodox and different that they instead become meandering and confusing. Oftentimes I was unsure of what exactly was at stake for each story and why we should care about what was being told. And I would expect to actually learn more about SCIENCE in such a book. Also, the organization of the book into seemingly random sections, and the clumsy, unimaginative publication design diminished the effect.
I give the book high marks for effort, nice artwork, and the especially interesting portraits of Richard Feynman, but overall I'd rate "Two-Fisted Science" a noble failure.
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The only good thing was that it was quick and easy to read, but I didn't really absorb much new knowledge. As a supplement to a curriculum that uses case studies extensively (which is the recommended usage of the book), it is adequate. Each chapter concludes with a section listing Additional Readings, which are probably necessary if you want to really increase your knowledge of the subject.