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This book is a must have for any coffee table or wine enthusiast.






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I suspect someone looking for another "popular science" book like Gleick's "Chaos" will be highly disappointed. This book is definitely structured for someone interested in pursuing study in the field.
I hope that Wilson now moves on to expanding on the hints of philosophical thought he has listed here. Anyone familiar with nonlinear chaotic systems MUST have some understanding of the implications of their non-deterministic nature; certainly a quick reading of Jantsch or Prigogine would help too. As Wilson points out on page 184, chaos and free will may easily be tied to each other.
Further study of Perlovsky's work (hopefully his book will be out soon too) will clarify many of the issues regarding neural net modeling and its philosophical implications. Certainly one can only wonder at Churchland's child-like beliefs that neural nets will resolve "folk psychology" and the fundamental questions of consciousness when confronted with nonlinear chaotic systems on the order of 10 the 10th order!
Highly recommended.


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This book covers the Joseph Smith ground, and deals with the long and noble tradition of telling tales about Joseph Smith. It is really an omnibus reprint of several other books.
"No Ma'am, That's Not History." This is Nibley's famous response to Fawn Brodie's "No Man Knows My History." This book, or booklet, can be read in one setting, but it is a sound and full refutation of Brodie's rather overrated book. I have read it, and, no, it is not a slam-dunk. Aside from its original purpose of outlining Brodie's absurdities, it also demonstrates Nibley's methodology in responding to the critics: he has the primary sources in order, and uses a scathing and well-honed logic to lustrate his points. This mini-book is a great gateway for Nibley novices.
"A Note on F. M. Brodie." This article rounds out Nibley's discussion on Brodie, and serves as a coda and outro to the previous section.
"Censoring the Joseph Smith Story." This is one of the funniest history you will ever read. Nibley runs among the footnotes of Anti-Mormon literature, and illustrates how the stories of Joseph Smith have been embellishes and exaggerated over time, as one anti-Mormon critic mindlessly quotes another, without ever reading the primary documents. It is a good illustration of not only the perils of plagiarism, but of the childhood game of "Telephone."
"The Myth Makers." This book is the transcript of the celebrated court case of "Joseph Smith v. The World." We Nibley's Shakespearian background shines through in this acidic and stinging satire. It reads as a play, or a Socratic dialogue, where every one of Smith's critics since Dogberry takes the stand against Joseph Smith. The key, and the very subtle point to this book, is that Joseph Smith never takes the stand.
"Sounding Brass." This book deals specifically about the tall tales surrounding Brigham Young, and his plural wives. It deals with the later anti-Mormon literature, especially about the book "Wife No. 19." The crown jewel of this book is Part 3: How To Write An anti-Mormon Book (A Handbook for Beginners). Nibley lists the 35 rules essential for any and every anti-Mormon book. I think Rule 17: "In Place of Evidence, Use Rhetoric!" (p. 495ff) should be memorized by every undergrad everywhere, since we fall prey to rhetoric so easily. One I understood this rule, my mind was reborn into a whole new and better organ. There is a difference between rhetoric and evidence. Rhetoric is just a series of arguments, rationales, ratiocinations, and philosophies without any evidence, data, facts, or proof. Confusing evidence and rhetoric is confusing a cookie with a cookie sheet. Your jaw will thank you for choosing the right one. This one paragraph alone justifies the books existence, and makes it worth our hard-earned dollar.
This book is a great gift for anyone curious about anti-Mormon literature, or if you yourself are curious about an intelligent response, or weather there is any intelligence at all in this ever popular genre of books.


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Through the series of simple journal entries, sketches, drawings, and accounting entries, author Hugh Nissenson creates a profound portrait of a fascinating man. Nissenson is a master of "artificial reality"- the structure, style, and false references lend an air of truth to this work of fiction. Historical facts and figures weave seamlessly with the fictional elements. The War of 1812 and John Chapmann (Johnny Appleseed) are prominently featured in the story. And Nissenson himself created the drawings and sketches attributed to his fictional character (the cover is a sample of his work).
I loved this book. It creeps into your mind and comes back to haunt you. I admire Hugh Nissenson's ability to paint, with deceptively-simple strokes, a deep, rich, intimate, lush landscape and a deeply moving character.
If you read and enjoy this book, be sure to read Nissenson's The Song of the Earth, in which he leaps forward rather than back in time for a stunning vision of what might be.


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