
List price: $22.95 (that's 30% off!)
Used price: $11.85
Buy one from zShops for: $15.95




Used price: $19.99




Used price: $16.00
Buy one from zShops for: $15.00



Maureen and Hugh Crago write about their daughter's contacts with books between the ages of one and five. They discuss such details as the way Anna learned to read pictures, and her understanding of the conventions of narrative. There are verbatim records of reading sessions with her, as well as notes on her developing responses to specific books over time.
Anna's first encounter with Sendak's famous Where the Wild Things Are, at two, is illuminating, and the depth of her understanding of Max's emotions over the next five months, will surprise many people.
She was only three and a half when she fell in love with Tove Jansson's Moomins, and listened to Finn Family Moomintroll in its entirety. She enjoyed Jansson's exotic characters, as well as the action. Away from the book reading sessions, Anna acted out the characters and quoted from the book: '"Bless my tail" said Anna as she sat down at the table.'(p.46).
The Cragos taped almost all of the reading sessions with Anna, and the transcriptions are quoted throughout the book. It is full of the delicious conversation and story-making of the preschooler. Here is part of a long monologue told to the pages of an adult book on childbirth, with few pictures: 'Ït was a beautiful day next day, so she just went out and picked apples, and played in the grass and picked up the grass to make a hat, and made the cushions outside, ... and took all the house away to another house, and ate the plants in her mother's garden, and did so many naughty and nasty and nice things that she couldn't bear it. Then she went back inside and telled her mother all the damage."(p.135).
There are also chapters on Anna's perception of humour - "Funny Ha-Ha and Funny Peculiar"; on her understanding of fantasy - "The Limits of Reality"; and "Heros and Villans" is about the emotional impact of the stories.
Very young children are often underestimated in their ability to understand and responnd to stories and pictures - and in their cognitive abilities generally. Prelude to Literacy celebrates the developing intellect and language of the very young child.

Used price: $13.50
Collectible price: $14.95



For anybody wanting to take their insults that one step further, this book is a must.

List price: $24.95 (that's 30% off!)
Used price: $7.94
Collectible price: $15.95
Buy one from zShops for: $16.25




List price: $12.95 (that's 20% off!)
Used price: $0.45
Buy one from zShops for: $8.95






Each of his dozen or so books is an extremely lucid, direct, and unpedantic analysis of people and events both interesting and important. People who have read 'Renaissance Essays' should also read his earlier masterpiece, 'Rise of Christian Europe'.
'Renaissance Essays' is a collection of essays, written at various times, dealing with aspects of that period. The very first essay deals with the republic of Venice with its 'impersonal' and 'mysterious' head, the Doge; we learn of the tumultuous struggles between the proud Foscari and Loredan families for that position; we read of the stupendously vain Emperor Maximillian II and his grand designs; the fame and troubles of Erasmus, the great humanist scholar; the revival of interest in his close and great friend Sir Thomas More and the evolution of his 'Utopia'; we read of William Camden, the first great historian of the 'Elizabethan age', we read of Richard Hooker, the man who gave the then newly-founded but vulnerable English Church a philosophy, a creed with which it could claim its independence and fight off its protestant and Catholic opponents in England and the continent.
There is a particularly amusing and entertaining essay on the letters of the Lisles, on the Paracelsians, followers of Paracelcus, that mad, eccentric, but brilliant physician and philosopher; and on Robert Burton's enigmatic tome, the 'Anatomy of Melancholy'.
The final essays pinpoints the causes of the Thirty Years War.

Hugh Trevor-Roper is one of the great historians of our time. Here is a historian who is not interested in the petty and obscure obsessions of some modern scholars; he is concerned with the totality, the full picture, the main effect of his subject. His style is inimitable, his prose fluent and crystal clear, his erudition and knowledge plain for all to see.
All these qualities he brings to this book, a collection of essays, written at various times, whose subject is that age we call the Renaisssance. It is a must for any keen student of it, and European history.
The very first essay deals with the republic of Venice with its 'impersonal' and 'mysterious' head, the Doge; we learn of the tumultuous struggles between the proud Foscari and Loredan families for that position; we read of the stupendously vain Emperor Maximillian II and his grand designs; the fame and troubles of Erasmus, the great humanist scholar; the revival of interest in his close and great friend Sir Thomas More and the evolution of his 'Utopia'; we read of William Camden, the first great historian of the 'Elizabethan age', who in fact coined that phrase; we read of Richard Hooker, the man who gave the then newly-founded but vulnerable English Church a philosophy, a creed with which it could claim its independence and fight off its protestant and Catholic opponents in England and the continent.
There is a particularly amusing and entertaining essay on the letters of the Lisles, on the Paracelsians, followers of Paracelcus, that mad, eccentric, but brilliant physician and philosopher; on Robert Burton's 'Anatomy of Melancholy' and finally culminating in an essay on the Baroque age and its culture.
This book is a great read; it is amusing, entertaining, and enlightening. And all through it, there is the underlying philosophy of a great historian which gives it such unity and effect

Used price: $2.76
Collectible price: $8.47
Buy one from zShops for: $3.14


The text is adapted from the lyrics of his song, Rock Steady, which is available on his ... Nothing Like the Sun CD. The artwork (by Hugh Whyte) is colorful and captivating. (Sting fans will especially enjoy the image of the young man wearing the black and yellow striped sweater - a treat for "Sting" fans who know how he got his nickname.)
Bible purists beware, however, as Sting has taken some poetic license with the biblical story. The plot follows a couple who respond to an add in the newspaper and join Noah to "commune with Mother Nature on a big wooden ship." While Noah informs that couple that he "heard God's message on the radio" and that there is more to the journey than is apparent to the eye, the story does not explain or allude to God's motivation or the biblical reason for the flood. (On the bright side, as your children get older, you can use this book as an example of Christianity's impact on contemporary culture.)
So buy the book - the proceeds go to a great cause - the Rainforest Foundation.




The tale is told at a cracking pace, and it's a great adventure story. But it's more impressive than that. McCracken has the knack of portraying children the way they really are, not the way that doting adults would like to think sweet little kiddiewinkies are; this realism is refreshing. Also, he's doesn't flinch from some of the ghastlier consequences of his plot: for example, one of the boys is killed and another suffers torture. Because of this darker side to the book, the sense of involvement is hugely increased: the threats aren't just Tom & Jerry stuff but very real - something that will be hugely appreciated by young-adult readers, who get tired of being shielded by well meaning adults from the unpleasant truths of life that they can see in the newspapers.
But don't get the impression the book's just for young adults. At the grand old age of, er, fiftysomething I sat up late devouring it. Grand stuff!

The next book please!

Used price: $25.00



David Kratz ensures that the reader lives moment by moment with almost every musician, producers, and Jamaican artist of the period - some of whom have long been forgotten. He takes you into the studios, delves into the background of each and every artist mentioned in the book, takes to the UK and US with Scratch and Bob Marley, then brings you back to the Black Art Studio where Scratch produced some of the most revolutionary and influential Jamaican music.
Any Jamaican who reads this book will certainly say: "Me know da music deh, but me didn't know sey a Scratch do it." The reader will soon learn that Scratch is the greatest Jamaican music producer. No other producer will ever come close to matching his skill and artistry of Scratch in the studio. Nuff respect to Scratch. He is a true genious! And hat's off to David Katz. He certainly knows how to "ride de rythm". The book is a master piece!