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Theodore Abel went further into understanding WHY and HOW Hitler and his Nationalist Socialist party took root among the "ordinary middle class and uneducated lower class German people" and he obtained thousands of autobiographies from the ordinary German people by offering prizes under the auspices of Columbia University. He received over 600 essays from Nazi Party members which revealed why they had embraced Nazi-ism and Hitler with the enthusiasm that they did.
Some of these essays are printed word for word in this book which Abel presents as the life histories of A WORKER, A SOLDIER, AN ANTI-SEMITE, A MIDDLE CLASS YOUTH, A FARMER, A BANK CLERK.
This books main purpose is to show in the light of the author's unique personal data, the relative importance of each of the factors which led to Hitler's rise to power.
Afer reading this book,...you be the judge of "COULD IT HAPPEN AGAIN?".

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Dénes Bernád, Aviation Historian and Author


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The first volume, Hubris 1889-1936, deals with Hitler's origins, various incarnations, and initial rise to power in 1936. This volume ends with Hitler's controversial invasion of the Rhineland. The second volume, Nemesis: 1936-1945, immediately picks up where the first leaves off, and takes us through the escalating war to its inevitable conclusion just outside a bunker in Berlin within range of the Soviet's artillery. Throughout both, we walk uncomfortably close to Adolph Hitler, and his minions.
The overall work takes us through Hitler's full life in astonishing and carefully researched detail, clarifying and confirming what we knew, but more importantly debunking myths and leaving open to speculation events still without a definitive resolution. Where the author doesn't know and is forced to guess based upon what he does know, the reader is clearly informed. This is not often the case in many biographies and is a credit to this work.
Throughout, the reader will come away with a sense of the "history as close-call," as Hitler approaches total failure and obscurity several times only to move on to what will become his fateful destiny for both himself and the world. Like a good novel the author allows us to speculate on our own on what might have been if for example, Hitler had been admitted to the school of architecture in Vienna. The author builds suspense and drama throughout.
The second longer volume is a quicker and easier read, despite the occasionally gruesome subject matter. Nemesis takes us methodically through World War II. We are there for every decision, every triumph, and every failure. The slow unfolding of the war and the eventual turn of the tide against Germany is developed again with a keen sense of drama. The author develops the narrative as if we don't know what's going to happen next or how it will all end and does a fine job of it.
As one might expect, both volumes require a large emotional investment. But it is worth it if you are to understand much about where we are today and how we got here. If you were to ask yourself before you read these works and after, what shaped the twentieth century, you might very well arrive at two very different answers. It is often interesting to speculate on how the world would look today if there had been no Hitler. Fortunately the author spares us that speculation.
Many biographies to detriment stray from the subject matter to dwell on the peripheral matters with only remote ties to the subject matter. Not so here, the author rarely cuts way from his Hitler himself and even then only briefly. Very quickly we are back at Hitler's side watching over his shoulder or through the eyes of those around him. The author binds us to Hitler throughout making it clear that it is not always comfortable or safe to be in the room when Hitler loses his temper.
The Kershaw freely admits it was never his intent to write a biography of Hitler, and he is not enamoured of his subject. He takes an odious subject and brings it to life. This makes for an interesting well written, but ultimately disturbing biography of the man of the century.

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Toland interviewed over 300 people close to Hitler: Tradul Junge, his secretary, Max Wunsche and Richard Schultze, his adjutants, Eva Braun's best friend and many others. He went to the source and his oral interviews constitute a tremendous historical resource.
Toland shows that Hitler was sexually normal, which is important since Hitler's supposed "deviant sexuality" is the lynchpin of many inferior books.
If you are to read one book about Adolf Hitler, make it this one. Nothing better has come down the pike in the 25 years since this books publication. For anyone interested in the history of the 20th century and World War II, this is a must read.

Well, if these questions continually vex you, you ought to read John Toland's splendid and provocative biography on Adolf Hitler. It is well-written, and very thorough, as it chronicles Hitler as a young boy growing up in Austria, to the founding of the Nazi party, and culminating with Hitler's ascension and command of the Third Reich. Toland provides probing insight into the forces (both in his personal life and the external political environment in Germany) which drove Hitler to relentless anti-Semitism, and the reasons for his obsession to rid the world of Jews.
He also delves into Hitler's troubled personal life, detailing his close relationship with his mother, and his somewhat ambiguous relationship with his wife, Eva Braun.
But Toland also describes other elements of Hitler's life which were more positive, such as the construction of the autobahnen (auto routes) for military transport, and the founding of the Volkswagen (the People's Car). While these are rather prominent cultural icons in today's society, who would attribute them to a man as hated and reviled as Hitler?
For anyone interested in obtaining a "complete" and "objective" picture of Adolf Hitler as a man who achieved great power and influence in one of the most economically advanced countries in the world, and not just a chronicling of his anti-Semitic actions (which should not be minimized), then I would strongly recommend John Toland's fascinating biography,"Adolf Hitler."

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Speer's interest in architecture is evident throughout this dense book, and those who don't share his fascination may find these passages tedious. But overall, the book gives a unique look at the inner workings of the Nazi regime and its notorious leaders, as well as insight into Speer's compromise with principles.
Speer details the obsession Hitler had with remaking Berlin (and subsequently, Germany and beyond) into an ostentatious showplace of power and grandeur. Hitler delighted in the models of government buildings, boulevards and a colossal dome that was to hold hundreds of thousands of spectators and strike the viewer with awe.
Indeed, much of what Speer ended up creating for Hitler utterly lacked soul and a place for the common man. All the grand plans and sumptuous buildings negated Man's significance: only the Party meant anything. Speer discovers, years into his career, that the Nazis had contrived to install talented functionaries in service of the Reich, each doing his job but unaware of the others and their responsibilities. It was to be a society of compartmentalized citizens where the oft-mocked phrase "I was only following orders" becomes the sickening watchword for mass murder and destruction.
Speer was drawn to Hitler's schemes through personal attraction: here was the man to hitch his professional star to. Speer acknowledges that he made a deal with evil and never listened to the nagging doubts during the hectic, heady years of Reich-building. He writes that after signing up with the Nazis, he assumed the more unsavory parts of their agenda (anti-Semitism, brute force and political intimidation) were merely growing pains and would be jettisoned once they gained national power. What ensued were years of complicity and compromise that Speer admits was part of the worst crimes against humanity.
I kept wondering as I read: what would have happened to Speer had he not sought such mentors and benefactors as the Nazis? Would his talent as an architect flourish despite the evils of his time? Did he bristle at the ever larger building schemes and grandiose plans that Hitler devised, making a mockery of true professional discipline? Here is a man who essentially threw his life away - first with the biggest bunch of criminals in history, then in isolated imprisonment in Spandau. This is more than a book about where one's decisions lead in life; it is about how good can be tainted by evil if the price is right. Speer cautions future generations against following demagogues and against the hollow promises of technology. Apparently, the world has yet to fully learn from his example.

Albert Speer was one of the small group of Hitler's paladins who was present from his early days until the end. With a seemingly average architectural career in front of him a young Speer is captivated by the Fuhrer during the early "days of struggle" (of the Nazi party) after Hitler's release from Landsberg prison. His awe of Hitler as a speaker and magnetic personality, and Hitler's longing to be an "artist" brought the two together and a mutual respect and friendship grew from these likes. According to Speer's accounts his only real contact with Hitler on a professional level in the early years (even through the first years of the war) was related to architecture. Speer was commissioned for several party and later state projects - this despite Prof.Todt and his organization being the chosen "party" architects. When Todt was killed in a plane crash, Speer filled the void. He and Hitler planned to rebuild Berlin (as Germania) as the seat of power in all of Europe (and the world?) in grand fashion. Many of Hitler's own personal drawings for structures, such as a great arch to dwarf the Arch de Truimphe, survived the war in Speer's possession and are presented in the book. These tidbits of "artisan" sidelines are a fascinating piece of history not found elsewhere. One sees another side of Adolf Hitler - one that however still retains his now expected megalomania. As the war progressed and Speer's connections with Hitler were strengthened he attained greater stature and eventually became the Minister of Armaments. In this capacity Speer really found his calling. Many books have touched on the genius that was Speer's in terms of war production. Under Speer's reign, despite the western allies and Russian's closing in from either side and continual air bombardment, war production continued to increase right up to the last couple of months of the war. This is an amazing testament to Speer and his thoroughly Germanic approach to production. It however required slave labor on the backs of hundreds of thousands from the "Minderwertigen" (inferior races), which the Nazi movement looked to erase (and tried very hard to do) from existence. While Speer is one of the few Nazi's who stated that ALL Germans were responsible for the war and it's atrocities - he has often been called the "Good Nazi" (sarcastically) for his statements - he does not really ooze remorse for his slave labor program, which kept the war moving and continued to cause the deaths of so many. He does however make a strong point in these memoirs to give the reader the clear impression that he did everything he could at the end - when he apparently came to his better senses - to end the war and its associated suffering. These claims, from most accounts, seem to be merited. Yet many in the Nazi regime had changes of heart as the walls closed in so we should not have expected anything less from someone of Speer's intelligence.
All in all this book as a really good read with plenty of material not found elsewhere (unless rehashed from Speer's works themselves) to chew on. Whether Speer was a "Good Nazi" or not is not a judgment I would make. I do however feel that he left a Good account of the rise and fall of the Nazi movement and provides plenty of insight into the inner workings of Hitler's power elite. This book should adorn all bookshelves of serious WWII history students.


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Is it plausible? Harris is well-qualified to write such an alternate history, having written a well-researched non-fiction book on Hitler. In fact the events of "Fatherland" are mostly rooted in history, as Harris notes at the end of the book that many of the characters whose names are used in this novel actually existed, and many of the documents quoted in the text are authentic. The novel centers around the historic Wannsee Conference of 1942, where Hitler's top men met to decide on a permanent solution to the Jewish question: extermination in the horrific gas chambers in places like Auschwitz.
The plot itself is credible and fast moving, although those who are offended by vulgar language, blasphemy and immorality will find these occurring rather too frequently. Xavier March is a criminal investigator who is determined to get to the bottom of the mystery around the body of an old man found floating in a lake outside Berlin. His investigation leads him to discover a series of deaths of high ranking officials. Together with Charlotte Maguire, an American journalist, he uncovers the chilling truth and the heart of the dark conspiracy behind these deaths. But can March and Maguire escape the German reich with a story about a secret so horrible that Hitler's men have done everything possible to remove all trace of? And if they are caught, can they withstand the torture that is sure to follow?
The concept of a political cover-up, government conspiracy in at the highest level, and those threatening to expose it being silenced with death, is not a new concept. But by dressing this concept in new garments of an alternate history, Harris has created a novel that surpasses the average suspense thriller. The alternate history is in many respects fictional, but at its core it is about a horrible reality that is just as shocking today as it was when it was conceived in 1942. In producing "Fatherland", Harris has fathered a novel with a concept so brilliant, that the chilling non-fiction aspects of its story become all the more shocking. And that's why this is a novel not worth missing.

20 years have passed since Germany's victory over the Allies in World War II. Adolf Hitler has been in power for 31 years, his 75th birthday nears, and a summit meeting between the Fuhrer and President Kennedy has been announced.
This is the intriguing scenario presented by British journalist-novelist Robert Harris in his first novel, Fatherland.
Harris' novel, unlike Peter Tsouras' Disaster at D-Day: The Germans Defeat the Allies, June 1944, doesn't offer us a very detailed 'alternative history' of the Second World War, which perhaps would have been the easy way out for a lesser writer. Instead, Harris smartly teases us with little glimpses at how Germany could have won the war while still losing its collective soul.
Fatherland's plot revolves around Xavier March, a former U-boat skipper who has joined the German police, which has been under SS control since the mid-1930s. On a rainy April morning, March has been called to investigate what seems to be a routine incident ' a corpse has been found in the Havel River near the area where high Nazi party officials have their mansions.
Of course, if you have read political-police thrillers such as Gorky Park or Archangel, you know there will be nothing routine about this investigation. For this corpse's identity is none other than Doctor Josef Buhler, one of the earliest Nazi party members and former state secretary in the General Government, the part of Poland directly annexed by the Third Reich during the war. Before long, March (who is not a Nazi party member, just a dogged investigator) will follow Buhler's seemingly routine death down a dark and winding path that will lead him to Germany's darkest and best kept secret of all.
For history buffs, this book is a fascinating look at what a mid-1960s Nazi Germany might have been like. Harris paints a chilling portrait of a country still at war with what remains of the Soviet Union while in a cold war with a nuclear-armed United States. Berlin is imagined as Hitler and his architect Albert Speer would have rebuilt it at war's end (in the frontispiece there is an artist's rendering of Hitler's vision for his capital), and readers will shudder with horror to see how far the Nazis' indoctrination of children extended.
Harris keeps things going at a brisk pace, never boring readers or insulting their intelligence. His fictional characters interact with historical characters (although, of course, their fates ended up differently in real life, thank goodness) in a believable fashion. Of course, this type of novel requires willing suspension of disbelief, but it is well-written and, in the end, eye-opening.

There were many good things about this book. Its setting is very realistic and depressing, its characters range from the intrepid March to the evil Globus, a former Concentration Camp commander who is determined to end March's investigation, to Maguire, the journalist who wants the truth. Although I enjoyed the book very much, I would have liked more details on the resolution of the war, but this book will both frighten and delight. I loved this book and think that you will love it too.

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