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There are a pair of chapters in Steiner's book that stand out from the mere mechanics of capturing Hitler. In the first the question on the table is what would you do with Hitler once you had him in custody? Here is a man responsible for the deaths of millions, who remains in our minds the greatest mass murderer of the past century no matter what truths come to us about Stalih's purges. How do you extract judgment? Without access to the hellish inferno of Dante's imagination, what punishment could ever hope to provide closure? The fact that a satisfactory answer cannot be found does not detract from the merit of the line of inquiry.
The second important chapter is the last, where Hitler is allowed to speak. The value of this chapter is that it gets beyond the memory of history to the heart of the evil. There is a fatal tendency in the modern world to equate Fascism with Hitler and the Nazis, which means anti-semitism and the Holocaust. The common folk on the street today would point to skinheads as being fascists. But Fascism is a dynamic built upon the Struggle for Order, a world in which the ends justify means that a democratic populace should scorn. Ultimately Steiner speaks to the ironic level on which Hitler achieved a victory of sorts, having cast the world in the image of his own ideology. Certainly the Cold War, which was still in bloom when Steiner wrote this book, is an example of the fascist ideology, where the demands of "national security" becomes a justification for blind obedience.
Reading these two chapters is well worth reading the entire volume, which is but an evening's read. Certainly you can give over one evening of your life to consider the issues raised by "The Portage to San Cristobal of A.H." and come to terms with them on your own. Hitler has become a caricature and while it is difficult to see him for what he truly was, this book definitely looks in the right direction.


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Other highlighs include Hilary Bailey's noir-ish tale of intrigue "The Fall of Frenchy Steiner," and Howard Goldsmiths nastly little horror tale "Do Ye Hear the Children Weeping." There's even a good Rip Van Winkle-like tale in C.M. Kornbluth's "Two Dooms." Also it must be said that, title of the book not withstanding, Hitler rarely remains victorious at the end of most of these stories.
Overall, this a juicy little short story collection for those who like alternative history tales.



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In the Missing Years, the reader gets insight into the early organization of the NSDAP and the emergence of Hitler's mass appeal. Hanfstaengl explains the way Hitler could express the thoughts of his audience: "Many a time I have seen him face a hall plentifully sprinkled with opponents ready to heckle and interject, and in his search for the first body of support, make a remark about food shortages and domestic difficulties or the sound instinct of his women listeners which would produce the first bravos" (68). As to Hitler's political strategy, Hanfstaengl states, "He did not make a revolution to acquire power, but acquired power in order to make a revolution" (172)." As to the Jewish question, Hitler, at one point, told Hanfstaengl "I need the Jews as hostages" (211).
Hanfstaengl was close to Hitler, so much so that he received the jealous wrath of the other members of Hitler's inner circle. Hitler enjoyed listening to Hanfstaengl play the piano, so Hitler's other disciples played the radio full blast when he arrived or, as in the case of Goebbels, play recordings of Wagner or Hitler's own speeches for Hitler to prevent any influence Hanfstaengl might have (192).
The most intriguing part of the book is the gossip on Hitler's bizarre behavior around women, including Hanfstaengl's wife. This seedy information includes Geli Raubal and Hitler's pornographic drawings (163). Readers may be skeptical over some of the accounts (he admits to hearing some of the accounts third hand) but I, for one, would not be surprised if they were all true. This book does not have an index, which is a little irritating when one is trying to look up information, but the chapters are fairly short (16 chapters, 308 pages).





As outlined in Frederic Spotts' _Hitler and the Power of Aesthetics_ (2002), available from Amazon.com, in 1938 the Nazis commissioned August Kubizek to write about his youth with Hitler. However Kubizek eventually reported to a party official that "writing is a horrible burden; it is not something I can do." In 1943 Hitler himself gave Kubizek a one-off payment and a monthly stipend to try to get him to produce at least something. By 1944 or 1945 Kubizek had managed to produce two short booklets, jointly called the "Reminiscences". But by then it was too late for the "Reminiscences" to be published by the Nazis; he hid them until after the war.
In 1948 Kubizek complained that his booklets should really be in the hands of a "real writer". Clearly he found his "real writer" because in 1953 this book was published. Though published under Kubizek's name it is clearly not by Kubizek, both on style grounds (this professionally written book of 350 pages is not by the Kubizek who took six-seven years to produce two crudely written booklets) and because of discrepancies between this book and Kubizek's "Reminiscences".
For example Kubizek's "Reminiscences" gave just two direct quotes from Hitler, both brief. But the published book is full of long Hitlerian speeches. The Hitler speeches had always struck me as literary creations: they are not the sort of thing that people, even crazed adolescents, actually say. However I had assumed that at least the speeches were invented by someone who really had known Hitler. Since it is now clear that the words put into Hitler's mouth were not written by Kubizek but by a ghostwriter, they don't even have that approximate kind of verisimilitude.
In Kubizek's "Reminiscences" Hitler was already viciously antisemitic in 1907. In this ghostwritten book Hitler was hardly antisemitic at all. Kubizek wrote while the Third Reich's racial policies were still in force, so it would flatter Hitler to say that he had already acquired his antisemitism as a youth. But the ghostwriter was presenting Hitler for a post-war audience, so Hitler's antisemitism had to be toned down to make him more palatable.
The ghostwriter gives Hitler a romance with a girl called "Stefanie", presumably to counter rumours about Hitler's sexuality. "Stefanie" isn't in Kubizek's "Reminiscences."
The ghostwriter's identity is unknown. The original publishers denied that they fabricated the book (after an accusation by historian Brigit Hamann). I suspect a Nazi loyalist who knew Kubizek from the old days, perhaps a writer from the old Reichspropaganda-Ministerium. Emery Reeves, who ghostwrote Rauschning's _Hitler Speaks_ hoax and at least one other such "memoir", was arguably a rascal but certainly an anti-Nazi, and would not have touched this book.
Moving to the arts, the ghostwriter (unlike Kubizek) has Hitler adore Mendelssohn's violin concerto. Hitler as Mendelssohn fan? And the ghostwriter has Kubizek and Hitler attending _Parsifal_ together at Vienna in 1907. Trevor Ravenscroft made the same mistake in his Hitler hoax _The Spear of Destiny_. Ravenscroft, like Kubizek's ghostwriter, forgot that Bayreuth still had exclusive rights to _Parsifal_, which was not actually performed in Vienna until 1914, by which time Kubizek had long since lost contact with Hitler.
The book has Hitler avidly reading Dante, Schopenhauer, Nietzsche, Goethe, etc, also Wagner's essays, something often cited by people claiming Hitler was interested in Wagner's ideas instead of just his music. But Kubizek's "Reminiscences" contradict this: Kubizek states that Hitler read _nothing_ serious or intellectual at this time (not that he'd have liked Wagner's essays if he'd read them, but that's another issue). Similarly, the book has an elaborate chapter about Hitler writing a Wagnerian opera: so do the _Reminiscences_, but in 1938 Kubizek told a party official that Hitler had attempted a _play_, not an _opera_.
The famous anecdote about Hitler seeing a performance of _Rienzi_ and being inspired to lead Germany, and 30 years later dramatically intoning, "In that hour it began" is a great story, which no-one has been able to resist. No-one except Kubizek himself, who oddly mentions no such thing in his "Reminiscences". (Kubizek referred to a memorable night after the 17-year old Hitler was deeply stirred by a performance of _Rienzi_; the ghostwriter contributed the rest. _Rienzi_ really did impress the adolescent Hitler: but discussion of the significance of this, if any, must be based on Speer's less melodramatic remarks on the topic. In reality Hitler's involvement in politics began more than a decade later, in the aftermath not of an opera performance but of World War I and an economic depression.)
Basically, Kubizek's real "Reminiscences" have some historical value, though even they must be treated with caution: Kubizek wanted to present a favourable picture of Hitler, also himself, and punched up his stories for publication (though not as much as his ghostwriter did). But this book does not follow the "Reminiscences" and was not written by Kubizek: therefore it has no value except as reasonably well-written fiction, thus earning the compulsory one star. It's true that Kubizek didn't disown the ghostwritten book, but why would he? It gave him fame and money, and helped re-polish his hero Hitler's reputation. It's clear, from the way that the book repeatedly contradicts Kubizek's own written account without protest from Kubizek, that Kubizek was not concerned with its "truth".
As with Rauschning/Reeves' _Hitler Speaks_ hoax, some things in the book attributed to Kubizek may be true, but the only things that can be accepted are those that are independently confirmed from other sources that appear to be reliable. It's like having a demagnetised compass that sometimes happens to point north, but you can only know when it is reading true if you compare it with another compass: ie, it's useless. File under crypto-Nazi fraud.
Cheers!
Laon

This book was written almost 50 years after the events occurred, so it is no surprise the author probably got some details mixed up, especially as pertain to plays, operas, etc. that the two frequently attended.
There is a simple reason for Kubizek's exclusion of the Stephanie story from a propaganda pamphlet he wrote for the Nazis in the late 1930's: by showing that Hitler was a social misfit and extremely intimidated by women as a youth, the story could have drastically dimished his image as the "man with the iron will", not to mention the effect it could have had on his appeal to women (on which he heavily relied). There is a known portrait Hitler drew of Stephanie.
The underlying credibility of this book is not questioned by any serious Hitler scholar, and it is considered to be the best source of information on Hitler's early life. You will be glad you read it.

During the years the two spent together in Linz and later in Vienna, young Hitler was already developing into what he would later become. For getting a deeper perspective of the true nature of Adolf Hitler, August Kubizek is, in my humble opinion, the most reliable source for insight into this complicated human being. No one knew Hitler more intimately than he did. He was also reunited with his old friend three decades after their ways parted in Vienna, and thus gives valuable insight regarding "Adolf Hitler, the Fuehrer". And, as Kubizek remarked, "Hitler didn't change."
The words Kubizek uses to describe his young friend convey the image of a deep, passionate, gifted and serious young man who, due to his great obsession with changing the world around him, did not enjoy his youth in any traditional sense. Kubizek did his friend a great service by writing this book. It is required reading for all serious students of Hitler's incredible life, for it is an honest, first-hand account of the young starving artist, open and unbiased, (unlike any other book ever to tackle the subject.)
Kubizek was, I am convinced, a good man who had nothing to gain and everything to lose by publishing the truth about Adolf Hitler's character and showing the world his "human" side. The world after the war (and today still) was not interested in the truth. So many were then and still are content to make Hitler into the embodiment of all evil, to reject his humanity. But therein lies the danger.

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The latter,however,is not the focus of the story. Munich Kriminalpolizei Chief Inspector Fritz Stecher is. He is...in Rusch's quick-fire paced "police procedural"...the man who could have prevented Hitler's horrific assault on humanity by arresting him for murder. The fact this never happened makes the novel's character study of an honest man and former soldier...brutalized by violence of WWI, in a "lost nation" swarming and starving as LOST GENERATION refugees...pursuing Justice an exploration of complex, damning questions rather than reassuring or edifying answers. Cinematic technique of Alfred Hitchcock...where criminal & victims are known, and viewers share terror and voyeuristic complicity(or helplessness)in sin and crime...is evoked with marvelous effectiveness. Rusch employs the reader's OWN KNOWLEGE of history to vicariously "question" him the way secondary character Annie Pohlman(American academic working on a dissertation)questions Stecher. When the Final Question is asked..."Knowing what you, Herr Stecher,knew about Hitler THEN: why didn't you arrest him?"...this truly becomes a fearful QUESTION: Knowing what YOU(the reader)know about Hitler NOW...would you have had courage to arrest him?
It's a scary story with ambience of perhaps the most monstrous man who ever lived--to massacre millions--looming over unexplained, melodramatically colored death that may have been, as Nazis contended, "tragic suicide" not murder. Author Rusch plucks "Id chords". Her thriller thrills because your own knowledge makes you a Character. You hear the tale of HITLER'S ANGEL; you KNOW The Devil who killed her...The rest is silence.



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I have more than a working knowledge of WW2, the events and the history. Last summer I spent two weeks riding around Germany on a BMW motorcycle seeing the WW2 sites. I very much appreciate this book for detailing information I had not known before, and linking it with information that I am quite familiar with. The end result was my belief that Anderson's information is accurate and well told. If you're into the history, you'll love this book.

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Quite simply, in late November 1942, the situation did not seem potentially disastrous to the Germans, from Hitler downwards. Their intelligence agencies had completely failed to discover the buildup of the Soviet Armies poised to surround the Sixth Army. They simply could not believe that the Soviets still had such strong armies left.
Hitler and his generals all believed that the losses they had inflicted on the Soviets had to be crippling. Their underestimation of Soviet strength was what led to Stalingrad, no matter what Manstein may claim he would have done otherwise, the Soviets would still have been victorious.

the Russian Front Campaign and the events surrounding the disaster the Germans never recovered from at Stalingrad, this book will put a lot of those events into perspective.

He then takes us through his brillant victories in the Crimea which were acheived againsnt overwhelming numbers and where his successes were largely acheived through having a free hand and no interference from Hitler. Mainstein devotes a chapter on Hitler as Supreme Commander and analyses Hitlers strengths and many weaknesses.
There is a fascinating detailed account of the German tragedy at Stalingrad and how the beleaguered Sixth Army had the opportunity to break out towards Mainstein's relief forces. However the opportunity was lost due to the Army's hesitation and Hitlers insistence Stalingrad must be held. The sacrifice of the Sixth Army however gave time for other Army Groups to leap frog back to safety and deal a counter blow at Kharkov.
One diappointing feature of the book is the short chapter devoted to operation "Citadel" ( or the battle of Kursk). This is because the translators of the book have taken a much shorter translation than what was orginally contributed by the author. I would be most interested in obtaining the orginal full length translation.
Mainsteins views on how operations should be fought subsequent to Kursk were constantly at odds with Hitlers views on holding onto everything. This along with some other top Nazi Party members insistence that Manstein was a defeatist guaranteed his dimissal in April 1944.
This book is a MUST READ and indispensable to anyone with an interest in the Second World War.

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Secondly I just wanted a little more lively writing style. I know that the book was translated, and there are no glaring errors, but it seamed to me that it also produced a text that was wooden. I wanted more punch. We are talking here of the greatest, most wide ranging war that has ever been fought, give me a little drama. I was not looking for a graduate level test book and that is what I think I received. Overall it is another review of the major errors of WW 2, if you have not read a book on this topic then this will provide you that back ground.

Organizationally, the book is divided into five chapters. The first chapter focuses on the Battle of Britain and the coming confrontation with the Soviet Union. The second deals with the turn of the war in the autumn on 1941. The third covers the final loss of the strategic initiative in 1942, the fourth with the failure to defend the peripheries of Fortress Europe in 1943 and the final chapter with the collapse in 1944. There are several decent maps and charts, but no appendices. The bibliography, which covers many German language sources, is extensive and quite good.
There is nothing particularly new in Magenheimer's analysis, although much of what he says appears quite true fifty years after the fact. Yes, if Hitler had been less ambitious or fanatical perhaps the 6th Army wouldn't have been lost at Stalingrad. Yes, if Hitler had been more flexible on retreats, the Wehrmacht might have done a better job on mobile defense. Yes, if the Luftwaffe had focused more on fighter production and stepped up the Me-262 program then it would have been more difficult for the Allies to gain air superiority over Europe. All these issues represent common sense - hence they are not contentious - but they actually offer no new insight. There is no doubt that with better decisions and choices, the Third Reich might have done better in the war but in most cases, "doing better" means surviving longer than May 1945. Even with jets and a stronger, mobile defense, Germany was waging war against the three strongest industrial powers on earth and no tactical magic was going to alter that fact. What Magenheimer offers is a common sense alternative to Hitler's quixotic strategic direction, but common sense is not a strategy (it essentially says, 'we shall do nothing foolish or extreme,' without saying what will in fact be done).
By avoiding 1939 in his book, Magenheimer avoids the whole issue of Hitler embarking upon a major war with an inadequate military-industrial base. Magenheimer blames Hitler for seeking only militaristic solutions to all his problems and neglecting potential political solutions, like a separate peace with the Soviet Union. However Hitler had pretty much used up his political cards prior to the war and even Stalin was unlikely to consider seriously negotiating with the man who broke the 1939 Non-aggression Pact only two years later. Once the war was rolling, Hitler was left with only military solutions; the weak enemies like France were quickly knocked out of the war and the survivors, like Britain and the USSR, also wanted military solutions. Magenheimer avoids the question of whether Germany should ever have attacked France and the Low Countries in 1940 at all; had Hitler not widened the war and brought Churchill into power, the Chamberlain and Daladier governments had little motivation to invade Germany or initiate a strategic bombing campaign. Quite possibly, the "Phoney War" might have dragged on for a year or two and then fizzled, with eventual peace negotiations. Hitler might have gotten to keep all or part of Poland and that would have been a "victory". However no German historian is likely to criticize the "easy success" of the French campaign.
Magenheimer implies that Hitler's attacked on the Soviet Union was in the nature of pre-emptive strike, based upon post-war revelations of Soviet war plans supposedly set for the autumn of 1941. Readers should treat this discussion of Operation Barbarossa with caution, since Magenheimer greatly exaggerates the likelihood of a Soviet attack upon Germany in 1941 (see David Glanz' recent Stumbling Colossus, which points out how ill-prepared the Red Army was for offensive combat in 1941). The author then adds insult to misconception by claiming that it was primarily the Soviets who were responsible for initiating the many atrocities on the eastern front.
While Magenheimer rejects the idea that Germany's defeat was inevitable, this is probably not far from the truth. After all, Germany waged war against virtually the same coalition in the First World War and lost it without any help from Adolph Hitler. The fact is that it is very difficult for even a well-led continental power with limited resources to challenge two or more great powers for global hegemony. It didn't work for Napoleon, or Kaiser Wilhelm or Hitler. Even in the best-case world, such as Napoleon faced at Tilsit in 1807, the aggressor gained only a breathing space before new coalitions were raised against him. Thus, more common sense in Berlin might have changed some of the dates, but baring a total collapse of the Allied will to resist, it was unlikely to have altered the final result.


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I found the first part of the novel 'the chase of Adolf H.' rather average.
The second part 'The defence of Adolf H.' is a powerful text, but I prefer the treatment of the same themes in his book 'In Bluebeard's Castle': a bold and compelling conjecture about the subconscious motives of the holocaust.