Capstick reprises his role as master yarn-spinner of African legend in Dark Continent. The book is entirely devoted to Africa's "Big Five" dangerous game animals; lion, leopard, elephant, rhino, and buffalo.

This hi-octane collection of stories ranks second only to "Long Grass" as my PHC favorite. It is completely FULL of experiences, legends and tales of close calls or catastrophes. Capstick goes chapter by chapter showing us without a doubt why each animal is included among Africa's Dangerous Game.

The stories themselves are heart pounding. Capstick can put you behind the sights and in the path of a charging rhino like no one else. You'll be bathed in sweat as he drags you through the thick Mopane scrubb searching for that man-eating leopard or gut-shot lion. Ol' Pete may be the most thrilling safari adventure writer of all time.

In addition to the danger, PHC also takes us back in history to the golden days of the White Hunter and relives the world record trophy hunts in each category. You'll hear about giant tuskers with 200lbs on each side, massive 10ft lions, and rhinos big enough to derail a train. I found this wonderful reading. It was like going to a world record trophy museum and getting a behind-the-scenes look at each hunt.

This book is a MUST for anyone who enjoys safari legend, hunting, or adventure. Highly recommended. I guess you could say I give it a "Big Five."

I really liked this book. I do not remember why I picked it up, but I am so happy that I did. I felt like I was sitting in a bar listening to someone who just came back from Africa. I am a hunter and I now have a new found respect for a lot of the big game animals of the dark continant. The book covers the big five of the game animals and the stories are remakable. This book is a must read for the hunter and the adventure junkie. I made my hunting buddy read the book. After the chapter on the Cape Buffalo he called me to say that he now wants to hunt something that will charge. We both purchased big bore rifles and are planning a boar hunt. Trust me you will want to too. Do not read this book if your wife will devorce you over one more hunting trip. You will miss her

Peter Capstick once again gives his readers what they want. This book is full of hair raising stories of hunteres and the hunted.

Read how Capstick's tracker is nearly gored by a rhino, actually holding onto the horn to save himself.

See how a cape buffalo in a bad mood can turn a man into something even a big city coroner will never forget.

Discover why smoking may be good for your health, if you track wounded leopards into the long grass at night.

The BIG 5 are considered the most dangerous animals on the continent of Africa for good reason. Capstick will be more than happy to fill you in on the reasons, and leave no doubt that they are all dangerous and deadly.

This is a book length interview of Joseph Cardinal Ratzinger, prefect of the Sacred Congregation for the Doctrine of the Faith. He is the Roman Church's sentinel on the frontiers of theological adventurism, there to keep watch that the Church's Deposit of Faith is preserved against impious attack. He has held this position since 1981, when Pope John Paul II called him to Rome from Munich, where he was archbishop.

He was born in Bavaria seventy-three years ago. As with Karol Wojtyla, he had a full life before going to Rome. As a young man and seminarian he was exposed to the rise of Nazism in Germany. He was a prominent theological advisor during the Second Vatican Council and taught theology at Germany's most prominent universities. He earned a reputation as one of the Church's brightest and most creative theologians.

In an age when Truth has come under unceasing brutal assault, he has become a target of attack worldwide. He is routinely caricatured in the worldwide media as the new Grand Inquisitor, unthinking and dictatorial. This book will discomfit his enemies. It shows a deeply learned man moving carefully and deliberately across all the issues of the "Canon of Criticism," forthrightly defending the Church. It shows a man with a keen understanding of our present age and the ideologies that animate it.

The Roman Church is contemptible to so many precisely because it stands in unabashed reproof of so much of what passes as wisdom today, including the central "truth" of our post-modern era: that only truth is that there is no Truth. This reminds us that the Church is now, as always, a scandal. But it is necessary, Cardinal Ratzinger reminds, us to distinguish between the "primary" scandal and the "secondary" scandal. "The secondary scandal consists in our actual mistakes, defects and over-institutionalizations . . .." (124) The Church is made up of men who are subject to all the frailties to which flesh is heir. But the Church aspires for more. That she occasionally fails should not surprise us. That she aspires for more should inspire new generations of saints. Yet the very idea that man is not naturally good and should aspire for more through self-abnegation is a deep offense to the modern mindset that man is good and is always, inexorably, getting better. This makes the Church an object of contempt and, in time, hatred.

"[T]he primary scandal consists precisely in the fact that we stand in opposition to the decline into the banal and the bourgeois and into false promises. It consists in the fact that we don't simply leave man alone in his self-made ideologies." (124) Substitution of transitory political ethics for Christian ethics leads to despotism, the exaltation of a mere man as God: Lenin, Hitler, Stalin, Mao, Pol Pot, Ho Chi Min. "We can say with a certainty backed up by empirical evidence that if the ethical power represented by Christianity were suddenly torn out of humanity, mankind would lurch to and fro like a ship rammed against an iceberg, and then the survival of humanity would be in greatest jeopardy." (227) "For this reason . . . the Catholic Church is a scandal, insofar as she sets herself in opposition to what appears to be a nascent global ideology and defends primordial values of humanity that can't be fit into this ideology . . .." (124)

"[I]f we give up the principle that every man as man is under God's protection, that as a man he is beyond the reach of arbitrary will, we really do forsake the foundation of human rights." (204) The sacred tradition of the Church is arrayed in defense of the dignity of mankind. Contrary to fashionable caricature, the Church is not an ossified tree, subject to being felled by the latest gale. It changes, but slowly, deliberately, organically. "[T]here are various degrees of importance in the tradition [of the Church] . . . not everything has the same weight . . . [but] there are . . . essentials, for example, the great conciliar decisions or what is stated in the Creed. These things are the Way and as such are vital to the Church's existence; they belong to her inner identity." (207-208) As to its essentials, its First Principles, or everlasting verities, the Church is powerless to change even in face of popular demand.

Bringing to mind Edmund Burke and G.K. Chesterton, Cardinal Ratzinger reminds us that "the Church lives not only synchronically but diachronically as well. This means that it is always all - even the dead - who live and are the whole Church, that it is always all who must be considered in any majority in the Church. . . . The Church lives her life precisely from the identity of all the generations, from their identity that overarches time, and her real majority is made up of the saints." (189) Our present age cannot cavalierly discard the wisdom of this great communion of the living and the dead, of one hundred human generations of the Church, confident that it has somehow achieved superceding wisdom. Instead, it must, as must all generations, submit to the essentials of the Church, to revelation and the Church's sacred tradition. "Every generation tries to join the ranks of the saints, and each makes its contribution. But it can do that only by accepting this great continuity and entering into it in a living way." (189) The Church does not need additional "reformers" of institutions. "What we really need are people who are inwardly seized by Christianity, who experience it as joy and hope, who have thus become lovers. And these we call saints." (269)

This is not easy for any generation. It places a break on volition. It posits that man's every impulse is not virtuous. Intrinsically, it asserts that man is not God, that man must prune his impulses, as he would an overgrown plant to prepare it to bear fruit. "[P]eople don't want to do without religion, but they want it only to give, not to make its own demands on man. People want to take the mysterious element in religion but spare themselves the effort of faith." (212) This is New Age faith, not the faith of the Church and her saints. "If the willingness to be bound is not there, and if, above all, submission to the truth is not there, then in the end all of this will simply remain a game." (235)

It is often heard today that if only the Church would make priestly celibacy optional, ordain women and "reform" its doctrine to accommodate other contemporary demands, that she would flourish as never before. These cavils ignore the central truth of any true church - that its communicants come to it and submit to the truth it professes, a truth beyond editing by plebiscite. It also reveals a stunning lack of critical intelligence. "These issues are resolved in Lutheran Christianity," Cardinal Ratzinger notes. "On these points, it has taken the other path, and it is quite plain that it hasn't thereby solved the problem of being a Christian in today's world and that the problem of Christianity, the effort of being a Christian, remains just as dramatic as before." (181) Why should the Roman Church make itself a clone of Lutheranism? "[B]eing a Christian does not stand or fall on these questions [and] . . . the resolution of these matters doesn't make the gospel more attractive or being Christian any easier. It does not even achieve the agreement that will better hold the Church together. I believe we should finally be clear on this point, that the Church is not suffering on account of these questions." (182)

Cardinal Ratzinger is forthright in his pessimistic assessment of the time ahead. "The danger of a dictatorship of opinion is growing, and anyone who doesn't share the prevailing opinion is excluded, so that even good people no longer dare to stand by such nonconformists [i.e. Christians]. Any future anti-Christian dictatorship would probably be much more subtle than anything we have known until now. It will appear to be friendly to religion, but on the condition that its own models of behavior and thinking not be called into question." (153) The Church must attorn to the zeitgeist in this scheme. These themes are explored in Michael D. O'Brien's "Children of the Last Day" novels.

It is time for the faithful, Cardinal Ratzinger says, to form "vital circles." [T]here are great, vibrant new beginnings and joyful forms of Christian life that don't figure much statistically but are humanly great and have the power to shape the future." (143). "Particularly when one has to resist evil it's important to not to fall into gloomy moralism that doesn't allow itself any joy but really to see how much beauty there is, too, and to draw from it the strength needed to resist what destroys joy." (69)

In his autobiography "The Sword of Imagination," the novelist and historian Russell Kirk writes, "Not by force of arms are civilizations held together, but by the threads of moral and intellectual belief. In the hands of the Fates are no thunderbolts: only threads and scissors." Throughout this book, Joseph Cardinal Ratzinger demonstrates that he understands better than, perhaps, anyone e

[The following three paragraphs were striken from the end of my earlier review of this book due to length restrictions. The beginning of the review, of which these three paragraphs form the concluding portion, appears immediately below this review.]

Cardinal Ratzinger is forthright in his pessimistic assessment of the time ahead. "The danger of a dictatorship of opinion is growing, and anyone who doesn't share the prevailing opinion is excluded, so that even good people no longer dare to stand by such nonconformists [i.e. Christians]. Any future anti-Christian dictatorship would probably be much more subtle than anything we have known until now. It will appear to be friendly to religion, but on the condition that its own models of behavior and thinking not be called into question." (153) The Church must attorn to the zeitgeist in this scheme. These themes are explored in Michael D. O'Brien's "Children of the Last Day" novels.

It is time for the faithful, Cardinal Ratzinger says, to form "vital circles." [T]here are great, vibrant new beginnings and joyful forms of Christian life that don't figure much statistically but are humanly great and have the power to shape the future." (143). "Particularly when one has to resist evil it's important to not to fall into gloomy moralism that doesn't allow itself any joy but really to see how much beauty there is, too, and to draw from it the strength needed to resist what destroys joy." (69)

In his autobiography, the novelist and historian Russell Kirk wrote, "Not by force of arms are civilizations held together, but by the threads of moral and intellectual belief. In the hands of the Fates are no thunderbolts: only threads and scissors." Throughout this book, Joseph Cardinal Ratzinger shows that in most parts of the world that the Roman Catholic Church is the last defense against the decay of human civilization. By defending revelation and sacred tradition against the moral anarchy of the age, the Church withholds disorder of the soul and the commonwealth, the idolatry of man as god, and preserves man, as a creature of God, against transitory and often violent popular passion. The ambitions of those men who would bring about and celebrate her demise are dangerous. Implicit in Cardinal Ratzinger's words and lifetime service is the message that it is time for serious men of serious purpose to come to her defense.

The background of Peter Seewald sets the tone for the book. He does not shy from his questions and this brings out more of Cardinal Ratzinger. I was not dissappointed as C. Ratzinger provides more than standard answers. His answer on women as priests was excellent.One thing that strike me most was when he was asked a particular question, he asked to be excused. The author assumes that he leaves for a prayer and comes back to answer his question. C. Ratzinger answers his question based on the search of truth in the Catholic faith.

The Story of Holly & Ivy is a book that was read to me by my grandmother every christmas for as long as I can remember. It is now a favorite of my children. An excellent addition to your Christmas book collection, Holly & Ivy is a book about believing in wishes and the magic of the holiday season.

Holly and Ivy was originally published in Ladies Home Journal in the 1950s. My mom clipped the story from the magazine, and read it to me and my sister every Christmas. The lonely little orphan girl Ivy and the doll Holly who wished so much to have a child for Christmas, really touched a chord with us. For me it started a life-long love for Rumer Godden, especially for her doll stories. To fully appreciate the story, you have to hear it read aloud.

This is a perfect book for reading aloud to a grade school child...but my junior high school daughter still loves it as well. It is a charmingly written tale of the twists of fate that unite orphan girl Ivy with the Christmas doll Holly in the nick of time. The genius of Rumer Godden is that she writes it in a way that the adult reading the story enjoys it fully as much as the child listening. Barbara Cooney's illustrations look exactly the way the story looks in one's imagination. When I first went looking for a hardcover version of this book it was very hard to find, so order this one now. Your kids will treasure it in their library.

The best, and I mean that exactly, the best adventure book for adults ever, and I mean that exactly, ever written. My friend and I constantly recommend books to each other, and one or the other of us will say, "It's a good book but..." and the other will always respond "...it's not The Last Hero" Put this book down and you will not sleep until you pick it up again. I am on my fifth read, and I am sure that it will not be my last. There are images and moments that I will never forget. I cannot believe that anyone allowed this book to go out of stock. Find it, steal it, read it, you will not be sorry

The story told in "The Last Hero" is that of Sir Henry Morton Stanley (of "Dr. Livingstone, I presume?" fame, but that's another story) who, in 1885 organized and led a mission to rescue Emin Pasha, governor of Equatoria, the southernmost province of the Egyptian Sudan, which was surrounded by the Mahdist uprising. Amazingly, Stanley decided to approach Equatoria from the Atlantic side of Africa by going up the Congo river and overland through central African forest. The expedition crossed hundreds of miles of then-unknown Africa, encountering every obstacle and difficulty along the way. The eventual end of the mission is one of history's great ironies, but I don't want to give anything away.

"The Last Hero" is a very well-written adventure story, all the more interesting because it is true. My only complaint (a very minor one) concerns the absence of notes and bibliography which could have given some historical documentation and sources.

Another good book is "The River Congo: The Discovery, Exploration and Exploitation of the World's Most Dramatic River" (nonfiction) which is also by Peter Forbath (a journalist who reported on Africa). Henry Morton Stanley was also a bestselling author, he wrote: "How I Found Livingstone" (1872); "Through the Dark Continent" (1878); and "In Darkest Africa" (1890).

Not many novels have the effect of this one. If I have to pick a 'prequel' to Robert Ruark's _Something of Value_ than it is surely this one. If you like Forbath's, then read Ruark's!

_The Last Hero_ sweeps you away to a time when honor and ego and plain old guts -- combined with the vast heart of unexplored Africa meant adventure. I read this novel in amazement, at the rich characterization, the lavish settings, the graphic narrative; only to be further amazed when I learned that this wasn't a mere work of historical fiction, but rather a fictionalized account of real events.

Read it. You won't find many novels that do this. Serious business, deep in the Congo Ituri rainforest, late 19th century...no one can hear you scream.

Kurt W. Wagner kwagner@gti.net

This wonderful book escaped my notice as a child, and now I know why--the local library doesn't have a copy of this, or any of the other titles in the series! How awful!

I first found Green Knowe through a listing in the "Best Books for Children" guide. It's now my absolute favorite! I won't attempt a synopsis here--you can read the other reviews for that. But I did want to say it's absolutely MAGICAL! The story is a bit spooky, definitely old-fashioned, mysterious, and sweet, all at the same time! I have to say, as someone who reads a lot of "kiddy lit," I kept waiting for the other shoe to drop in this book. In a lesser novel, the sweet old grandmother character would've turned out to be secretly evil, or a witch, or some such nonsense. Happily, she's a magical sweet old lady, and the relationship between this ancient one and her little (great) grandson is really charming.

As a matter of fact, the real conflict only comes in just at the end (with a scary scene I won't spoil), so parents who are overly-concerned that their child not read *anything* containing conflict, "bad guys," or evil, be forwarned--all is not goodness and light here. Personally, I find a story about the struggle between good and evil (in the same category as C.S. Lewis' Narnia books) uplifting. The magical "ghost" aspect of it is also treated in a way that promotes good feeling, in my opinion (I know some parents do not appreciate *any* references to the paranormal, either--so I wanted to mention it).

But for the rest of us--what a FIND the Green Knowe books are! I've bought a copy for all my neices and nephews. They're off reading Harry Potter and the like. I've read HP, by the way, just to be able to make educated remarks about it. It certainly wasn't the worst book I ever read, but I sure hope you parents are also giving your kids copies of: The Hobbit, and the rest of Tolkein, the Narnia books (Did you know C.S. Lewis and Tolkein were good friends?), the Edward Eager books (start with Half-Magic), the E. Nesbit books (talk about classics in Brit. Kid Lit!! C.S. Lewis cited Nesbit as a big influence!), and Lucy Boston's beautiful series!! Why not throw in Richard Peck's series? Wow--I've got a lot of books here--time to make a list! Happy Reading!

I'd never heard of the Green Knowe books until I recently picked this one up. Too bad, this is a story I would have loved to have someone read to me when I was a kid and which I look forward to reading to my own kids. It is the magical, mysterious tale of young Master Toseland, who goes to spend the Christmas holiday with his great-grandmother Mrs. Oldknow at the family estate of Green Noah. Arriving by train, he finds the grounds flooded and the groundskeeper, Mr. Boggis, must pick him up in a rowboat to carry him to the house. It gradually becomes apparent that the house is temporally as well as physically isolated. First through overheard giggles and then by shadowy glimpses, it is revealed to Tolly (as Mrs. Oldknow calls him) that the house is inhabited by the spirits of children from generations long passed. In particular, Toby, Linnet and Alexander, three siblings felled by the plague hundreds of years earlier, romp about the building and grounds. Mrs Oldknow, who is well aware of the phenomena, tells Tolly stories about the children and the history of the manor, including a gypsy curse that was placed on a creepy topiary of Noah, which is how the place (originally Green Knowe) got its name.

Lucy Boston was inspired to write these books--this is the first in a series of eight--after restoring the Manor House at Hemingford Grey, which dates to the year 1130. The restoration process discovered all kinds of hidden fireplaces and windows and other reminders of the house's ancient past. This apparently awakened in her a sense of history on a human scale and reminded her of how easily we ignore such things. She set out to help others recall this sense of wonder:

I would like to remind adults of joy, now obsolete, and I would like to encourage children to use and trust their senses for themselves at first hand--their ears, eyes and noses, their fingers and soles of their feet, their skins and their breathing, their muscular joy and rhythms and heartbeats, their instinctive loves and pity and awe of the unknown.

She succeeded brilliantly. This enchanting book is suffused with an aura magic and a real spirit of joy.

GRADE: A

A lifelong reader, having children who loved to be read to allowed me to revisit books that I had loved as a child. Some had sentimental value; very few retained their magical hold on me as an adult. The Children of Green Knowe has the shimmering quality that forces one to regard the ordinary with a new hyper-awareness. Boston's beautiful prose situates one within the stone halls of her mysterious house, where wooden mice squeak, and rocking horses move without apparent animation. She gives the diurnal an extraordinary gloss: after reading her books, nothing else seems quite the same. A dream of a book. (The rest of the series is good, too. Someone should reissue these as a boxed set.)

A great read for anyone who understands great passion in the sport of fishing. What a priveledge it is for all of us to experience a month long fly-fishing adventure at Montauk through the skilled prose of Peter Kaminsky. This book reads as deliciously as Peters' recepies sound for fresh grilled Striped Bass accompanied by a burst of just ripe local vegetables...... Pardon me, as I have to go "Blitz" the kitchen right about now!

what a marvelous book. more than any book i have read on fishing or outdoors, this one is well written. it captures the feelings of the changing of seasons and the hope and dread of how things will be that day. are there fish still in area or have they moved out. what will today bring. one learns a lot about fishing and life and the passion one can have for something. at same time it is not obvious or heavy-handed with some zen philosophy or fishing as allegory. ultimately it is about the love of fishing with a fly rod and sharing that with a few other friends who have the same feelings. while reading this gem of a book, one learns a lot about fishing. i live on the east end of long island but i didnt really know the areas he talked about and the history of some of them. the author really makes the region and the people come alive. it is like you are having breakfast in the local "greasy spoon" with the guys who fish and talk about it. you can see the guys with the bedraggled looks while they try to glean some info on where action is without giving away any of their own secrets. you can see the birds working the water and feel the hard tug. you can also feel the days where nothing working/nothing happening but it isnt dissappointing. the possibilty is almost enough ....but not quite. i have only fished for stripers once with a fly rod but after i read this book i made arrangements to go out to montauk area to try it. if it is 1/4 quarter as good as the author makes it out to be, it will be well worth it.

If you have ever caught a striper on a flyrod you will enjoy Kaminsky's Month of fishing. He has a calm manner of expressing the explosive nature of the striper. He has shared his experiences during the annual run of stripers around Montauk Point. There are plenty of technical manuals of how to do this or where to do that regarding flyfishing for stripers and this isn't one of them. Yet, you can learn from his first hand experiences fishing, not guiding but the actual art of going to the waters in pursuit of the striper. Wheter he is fishing the flats, shores or from a boat his descriptions of his experience are what make this book. The names of his associates have faded but the places he fished, the techniques of casting and presentation, and the fights he described remain. If you enjoy flyfishing for striper you will enjoy the moments of time he selectively shares with his readers.

I think one of the things I like best about Elizabeth Peters is that she clearly believes that reading mystery stories is supposed to be fun. Of course, there is much to be said for authors that believe otherwise. But sooner or later I need to take a break and lean back with something by an author who has managed to evade all the Sturm und Drang of modern mystery fiction. Someone I can trust with my sometimes fragile psyche. Elizabeth Peters is my all time favorite in this category of 'cozy' tales, for many reasons.

Take the book at hand, "Devil May Care." The plot work is clean and classical. Ellie has been asked by her Aunt Kate to house sit while her Aunt takes a trip. The house is a fine old manse in Burton, Virginia. Ellie arrives with her fiancée Henry, a dull but successful Washington lawyer, to find Aunt Kate clog dancing with a neighbor and deep in football discussions. After a short interlude Henry and Kate head back to the city and Ellie settles in for the long haul. Immediately she finds herself surrounded by ghosts. Aunt Kate's previously unhaunted home suddenly has a transparent young man upstairs, a jilted husband chasing his wife and her lover all over the grounds, a crazy looking red haired woman in the... Well, you get my drift.

Ellie, who is an intelligent and well grounded young woman sets about solving these appearances with the help of Ted Fraser (her Aunt's clog dancing friend) and the very attractive (and not at all dull) Donald Gold, the neighbor's son. The mystery revolves around the original six families that founded Burton, and an old history book Ellie bought for a gift to her Aunt. But what it is eludes everyone, even after Ted barely survives a meeting with an irate spirit and the sudden reappearance of Aunt Kate. The reader is well on his way through this roller coaster ride long before the complexities of the plot finally begin to unravel.

What makes this mysterious farce enjoyable is not only a clean and lively plot, but an entire cast of eccentric and wonderful characters. I greatly admire Peters heroines, who always display a great deal of intelligence and forethought. Ellie is one of these. Her Aunt Kate is no less memorable, with a defiantly impish streak. The male participants, ranging from the very dull Henry to the quick witted Donald are perfect foils for these women. In addition, all six of the founding families are full of amazing confections and one can hardly leave out the long cast of Aunt Kate's pets, lead by the imperious Roger the Rat and Franklin the Fearless Pekinese.

This is mystery fiction intended to be entertainment and little else. Elizabeth Peters is an expert as mixing archeology, the supernatural, and history with the inevitable foibles of human beings and coming up with story after satisfactory story. This is perfect fireside reading for one of those rainy fall days around Halloween. Or for any other time as well.

This mystery includes ghosts, people's reputations, and the dog
that barked in the night. It was difficult to put the book down.
Ellie goes off to housesit her aunt Kate's estate in the Virginia
horse country, and immediately encounters a resident ghost, or is
it? Various ancestors of "old families" make an appearance, and just what are the dark secrets the families have buried?

Between eccentric Aunt Kate, her friend Ted, the neighboring doctor and his son, Donald, some strange servants, and the present generation of the "old families," not to mention the large assortment of dogs and cats along with a pet rat, the story gets interesting. Is there trickery, perhaps mass hallucinations, or has someone really raised the dead?

There are some sidelights about the Washington Redskins, and an argument about who was the best quarterback of all times. Disagreement with Kate can give men a bad itch where gentlemen don't scratch. Overall, it was good reading for a rainy evening.

Ellie has agreed to house sit for her Aunt Kate. Her pompous fiance drives her down to impress the rich old lady, who dislikes him immediately. After Kate's departure with the fiance to the airport. Ellie experiences all kinds of strange manifestations involving the six founding families of the area. A rare book telling of their boring scandals seems to be the trigger. A neighbor agrees to help her solve the mystery. It seems like a practical joke, until an old friend of Kate's gets seriously injured....

This was a very quick read and I enjoyed it thoroughly. I picked it up and didn't stop reading until the last page. The characters are quirky and entertaining. The atmosphere appropriately creepy, and the story line engrossing. A very good read.

This is a good book which will help you to perform better in basic troubleshooting but it's not great as I was expected. The best part of this book is easy to read and understand. However for anyone who is preparing the CCNP, this book will be very much useful.

This book is well-written and accurate. The writing is easy to follow. I read it very quickly, but didn't notice any errors. I plan to keep it as a reference for when I need to troubleshoot particular internetworking problems. I think it will be quite useful for typical problems. (It's somewhat basic, so may not cover the more bizarre problems, but that's OK. No book can cover every possible problem.) I have never met the author, but he seems like a wise fellow, with a lot of good advice to offer to the Cisco networking professional. This book is an accomplishment that he should be proud of.

Normally, I wouldn't buy a text that involves Cisco routers/switches from anyone else other than Cisco Press; but, after researching the author's background (and since this was backed by IDG books, which has a pretty good record of publishing quality texts), I decided to give it a try. I was not disappointed (well, only that I didn't purchased it sooner).

The book is excellent! When a book is about troubleshooting, I expect it to contain real-life situations that can help me at closing time, on a Friday afternoon. This book does not lack that, as opposed to Cisco Press' CIT guide. If you're a network engineer or administrator in-charge of administering and maintaining your Cisco environment, buy this book! I am sure you would not regret it.

L.R. Gay had a gift for making the complex topic of eductional research clear and comprehensive. This book was a well written, well organized, enjoyable text with user friendly format, instructions, and sample pages that were direct and instructional. Not only did I learn what research is but how to go about doing it step by step. I became both a consumer and a producer...

As the introduction to Educational Research states, "one out of every two introductory educational research students uses this book." It is no surprise that college professors use this text because it is well written. The material is both in depth and reader friendly. The text takes you though a step-by-step process of planning, conducting, and evaluating research. Anyone who is struggling with writing a Master's Thesis will find the book to be a most helpful resource tool. The material is presented with a straight forward approach (along with some humor), and the book also provides useful chapter summaries and actual research reports. From a personal standpoint, the book is just that much better because it was written by a woman in a time when a woman with a brilliant mind was considered to be dangerous.

L. R. Gay and Peter Airasian had a gift for making the complex topic of Educational Research clear and comprehensive. This book was well a well written, well organized user friendly guide with user friendly format, instructions, and samples that were direct and concise. Not only did I learn what educational research is, but how to go about doing it step by step. I became both a consumer and a producer. Regarding L.R. Gay, I found it both ironic and sad that in order to be credible she had to hide her gender. Too bad she isn't around to reap the kudos she would recieve in this day for a job well done and appreciated. Sheila Rafferty

Book - Son of Web Pages That Suck: Learn Good Design by Looking at Bad
Design
By Vincent Flanders with Dean Peters
Publisher - Sybex
List [...]>ISBN: 0-7821-4020-3
Rating - 5 out 5

Son of Web Pages That Suck is the follow up to the very successful book Web Pages That Suck by Vincent Flanders. The book consists of 279 pages, broken down into 14 chapters. The book also comes with a CD containing links to the websites listed throughout the book. Son of Web Pages That Suck is my first book on web design and will probably be the only one in my library for quite some time (until Daughter of Web Pages That Suck comes out). As the title suggests, Son of Web Pages That Suck teaches good web design by having the reader look at examples of bad web design. Throughout the book, Flanders explains why a web page does or does not suck.

The book's best quality lies in the very humorous and understandable way it's written. This is one computer book that isn't going to put you to sleep or bore you to death. One of the key points the author stresses throughout the book is "web design is not about art, it's about making money." Each chapter begins with a short introduction explaining what's going to be covered in the preceding chapter and ends with a summary covering the key points discussed in that chapter. One of the not-so obvious things Flanders covers is that you can make a web page that sucks without using tons of flashy graphics or other crazy design elements. Thankfully, he also discusses how to avoid making these same mistakes. Some of the more obvious web design topics Flanders covers include things like appropriate page and image size, how to stay on the right side of copyright law, professionalism, and why things like splash pages and "Welcome to my page" lines are bad. Another important point Flanders discusses is that while a certain theme or design might make one web page suck, it may make another rock-- depending on the target audience .If you've ever visited a Flash intensive website on a dial up connection, you'll appreciate Flanders chapter "Jumpin' Jack Flash."

I could continue to talk about all the great topics Flanders covers in his book Son of Web Pages That Suck, but that would take far too much space for a book review. I highly recommend that you go and buy the book and read it for yourself. I give Son of Web Pages That Suck a highly deserved 5 out of 5 rating.

SOWPTS is entertaining but never enough so the core principle gets lost - "Don't do anything that gets in the way of the sale". How easy this point is missed, even by professional web designers and in-house artists.

The essence: the most valuable aid in designing sites that appeal to your audience is first understanding what turns them off. Turn-offs are a dreary subject, yes, but Flanders excels here. He should know, running a site like "Web Pages That Suck" for a half-decade. You should tap into his knowledge.

Web design is new compared to other media, and the rules still aren't clear. "I want 12 point Garamond!" doesn't fly on the pop-star-of-the-month's site, while perfect for a "Mumble, Stumble, and Fumble at Law" site. Or maybe not so perfect - see Chapter 11 on Text (and fonts).

Understanding the people you're trying to sell is crucial - Flanders provides solid research on things like platforms/browsers, and links that will guide you long after the book is published.

This book should be the first thing you should read, either if you're on your first web project, or an experienced designer who's facing a client/employer about to make serious mistakes. You know, the CEO who insists on putting his face on the home page of your company that makes ball bearings for the lawn-mower industry. But on a site for the (unnamed) pop star mentioned above - not putting a face on the home page is death - and Flash is nearly expected. Flanders understands all this, and doesn't dismiss any technique - until you "get in the way of the sale."

The CD-ROM with the book ain't bad, but there is better. I vastly prefer WS_FTP to Voyager, but my company buys me tools that best several packages on the CD. For a price, of course. But the CD is a good starting place.

Put it on your bookshelf (or better, your hands) today. Let your competition wind up on the "Daily Sucker" at WPTS rather than you.

Vincent Flanders' new "Son of Web Pages That Suck" is the sequel to his best-selling book "Web Pages That Suck." WPTS arose from the site he founded by the same name in 1996, WebPagesThatSuck.com. It seems that WYSIWYG editors have just made it easier for designers to create bad web sites faster, so Flanders felt a second book was needed.

Flanders takes a different approach to teaching usability than the likes of Nielsen and Norman. Through over the top humor and outrageous examples of bad web design he manages to teach good design while keeping us entertained. Flanders uses humor as a teaching aid because he's found that that people tend to learn better when they are entertained.

You'll find yourself laughing as you read this book. The book is peppered with full-color pictures of Flanders and friends in various getups: a devil, an angel, a mechanic, a flasher, and even in the tub ("Splish Splash Pages" chapter). It's all in good fun, as Flanders doesn't take himself too seriously. He makes his points without condescension. He even uses Johnny Cochran-like sayings to illustrate his points:

"If the Bits Don't Flow, People Will Go."
"The Top's Gotta Pop or They're Not Gonna Stop."

The author is a marketing showman, using carnival-like PR:

TREMBLE at the horror that is Mystery Meat Navigation
RUN SCREAMING from splishy splashy Flashy pages...

The book is a hybrid design and usability book aimed at beginning to intermediate designers. The book teaches good design practices through bad mistakes with scathing commentary on numerous really bad web sites. Through his web site's "Daily Sucker" and thousands of email suggestions Flanders has plenty of material to choose from.

The actual advice is common sense stuff that advanced users will already know like keeping text contrast high and file sizes low. However, even after years of preaching the gospel, usability experts are finding web designers repeating the same mistakes over and over again. Flanders shows what not to do, and offers suggestions on how to do it right.

Web design is about working within limitations. Unless you have what Flanders calls "heroin content," make your pages fast loading, easy to navigate, easy to read, and minimize extraneous features. He gives useful pointers throughout the book for graphics optimizers, validators, browser simulators, and includes a CD chock full of useful utilities to shrink and shape up your pages.

Flanders likes to say, somewhat tongue in cheek, that this book is for everybody. It is not quite in that category, but it will have a broader appeal than most web design books with its splashy graphics, non-technical approach, and Flanders' trademark humor. Some college professors have even adopted his book for their Web design courses because it doesn't put their students to sleep. Highly recommended.