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This book was chock-a-block full of facinating info about other cultures,customs,and cusine,as well as colorful photography and stories! I suggest it to everyone, even the insect-haters :) Maybe they'll develop a "taste" for it (haha)
Peter and Faith's commentary throughout their journey into the delights of bug-eating is intelligent, witty and so enticingly descriptive that you really will feel drawn to savouring deep fried tarantula and stink bug casserole...honestly!
The photography is phenomenal, and the intimate insight into cultures other than their own leaves me yearning for more by this couple. Very highly recommended!
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This book is 94% vegan, including the dessert recipes. Peter goes out of his way to make this book vegan friendly and it shows.
This book is the perfect companion to The Angelica Home Kitchen and The Voluptuous Vegan. The former is by the owner of Angelica Kitchen and the latter is by one of the former head chefs.
I highly recommend this book! It's worth every penny.
If you've never been to Angelica Kitchen (now or during the 7 years when Peter was executive chef), then this book will be a revelation -- a truly inspired, lucid, and masterful handbook for preparing what is arguably the best-tasting, healthiest cuisine in the world.
While many vegetarian cookbooks (and most vegetarian restaurants) seem stuck in a 1970's time-warp, Peter has created a cuisine which is truly modern, because it is so far ahead of most anything currently practiced -- yet at the same time is accessible, sensible, and practical.
The Modern Vegetarian Kitchen is a must-have for any level of cooking skill, and for any kitchen (vegan, vegetarian or not).
My only regret is that Amazon's rating system has a maximum of 5 stars.
El libro trae datos medicos, recetas, sugerencias y enfermedades...
Y ESTE LIBRO ME DA MIL IDEAS PARA PREPARARLA DE MANERA QUE NO SE FASTIDIEN, SINO QUE DISFRUTEN TOMANDOLA A DIARIO !!
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I love both the novel and film. As usual, the novel makes more of a social statement. If you check IMDb for the tagline to the film - "As P.T. Barnum put it, 'There's a sucker born every minute.'" - you get a sense of the difference between the point of view of the book's author as opposed to the producers of the film. The film producers are after the carnival-like novelty of a crooked bible salesman and his too cute daughter, who's also a thief at heart and, by the way, a better one than her father, who is basically a loser. The reason for this is clear: films are basically hi-faluted carnival acts. Apparently, the audience member is just another sucker.
The novel, on the other hand, carries a great deal more compassion for the human condition, particularly human frailty. Not to say that the film wasn't at all sentimental in this way. Ryan O'Neill's character, the loser father, was treated sensitively by director Peter Bogdanovich. But he (Bogdanovich) is unique, a prime example of the kind of compassionate intelligence that flourished to some extent during the Let It Be trend of the early 1970s, a trend that could do the human race well if it was allowed to continue forever. The producers/distributors reveal, with their tagline, a more Hollywood-typical ruthlessness. Like "Ha ha, people. You're all jsut a bunch of suckers ripe for the taking."
True, the overt theme of the story & film is basically about how hilarious it might be to watch such father/daughter con artists, especially when these con artists are working in 1930s territory where stupid, faithful Christian farmers etc. (middle America) dwelled. But the most important part of the story happens toward the end, when the thieves are confronted with their toughest mark: a more experienced thief (Mr. Robinson?, can't remember).
This character is far more developed in the novel. He's great fun in the film. But in the book he's downright Marxist. Indeed, one of the greatest anti-capitalist epigrams ever written, in the tradition of Wilde and Twain, is spoken by this succesfully affluent crook, in what is otherwise merely a silly/fun little dark comedy of a story (paraphrasing): "Anybody can make money. It doesn't take any great talent to do so. No, people who make money are merely people who can't do anything else. But it takes real talent to be a fine musician, or an artist..." Something like that (I don't have the book with me now). But you get the point.
Clearly, Joe David Brown, like John Steinbeck, was an author with an important, righteous opinion on the weaknesses of our capitalist system. He died a few ears after the movie was made. Too bad it wasn't Reagan who died and Mr. Brown, instead, the "great communicator" of the 1980s.
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La Motta paints a brutally vivid picture of a youngster and young man growing up in a brutal Bronx jungle. The fighter they called "The Bronx Bull" writes about seeing rats in the cellar of the tenament where he grew up that were the size of cats. The neighborhood in which he grew up was so tough that he had thousands of fights, explaining that by the time he laced on gloves and became a boxer such conflict had become totally routine. To La Motta a fight was as commonplace as anyone else brushing their teeth, a simple, elementary part of life. He writes about his early life of crime, including the beating of one man he thought he had killed. In perhaps the most dramatic sequence of the book he reveals how he had lived in morbid fear of being apprehended for murder and in guilt for the act itself, after which he was shocked when the man he was convinced he had killed surfaces. Unaware that La Motta was his attacker, the man surfaces in Detroit to wish the fighter luck as he prepares for his winning title bout against champion Marcel Cerdan of France. The man explains that he was hurt badly but finally recovered, and is in town to wish someone from his old neighborhood luck in his title pursuit.
The raw power of the lightning narrative, along with its brutally realistic truth, makes "Raging Bull" one of the all- time great sports books, a true American classic.
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Of all the shark books I've reviewed, this one tops my list and is recommended to readers of my web site.
I'm glad I bought it.
But Jesus, the writing style is practically intollerable. I feel as though I'm being spoken to by a clown on a unicycle.
Peter iNova's CD adds valuable, useful, professional instructions with pictures, examples, filters, tools, reviews of accessories, tips on operation and printing and a lot more to the value of the Nikon you've purchased. I'd even venture to say that you may only be getting half your money's worth from the camera unless you read this book; you will certainly save at least five hours of frustration. Nikon should give one away with each camera they sell!
Plus, the eBook is frequently upgraded. Recently, I upgraded my eBook for the 2nd time to v4. Very handy when I also upgraded my CoolPix to the CP 5000.
Collectible price: $95.25
Many don't know Peter De Rosa wrote earlier under the Pen Name, Neil Boyd. His earlier series, Bless Me Father, was turned into a successful PBS (English) series and that video series is available through Acorn distributors. The books can be found here from used book sellers.
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I found a second-hand copy of the book in 1970. I foolishly lent it (complete with pasted-in treasured press pix of Anna Calder-Marshall as Jennie) to someone a year or two later, and didn't find a replacement till twelve years later. NO ONE borrows that. The author Robert Nathan (1894-1985) normally churned out (I'm told) undistinguished romantic novels; Portrait of Jennie (published 1940) was a one-off in its strangeness, wonder and beauty.
...
Do yourself a favour: read the book, and be haunted for the rest of your life.