I have a soft spot of the Kindly Ones because that was my introduction to Neil Gaiman (I had read about him in Wizard, the monthly bible of the comic book world, but I was young, and stupid, and my ignorance kept me away from revelation), and for The Wake because Micheal Zulli's pencils are exquisite - but whenever I _need_ exactly what it is the Sandman has to offer I turn to Brief Lives.

It's the distilliation - the essence - of what Sandman is about. Some might argue that Fables and Reflections or even Dream Country would be a better representative, a series of stunning vignettes whose swirling, mythic and dream like quality (I'm thinking of the fabulous Ramadan story) are about horror, fate, the depths of humanity and all that good stuff in the great traditions of fire-side story tellers.

But Brief Lives is something even better.

As Mikal Gilmore noted in his introduction to the graphic novel edition of The Wake, one of the seminal joys of the Sandman is hearing Gaiman's voice grow clearer with each passing issue. The progression from "The Sleep of the Just" to "The Tempest" is an astounding one; watching him grow makes any burgeoning and would-be writer both jealous and elated. The entire idea of the Sandman was revolutionary and different and pregnant with greatness (yes, a dangerous term, but applicable) - but it wasn't until Brief Lives that we _really_ saw what this thing could be capable of. Some argue that point occurred in "The Sound of Her Wings" in the first story arc, or perhaps Seasons of Mists, but _anyone_ who has read Brief Lives understands the truth....

This story is breathtaking. It's a romp. It's a ride. It blows you away, grabs you, throws you down forever into the endless sky with a wild rush of words and images (the matching of Jill Thompson to this story is once more pure genius), it picks up a fatal and final inertia that doesn't slow down until the final page is turned - that is, the final page of the last issue of the series. It's from this point that the story picks up speed and urgency. Everything revolves around the central act of kindness that concludes Brief Lives, and all the tragedy and death and destruction and redemption that occur later on are merely a reflection of that single act.

This is _the_ story. Everything before was technically brilliant, possessed of a fresh and blindingly new verve that the comic books medium hadn't seen in quite some time - but it was somehow _distant_. Brief Lives is full of a passionate proximity, a feeling of the here and now, a sense of both the confusion of every day life and miraculously together with that, the grand rush of scope. This is where Gaiman gets his chops.

I can't recommend this book enough. It's got a winding, willowy wisdom (how's that for alliteration?) that stays with you beyond the waking realms, the kind of gift you return to as the years pass by, something that grows with you as oppossed to on you. Each time I read it I read something new and fresh, and each time I read it I never fail to be moved and inspired.

Brief Lives is what it's all about. Peter Straub couldn't have said it any better when he wrote in his afterword....

"If this isn't literature, nothing is."

Back in 1994, my brother was very much into comic books. Not wanting to buy my brother something wihtout buying me something, and knowing my flare for the dramatic and mythological, my father bought me one of the installments of Sandman: Brief Lives...and it changed my life forever. I hungrily started to read anything I could get my hands on by Neil Gaiman...but the haunting images and statements that I received from that book are still with me. It was the episode in which Dream comes face to face with his son after many many years...and agrees to a deadly boon. There are not enough adjectives dealing with "wonder" to describe Gaiman's work. He redefines the mythologies we are all familiar with and creates some new ones. But this is the catalyst installment...Brief Lives is when Dream truly cannot go back...when he passes the cusp of fate into the inevitable. Up until this point, Dream has a choice, but following his decisions in this book, he can no longer retreat to safety. He had become a part of my personal pantheon, as his brothers and sisters have. He's with me for the rest of my life.

Delirium, the youngest of the Endless, who was once Delight, needs a change. She decides to find her missing "prodigal" brother. She begs Dream to accompany her and surprisingly, (for reasons we don't discover til later) he agrees. But their prodigal brother is none other than Destruction, and as Dream and Delirium soon learn, few can seek Destruction unscathed. One of Gaiman's many skills is the use of doublespeak, and this story is no exception. It is a brilliant interplay of past accounts and current journeys, mirroring each other.

"What's the name of the word for things not being the same always.....there must be a word for it. The thing that let's you know time is happening. Is there a word?"

"Change" replies Dream, and that is the basis for this story. It marks the realization of what Dream boths needs and yet cannot accomplish - he must change to survive, or cast about the seeds of his own future destruction.

"Brief Lives" is the glory of an already impeccable series. It is for me, the jewel in the crown of the entire Sandman saga. It manages to be haunting, thrilling and hysterical all at the same time.

What does the average Ethiopian home look like? What is the average Cuban family's hope for the future? How much does a carrot cost on the black Market in Bosnia? Which country has the highest fish consumption per capita? What does the average Japanese father have for breakfast?

It may seem trivial, but these are the questions that Peter Menzel and the creators of "Material World" have tried to answer. And the answers they found are more profound than you might think. 30 very different countries, and 16 excellent photographers, trying to show through images, statistics and interviews how the world's average families live. The differences are astonishing: the financially average Abdullah family in Kuwait is both literally and figuratively a world removed from the Cakonis in Albania.

In this book, created to celebrate the United Nations International Year Of The Family, sumptuous photographs, show each family with their material possessions spread around them outside their homes: while one family's material wealth seems to consist almost entirely of carpets, another's is made up of animals and cooking pots. One family has four cars, another a single and ragged looking donkey. More photographs show each family in the course of the average day, and coupled with data based on interviews, they answer questions such as: do the children go to school? Where does their food come from? What does their house look like? And most tellingly, what is their most treasured possession? More light hearted sections, which explore average televisions, toilets and meals across the world, show at once how alike and different we are.

The creators of "Material World" have sought, and achieved a fine balance. They contrast not only those countries which we know to be rich or poor, but also look at how other factors, such as war and technology, affect families. The information is implicit rather than explicit, conveyed only through the images and words of each family; while the photographers' impressions are expressed in small "photographer's notes" sections, their main function is simply to show us the real lives of their subjects. No judgements are passed, nor opinions given. The reader is left to examine the evidence for themselves.

"Material World" works on many levels. The quality of photography and the compilation of each section make it beautiful to look at - a smart and very PC coffee table book. The statistical information and photographs together provide a wealth of material for use in schools. Flipping backwards and forwards to explore the differences yourself is as much fun as "Where's Waldo", and the writing is so good that "Material World" is a great book to snuggle up with and read. I can only pick one fault with this book: the more trivial statistical data is not always consistent. For example, data on percentages of income spent on food is only available for some families, making comparison impossible. However, this is a small fault. "Material World" is a fantastic book, original, interesting and well put together. Highly recommended to anyone with even a slight interest in the subject.

"Material World" is one of those books that EVERYONE should read. It really is beyond description...deceptively simply yet incredibly moving in its stark simplicity. In these pages about families across the globe, we see scenes from their everyday life. When we glance at the pictures of each family on their lawn surrounded by all of their material goods, the difference between the average American family and the average Ethiopian family couldn't be plainer. We look at the faces on these pages, hear their thoughts on the future, and compare their lives to our own...and suddenly the people in other countries seem real to us, and the faceless people of the news suddenly have faces and thoughts and homes and families. Peter Menzel and all of the others who have worked on this book have done a brilliant and wonderful thing when they created "Material World". They have done what no "You should be grateful..." or "Think of those people in other countries..." could have done...they have made the world real to us.

This book was a required "textbook" in a high school "Science and Sustainability" pilot class my school did in junior year. I remember we generally used the books in class but could check them out to take home if we wanted. I checked one out and din't want to give it back. I think I skipped two classes that day just sitting in the student lounge poring over it, and I think the people reading over my shoulder probably had other things to do as well, but I couldn't put it down, it was so fascinating. So of course I bought my own and I can still pick it up and pore over it for another three hours with the same fascination. It's real life, and the families are real people that you feel somehow close to after reading this. I love this book and show it to everyone. This book will change the way you look at things. Also, for those who think that this book is primarily about material goods around the world, you couldn't be more wrong. Each chapter shows an incredibly detailed portrait of life in another country, and is as wonderful for introducing kids to other cultures as it is for opening their eyes to economic realities. Enjoy.

A must have for people that want a well written and practical guide to the different Genus of carnivorous plants and how to grow them. Well written and not overly technical, The Savage Garden was interesting as well as practical reading for the hobbyist grower. When I received this book, I read it cover to cover, staying up until 3AM.

The Savage Garden was exceedingly well organized and the information was, by my experience, accurate. I particularly like the way he organized the book, with growing information for the Genus and species grouped logically at the end of each section, instead of spread throughout the book. It makes it much easier to use as a reference for growers.

If you own but on book on these plants, this should be the one.

The book is outstanding. It covers most types of carnivorous plants, and has many excellent color photos. It has a section on how to grow & care for each type of plant. From pot size, soil, light, humidity, fertilizers, growing period and more.

A very minor negative - some additional information would have been useful. I wish it had a little more information on the optimal pot size for the plants, some have this info, some don't. And don't expect it to have every complex Sarracenia Hybrid covered, although it does have a lot of them.

Ive read many books on CPs published in the last 50-60 years, and this one covers more, provides more info, and has better pictures. This deserves 5 stars, unlike the typically inflated rating. I use it to research any plants I consider buying. If you're interested in CPs this book would be worth buying. It's a steal at its current price....

Do a net search for Orgel Bramblett of Orgels Orchids in FLA to find another excellent source of CPs.

If you've ever bought a venus fly-trap and had it die on you, but would still like to give it another try, this is the perfect book. And not just for fly-traps, but nearly every other carnivorous plant out there!

This book is packed full of information on all kinds of plants that trap and eat insects. But best of all, Peter D'Amato, who runs the largest retail store selling such plants, gives helpful advice on how to grow them. Pretty much everything from soil mixes to light and humidity levels is detailed out here. He even gives lists of plants that do well in different settings, such as windowsills, terrariums, and outdoor bogs. And the writing style is such that it is easy to understand and follow, and even has a nice sense of humor. And while the author's experience is growing them on the Pacific Coast, the advice is easily adaptable to other climates with some adjustment.

This is a must-have book for anyone interested in carnivorous plants - and the "bible" for anyone who hopes to grow them successfully.

I thought that this book was a great book and I would recommend it to anyone who wants to read great fairy tale. A tale with Princes, Princess and an evil Duke. I couldn't put the book down. It was short and sweet. There is a simple plot and characters that are easy to relate to. There were many descriptive sentences that painted detailed pictures in your head. I also enjoyed the pictures in the book and found them very amusing. This book as some surprising twists in it that you would never guess. Again I would highly recommend this book for anyone of all ages that just want to read something that is good and it doesn't take him or her days to read. It is just an awesome book to read. I hope you enjoy it.

Thurber's "The Thirteen Clocks" is one of the best books ever written. The fairy-tale plot line appeals to both the young and the young at heart. No matter your age, after reading this book you will come away feeling like the world is not as rough of a place as it seemed about a half an hour ago. This book is also great to read to young children. While it doesn't have a poetic meter, the dialogue and narration progress in an almost sing-songy way that will hold the attention of even the most restless child.

I first heard this enchantingly wonderful book on cassette tape when i was at art lessons. I would wait impatiently till the next week so I could hear more~ more about the Golux (who resembles only half the things he says he doesn't) and about Princess Saralinda and the Prince whose name begins with X... and doesn't. This book is full of whimsical wonderful wordplay and contains almost all of my favorite quotations of all time. It isn't very long, but every sentence is filled with some little quips or verbal oddities that, quite literally, made me laugh aloud. This book is without question one of my favorites of all time, a truly wonderful tale that can be read over and over again without ever growing old. Really classique. I mean, the book that's given me my tagline HAS to be great: "We all have flaws and mine is being evil."

If you read only one of the three books on Norton the Scottish Fold, this should be it. Not only are the writing style and design of the book better than the other two, it's the most emotional and thoughtful as well. The two previous books tell of Norton's adventures as a series of events, and in this third, Gethers continues that tradition. But he also adds something of a meditation on death and on caring for others. There are moments where it seems to get sentimental, but the feelings are so genuine that you can't help but be moved.

I bought a Scottish Fold after reading Gether's first two books. And was pleased to find that Norton's qualities are are a part of the breed. Loving, calm, etc. And total people magnets. The last book is cheerful, more stories of Norton's exploits and travels. Not until the last third of the book do we see Norton start to "fade." When Gethers sees that Norton is nearing the close of his life he takes him on a final road trip.
I read, I cried, I read some more and cried a lot more.

The odd thing is that this is not a depressing story. It's a story that ends and it ends just as Norton lived--with love for his human.

Norton's story (all 3 books) is the most moving, tender, wonderful, poignant story I've ever read in my entire life! I can't stop thinking about it, it is that wonderful. It is beautifully written. Mr. Gethers bond with Norton is incredibly loving. If you like cats, you will fall in love with Norton, and you will feel forever indebted to Peter Gethers for bringing you Norton's story. Thank you, Peter Gethers, for the most wonderful 3 books I've ever read in my entire life!

whenever I find a used copy of this or MacDonald's "The Princess and Curdie" I buy it and give it away. Both books are full of religious symbolism if you think about it, and old other-worldness if you don't. "The Princess and the Goblin" can be enjoyed by early elementary school children, while the language of "The Princess and Curdie" is more challenging and suited for 5th grade and up, though anything is possible with a bit of extra effort. Worth trying. George MacDonald (deceased) has a loyal following as do, of course, Tolkien and C.S.Lewis who were his friends. These are lovely books to read aloud.

I cant believe I haven't read this untill now, its such a great book! A princess lives in a castle all her life, never knowing of the great dangers that go on in the mountain. One day(being about 7 years old) she finds a stairway in her house that she has never seen and it leads her to her great, great grandmother. After she meets her grandmother she is shown the dangers of the goblins and meets a boy named Curdie who mines in the mountain with his father. Throughout the book Curdie and the princess have many encounters with the goblins. This is a great book I highly recommend it for readers of all ages.

So you love C.S. Lewis' Narnia Chronicles? There people who don't are few and far between. One of the biggest influences on C.S. Lewis was this man, George MacDonald (1824-1905). It was MacDonald's talent for telling fairy stories that inspired Lewis in writing his own. Like Lewis, MacDonald has a remarkable ability to tell a delightful and enchanting story for children, layered with strong Christian themes and imagery by means of allegory and symbols. 'The Princess and the Goblin' is one of his most beloved works for children, and an excellent introduction to his style and success.

'The Princess and the Goblin' features a heroine ' a princess called Irene ' and a hero ' a simple miner's son called Curdie. While working overtime in the mines to earn money to buy his mother a red petty-coat, Curdie chances upon the goblins who live in the mountain, and discovers that they are hatching an evil plot against the king and his palace. Meanwhile the princess makes a discovery of her own ' high in the castle she finds a wonderful old lady who is her great-great-grandmother. The problem is, nobody else knows of her grandmother, and nobody believes her. But the princess does believe, and it is by her faith in her grandmother and the magic thread that she receives from her, that she is able to rescue Curdie. Together they rescue the entire palace from disaster at the hands of the goblins.

In telling the story, MacDonald has an enchanting conversational style, wonderfully suitable for reading aloud to enraptured children ' an ability perfecting in telling stories to his own eleven children. But 'The Princess and the Goblin' is more than just a story. Before pursuing a literary career, MacDonald was a Congregationalist minister, and so integrates important underlying Christian themes. Believing in the great-great-grandmother despite the fact that many cannot see her, is a symbol of believing in God. MacDonald uses this to show how the Christian faith involves believing without seeing, and that not everyone has to 'see' something for it to be true. The grandmother's lamp and magic thread are the guides on which the princess must depend, much like the Word which is a lamp on our path. It may sound tacky, but it works.

Children are not likely to grasp the deeper underlying themes that MacDonald is working with. Nonetheless the story has a clear message for children. The clear conflict between the royal powers of light against the goblin powers of darkness is unmistakable. Moreover, the princess is presented as a model of virtue, and MacDonald frequently asserts the importance of moral virtues such as always telling the truth, keeping your word, and admitting your faults ' moral virtues that are equally important for princes and princesses of God's kingdom. Courage, honesty, grace, dignity and beauty are timeless ideals for children of all times to strive for. If you love Narnia, you're sure to like this one, and you'll find yourself quickly grabbing the sequel, 'The Princess and Curdie.' 'The Princess and the Goblin' was one of J.R.R. Tolkien's childhood favorites, highly regarded by C.S. Lewis, described by W.H. Auden as 'the only English children's book in the same class as the Alice books', and generally considered as a classic example of nineteenth century children's literary fairy tales. So if you haven't yet read this book, it's about time you did. With admirers such as Tolkien, Lewis and Auden, if you become a MacDonald's admirer you'll find yourself in good company!

A very informative story of a real reactor accident on a Soviet Sub during the Cold War. Great for anyone who enjoyed Clancy's Hunt For Red October. Very dramatic for nonfiction, the courage of a few to save the group was shown throughout. Unfortunately the book is over quickly. As soon as you're really into the feeling of being tightly cramped into a Russian sub, the book is over. Still an exciting read for anyone interested in sub life, and death.

"Hostile Waters", by Peter Huchthausen, Igor Kurdin and R. Alan White. Thorndike Press, Thorndike, Maine, Large type edition, 1997.

An excellent book, dealing with the loss of the K-219, a Soviet Nuclear submarine, off the east coast of the United States. This book is non-fiction but it reads like a fast moving, modern day thrill novel, thanks, probably, to the efforts of author R. Alan White. The book also reads like a "you are there!" recitation of the events of the sinking, undoubtedly due to the efforts of Igor Kurdin, of the Russian Navy. Finally, there are some pointed comments about higher-level actions and reactions, probably due to the efforts of Captain Peter Huchthausen, USN, Retired. It is impressive that three different writers from such disparate backgrounds could produce a book that is such a well-written story of the events in the sinking of the K-219. It all comes together in such an interesting fashion that it was difficult to put the book down.

As we watch the world react to the aftermath of September 11 2001, we wonder why the CIA and the FBI did not have better communications with each other agency. The provincialism and secrecy of the USN submarine service is well documented in this book. In some ways, this is a theme of this book; rivalry between service branches and within each service hinders cooperation and communications. On page 225, for example, you can find: the U.S. Navy's "... number one enemy: the United Sates Air Force". Personally, I can recall working as reliability engineer on a small Navy project in 1987, and I referenced an Air Force document as substantiation for my calculations. I was told, "Wrong color blue". Navy Blue versus Air Force blue.

Maybe you remember. The book says something to the extent that, "a certain event almost jeopardized the summit meeting with Reagan and Gorbechav." This book tells you what that event was. It is a TRUE story. A very haunting story, and I'm one who lives in southern Arizona, far away from the scene of this event. This book is like a Hunt for Red October from hell. I won't tell you ANYTHING about what happens, because it is important that you read this yourself. Another classic example of our government hiding things from us hard-working blue-collar workers. Another amazing thing about this story is that IT READS LIKE A NOVEL, but it isn't. At the end, I found myself CHEERING for the RUSSIANS because the Americans were (sorry) so STUPID and SELFISH. To many people, "russians" is synonymous with "evil". I hope this book changes your view of the Russians, as it changed mine--they are no better or worse than we are, as we are all human beings.

Any book defined as a true classic is likely to be thought of as stultifying and incomprehensible...at best. Yet, there are dozens and dozens of books that are true classics and still manage to speak to today's modern audience. Boccaccio's Decameron is one such book.

The Decameron was written around 1350 during an outbreak of plague in Florence. It is the fictional account of ten young people who flee the city to a country manor house and, in an effort to keep themselves occupied and diverted, begin telling stories.

Ten days pass in the pages of the Decameron (hence its name), and each person tells one story per day, making a total of one hundred stories. These are stories that explore a surprisingly wide range of moral, social and political issues whose wit and candor will probably surprise most modern readers. The topics explored include: problems of corruption in high political office, sexual jealousy and the class differences between the rich and the poor.

The titles themselves are both imaginative and fun. One story is titled, "Masetto da Lamporecchio Pretends to be Deaf and Dumb in Order to Become a Gardener to a Convent of Nuns, Where All the Women Eagerly Lie With Him." And, although the title, itself, is a pretty good summary of the story, even a title such as this cannot adequately convey Boccaccio's humor and wit.

Another story that seems surprisingly modern is, "Two Men are Close Friends, and One Lies With the Other's Wife. The Husband Finds it Out and Makes the Wife Shut Her Lover in a Chest, and While He is Inside, the Husband Lies With the Lover's Own Wife on the Chest." A bit long for today's modern world, perhaps, where popular books are dominated by titles such as John Grisham's The Firm, but the outcome of this story is as socially-relevant today as anything that happened in fourteenth-century Florence.

The Decameron, however, goes far beyond plain, bawdy fun and takes a close look at a society that is unraveling due to the devastating effects of the plague. The people in Boccaccio's time suffered terribly and the book's opening pages show this. The clergy was, at best, inept and, more often than not, corrupt. Those who had the misfortune to fall ill (and this includes just about everyone) were summarily abandoned by both their friends and family.

Those looking for something representative of the social ills of Boccaccio's day will find more than enough interesting tidbits and asides in these stories. Serious students of literature will find the ancestors of several great works of fiction in these pages and readers in general cannot fail to be entertained by the one hundred stories spun by these ten refugees on their ten lonely nights.

It seems almost redundant that I bother to rate this with yet another 5-star review (especially since I didn't buy it from Amazon-- Sshhhh, don't tell anyone), but this is one of the books that changed my life.

As a mind struggling to repair the damage caused by the American education system, I set out to follow other curriculums from times when learning was actually valued. Since many of the so-called "classics" American students today are forced to read in school are thinly-disguised socialist propaganda, I chose to look to much earlier times. I picked up The Decameron by chance, having remembered it from an off-hand statement a high school history teacher had made once. The book had everything, exalting adventure, romance, heroism, virtue, and other things I had been taught were subjective and dangerous. I found it the most refined and tastefully deviant book I had ever read and I have never been able to understand why students are not exposed to it as the basis for the study of literature.

Boccaccio's stories (told one per day, by each of the ten characters over ten days) give great insight into the midieval paradigm while poking fun at its obvious problems. The tales cover the whole of Europe, North Africa, and Asia Minor, which was very unique for their time. The rolls of heroes involve characters of every culture, race, religion, and background in the known world-- something unheard of before this book. Boccaccio's great love and understanding of women also shines through, the expression of which tops the list of reasons as to why he was exiled from Florence! Most of the stories are based on actual people and events, though the author takes a great deal of artistic license in some cases. A great many little-known facts can be learned by reading the historical notes (one reason why I chose the Penguin Classic version). Boccaccio surpasses every other man of letters (before him or since) in ability and creativity and will no doubt do so for centuries to come.

Giovanni Boccaccio THE DECAMERON. Second Edition. Translated with an Introduction and Notes by G. H. McWilliam. cli + 909 pages. Penguin Classics. London: Penguin Books, 1995. ISBN 0-14-044629-X (Pbk).

Second-hand opinions can do a lot of harm. Most of us have been given the impression that The Decameron is a lightweight collection of bawdy tales which, though it may appeal to the salacious, sober readers would do well to avoid. The more literate will probably be aware that the book is made up of one hundred stories told on ten consecutive days in 1348 by ten charming young Florentines who have fled to an amply stocked country villa to take refuge from the plague which is ravaging Florence.

Idle tales of love and adventure, then, told merely to pass the time by a group of pampered aristocrats, and written by an author who was quite without the technical equipment of a modern story-teller such as Flannery O'Connor. But how, one wonders, could it have survived for over six hundred years if that's all there were to it? And why has it so often been censored? Why have there always been those who don't want us to read it?

A puritan has been described as someone who has an awful feeling that somebody somewhere may be enjoying themselves, and since The Decameron offers the reader many pleasures it becomes automatically suspect to such minds. In the first place it is a comic masterpiece, a collection of entertaining tales many of which are as genuinely funny as Chaucer's, and it offers us the pleasure of savoring the witty, ironic, and highly refined sensibility of a writer who was also a bit of a rogue. It also provides us with an engaging portrait of the Middle Ages, and one in which we are pleasantly surprised to find that the people of those days were every bit as human as we are, and in some ways considerably more delicate.

We are also given an ongoing hilarious and devastating portrayal of the corruption and hypocrisy of the medieval Church. Another target of Boccaccio's satire is human gullibility in matters religious, since, then as now, most folks could be trusted to believe whatever they were told by authority figures. And for those who have always found Dante to be a crushing bore, the sheer good fun of The Decameron, as Human Comedy, becomes, by implication (since Boccaccio was a personal friend of Dante), a powerful and compassionate counterblast to the solemn and cruel anti-life nonsense of The Divine Comedy.

There is a pagan exuberance to Boccaccio, a frank and wholesome celebration of the flesh; in contrast to medieval Christianity's loathing of woman we find in him what David Denby beautifully describes as "a tribute to the deep-down lovableness of women" (Denby, p.249). And today, when so many women are being taught by anti-sex radical feminists to deny their own bodies and feelings, Boccaccio's celebration of the sexual avidity of the natural woman should come as a very welcome antidote. For Denby, who has written a superb essay on The Decameron that can be strongly recommended, Boccaccio's is a scandalous book, a book that liberates, a book that returns us to "the paradise from which, long ago, we had been expelled" (Denby, p.248).

The present Penguin Classics edition, besides containing Boccaccio's complete text, also includes a 122-page Introduction, a Select Bibliography, 67 pages of Notes, four excellent Maps and two Indexes. McWilliam, who is a Boccaccio scholar, writes in a supple, refined, elegant and truly impressive English which successfully captures the highly sophisticated sensibility of Boccaccio himself. His translation reads not so much as a translation as an original work, though his Introduction (which seems to cover everything except what is most important) should definitely be supplemented by Denby's wonderfully insightful and stimulating essay, details of which follow:

Chapter 17 - 'Boccaccio,' in 'GREAT BOOKS - My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World'
by David Denby. pp.241-249. New York: Simon & Schuster, 1997. ISBN 0-684-83533-9 (Pbk).

This is Truly an Encyclopedia! It's full of goodies for the armor enthusiast. It includes a glossary that gives the German abreviation, word, & English translation of many terms. Each Pz Kpfw 1-6 (Tanks) has its own section with all of the varients, armored APC's, Half track's, & wheeled vehicles are all represented with all the info you would expect. There is even a section on non-german vehicles in Whermact service. Tons of pictures with numbered captions are presented. This is the book for you if you want to learn a fair amount about the many different German vehicles of WW2. This book will give you your money's worth & then some!

A well thought out and well written source of the German armored fighting vehicles of the second world war. An excellenat source of refurence.

My only complaints in it are that it is all in metric, and there for difficult to compare tank for tank with the tanks of the United States and Britain. And it provides no refurence on the abilities of German tank armament, unlike thecompanion volume British and American Tanks of World War Two.

I enjoyed this book.

The Encyclopedia of German Tanks is a complete description of the Panzertruppen of the Wehrmacht during the Second World War. The technical details are excellent although some of the picture captions are vague in describing the action or location portrayed. This is a very minor flaw. The book is very complete and includes a number of armored projects which never reached the front. I would recommend this book to any and every student of armored warfare in World War II.

Dorothy L. Sayers wrote some of the best mystery novels that ever appeared in print. In fact she wrote most of them.

Gaudy Night is mainly a novel of Oxford, despite its being ostensibly a mystery. Harriet Vane is the main character of this novel, though of course Sayers' best creation, Lord Peter Wimsey, plays an important part in this book. The dialogue is as clever and wonderfully piffling as ever, the story thought-provoking, and best of all it is here that Peter is finally successful in wooing his Harriet. (The punt scene! And the finale...)

There never was a better mystery writer. I would suggest, before reading this, that you read Strong Poison and Have His Carcase for the full effect. Oh, and follow Gaudy Night up with Busman's Honeymoon.

"Gaudy Night," one of the last Lord Peter Wimsey books Dorothy Sayers wrote, was the first one I read. I can't say was disappointed, especially having gone back to the beginning of the series and read the first three I think it fun to know in advance the kind of mature and together character Lord Peter will become. Sayers chooses to tell this story from the perspective of Harriet Vane, a mystery writer by profession who gets to say what her creator can't say straight out about the writing life and the reading public.

Sayers is a writer who knows how to create atmosphere, in this case the inner and outer life of Harriet as she experiences a reunion weekend at Oxford with its inevitable but welcome punting along the Thames, and pondering the value of the life of the mind. Sayers also know how to make her mysteries crisp and entertaining, including here much running around with flashlights in the dark, chasing after vandals in the dark and the author of a series of poison pen letters that shake up the old maids of Shrewsbury College.

Vane has been saved from a murder charge by Wimsey in an earlier book, and she has not yet forgiven him for it, especially since he can't stop proposing marriage to her since. Will he finally soften her up? It's fun to watch him try, even as he helps her solve the series of particularly sinister crimes against the campus community. "Gaudy Night" will not disappoint.

Gaudy Night has long been my favorite Dorothy Sayers mystery. The plot involves Harriet Vane and Peter Wimsey investigating a murder at Harriet's old college at Oxford. The plotting is excellent and the dialogue intelligent and witty. This is classic Sayers. What really adds to the story is the continuing love story between Harriet and Peter. Before Harriet came along, Wimsey seemed to me to not be a fully fleshed out character. Adding Harriet to the mix livens up Wimsey and makes him seem more real and more human. This is an excellent golden age mystery from a master writer. Highly recommended.