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List price: $27.99 (that's 30% off!)
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a treasure, get it while you can....
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There was information in the book I have never heard on impressionism; i.e., limited the type strokes. The studio and work placed shown in book was like my own. It was well filled with books and still life objects. I showed it to my husband so that he would stop nagging me about cleaning up or I had bought too many books. I am in a SAD depression. This book inspired me to get up and move and to just do it. I feel wonderful. This book has made a hugh impact on my painting.
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Used price: $18.00
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I picked up this book to augment my weak understanding of the late roman republic and the specific things Caesar did to form the empire. I was well served by Jiminez in this regard. Anyone who wants to know how Caesar's life was intertwined with a whole host of other household names from the same time period (Cicero, Mark Antony, Brutus, Pompey and Cleopatra) ought to read this book. Jiminez also gives context to many of Caesar's well known, but little understood exploits such: crossing the Rubicon, the Gallic wars, and Veni, Vidi, Vici.
All in all, an adequately written book with loads in information presented interestingly enough to make you want to continue to read.
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Roman history that I had never known before reading this work. That is a high compliment to the author.
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Used price: $15.00
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While I'm not an expert in this area, I do question whether the persistent use of terms like "aristocracy," "hierarchy," "wealth," "headman," and "chief" are appropriate when discussing Native Californians. My impression is that our Western and European prejudices are still at work here.
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At times the work appears a bit "heady" because the advanced vocabulary. However, this is a "must read" for any California scholar.
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At times the work appears a bit "heady" because the advanced vocabulary. However, this is a "must read" for any California scholar.
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Used price: $3.99
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Fortunately, this dictionary saved us. While still not as extensive as we might like, it's comprehensive enough that nearly everything we look up is in there. I'm still looking for the truly comprehensive Spanish dictionary she wants, but this is quite serviceable.
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Used price: $2.86
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New Jersey residents will enjoy the sights in this upcoming trilogy which begins in the towns of Edison and Metuchen, and then moves it way through Point Pleasant and West New York.
Praise for BETTER THAN EVER: ****Romantic Times: "Ex-lovers meet again in . . . Scordato's sexy BETTER THAN EVER . . . (a) second chance at love can be just as delicious as the first."
Thumbs up! Addicted2romancebooks.com: "The love between Alex and Maya is mucho HOT! There are scenes in the book that will burn your fingers while turning the pages and the way Maya comes to love Samantha will warm your heart. The secondary characters will give you giggles. . . It's a great story with sensual love scenes and caring moments to tear ya up a bit."
For more information on other releases and to read excerpts of my various novels, visit me at www.caridad.com
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Used price: $11.97
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Unfortunately, any book supposedly written by a channeled spirit must remain problematic at best, for it is difficult to determine how much of this work is the result of "outside" forces and how much of it originated in the obvious fertile imagination of the author himself. The reason I say this is because while I found much of the book consistent with the bulk of similar literature I've read on the subject-implying a central repository of ultimate truth that a few mediums may be tapping into-I found a great deal of it suspect as well. His explanation of how karma works-especially how karmic "braids" can be formed with others that keep two souls tied together in future incarnations-was especially difficult to swallow. How victimization in one lifetime can be offset by victimizing the current incarnation of one's former tormentor explains nothing and seems to me to only accentuate the problem. If the purpose of each incarnation is to grow spiritually by overcoming various obstacles one places in their path, karmic braids can only complicate matters and impede growth. It makes more sense that just as previous life memories are erased from the newborn's consciousness at birth, so too should past transgressions be forgotten, especially as those transgressions may prove to be major impediments to spiritual growth. I also found "Alexander" to be inconsistent in other ways as well. For example, he roundly condemns murder in every circumstance (even in self-defense and in the protection of the innocent) while correctly noting how it may be used as a tool for spiritual growth for its victims and their families. Apparently the spirit world doesn't understand that one can't have their cake and eat it too.
Alexander's dismissal of abortion as a potential act of murder is even more disturbing; he carefully sidesteps the issue by declaring that spirits planning their next incarnation simply avoid mothers who intend to abort (as though woman are incapable of changing their minds in later stages of pregnancy.) While Alexander talks a great deal about both "intent" and "action" being required to create "bad" karma, he conveniently ignores the fact that abortion is both an intent to destroy potential life and an action to do so. As such, if killing Nazis is a karmic crime, for the sake of consistency it seems only proper that killing the unborn constitute a karmic crime as well.
Overall, however, I found much in this book to admire. Stevens is an obviously gifted writer who can find his voice only through an imaginary teacher, but the imagination can be a useful vehicle for uncovering ancient truth if one can divorce their own predispositions and biases from the process.
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There is one chapter I could do without, entitled "The Preacher and the Widow: A Case Study." But I freely admit that this could be because of my human limitations -- the chapter has to do with the rules of karma (which sometimes seem unfair to me).
In general, however, there is a trove of deep truth on practically every page. In the wake of the New York bombings, and the upheavals to follow, we need these higher truths and guidance now more than ever.
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Used price: $15.98
Collectible price: $26.47
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Used price: $10.85
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Each chapter features many paintings that are examined for illustrating the principle the chapter is discussing. The final pages of each chapter are devoted to a step-by-step demonstration and captions explaining what the author is trying to achieve and why he chose to approach each stage of the painting the way he did. The end of the chapter then lists the other principles and thumbnails of the demo painting to show how those 4 remaining principles apply to it.
There are some things to consider about this book. The principles are timeless, yes and they apply to all styles of surface design art. Even someone who, for example, works in stained glass or embroidery will use some of these same principles for their art work. However, I think the book would have been even stronger if a gallery in the back had featured some guest artists' work. Particulary if the guest artists' work did not look like the author's.
Also, as someone who works in acrylic, his advice for textures in paintings is of greatest use for someone who prefers to let only their brush, palette knife or soft pastel suggest them. There are some media such as acrylic or collage where it is possible to use tools and mediums other than a paintbrush or palette knife to add interesting textures to a piece. Watercolorists do this all the time using everything from alcohol to salt to saran wrap for creating interesting textures and that doesn't even require the addition of mediums that will be permanently stuck to the surface of their painting. Some acrylic painters (such as myself) enjoy using the many modeling pastes and gels available to add texture and interest to their work.
This does not invalidate Mr. Kelley's advice. It's merely more tightly focused on his style of art. The book is after all, mainly about he applies these principles to his own art and he states in the text that prefers to use brush and palette knife rather than adding mediums or other elements to create texture. In my opinion, I believe it is quite possible to create successful paintings that could use mediums, collage or even found objects all over a painting's surface without falling into the trap he calls gimicky. I suspect Mr. Kelley might disagree with me on that point.
This is why I say the book might have been even more useful if it had included a chapter showing other artists' work and how they applied the 5 principles he discusses. People whose artistic style or preferred medium diverges from the author's can skip over the sections where he discusses his techniques specifically for oil or soft pastels. Also, someone who paints in a more experimental style will find they can skip over some sections. Ultimately, the book will be most enjoyable for someone wanting a serious discussion on these 5 principles all contained in a single book. I can think of other books that are better on one or maybe two of these principles simply because they exclude the others and explain the one or two focused on in greater detail. Also, if you are looking for advice on perspective, even in relation to the 5 principles discussed, you will need to look elsewhere. The book does not have the comprehensiveness of a college textbook on these principles but neither does it suffer from the typical astronomical textbook price. It should serve quite well as an introductory lesson or reminder of 5 principles all surface design artwork needs to be strong visually.