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Be aware however, that the change doesn't happen over night. It took me almost a year to get down from 8.5 hours of sleep to 5.5 per night. You also need to practice a pretty rigidly defined lifestyle (with a set bed-time and no snoozing the alarm clock) to have any success.
Be aware however, that the change doesn't happen over night. It took me almost a year to get down from 8.5 hours of sleep to 5.5 per night. You also need to practice a pretty rigidly defined lifestyle (with a set bed-time and no snoozing the alarm clock) to have any success.
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To give True credit, he offers a broad and eclectic selection of groups to represent the cream of the early 90's crop. True spends as much time talking about relatively unknown groups like Mercury Rev, Beat Happening, and the Screaming Trees as he does on major-league bands like Soundgarden and Pearl Jam. Unfortunately, rather than whittling down his list of bands to flesh out a dozen or so worthy groups (like Michael Azerrad did on his outstanding document of the 1980's underground, Our Band Could Be Your Life), True spends a page or two on most of his more interesting picks, teasing the reader with interesting characters and stories and than leap-frogging to his next 5 or 6 picks.
Most of the book is devoted to his relationship with Kurt Cobain and Courtney Love, and that is to the book's detriment. Quite frankly, there is more than enough material on Kurt out as it is, and True fails to truly tell us anything new about Cobain (go read Heavier Than Heaven by Charles R. Cross for all the Cobain you'll ever need). The Courtney section is a bit more interesting, but it's bogged down by True's tendency to stroke his own ego as "England's Hippest Rock Critic". Had True cut down on Kurt and Courtney and focused on the unsung heroes of the "alternative" movement (like the Afghan Whigs and Galaxie 500), it would've made Live Through This essential reading for any hard-core music fan. As it is, the book is an interesting but frustrating outline of what "American Rock Music in the Nineties" was. But to end on a positive note, True does have his heart in the right place. Reading the first section of the book, I often found myself nodding in agreement to his opinion on what is rock music, and what makes it so great. He's an idealistic rock geek, and that redeems him. If only he cut down on the "gee, ain't it cool?" vibe...
Before going any further I should say I had no idea who Everett True was before I bought this book. I bought it simply because I'm addicted to reading about rock stars (sad, I know), and mainly because the main topic looked like Nirvana (one of my favorite bands). Nirvana take up a good portion of this book (about 58 pages), but the Nirvana chapters aren't really about Nirvana, but about Everett's experiences with and feelings about them. Which keeps everything from just being the same old stuff recycled, and gives an honest look at the band, not something that's been polished up to sell books.
The main strength of the book lies elsewhere though, in the chapters that cover other "Grunge Bands." The "Grunge Lite" chapter was awesome. I like the Smashing Pumpkins, but his review of "Machina: The Machines of God" was dead on (and hilarious). The Hole chapters at the end were also good. All in all I'd say it was a good book. If you've read other Nirvana books or other grunge books and are looking for more, this is definitely something to pick up.
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Dark-haired, gray-eyed Gabriel, Duke of Belmont is properly heroic and Violet isn't the complete slut one seems to find cramming the pages of many of today's romances. The plot holds enough twists and turns to keep you turning the pages, too.
However, as with her earlier works, the author has a huge hole in her historical research or a complete lack of regard for the well-known social mores of the time period, such as having Violet's mother run a flower shop. Ugh. Of course, Violet's father would have been ostracized from society for allowing such a thing. Not to mention that if the family truly lives on a plantation--does the mother commute to town via yea-old subway every day despite the fact it wouldn't be built for a few decades yet?
Despite such goofs, I can heartily recommend this one since it is a delightful change from the filth poured out by Susan Johnson or Stella Cameron.
That said, there is much in this book to dislike. The humor is largely crudely sophomoric, virtually all the women are depicted as vulgar tramps (the ghosts of Julia Grant and Mary Lincoln are probably filing their defamation suits against Erlich as we speak,) the "dual Grant" concept was promising, but the author doesn't seem to have known just what to do with it, and the "first Julia" subplot is unnecessary, uninteresting, and, at its end, disturbingly bathetic. It was grossly out of place and, in my view, was the most ruinous element of the book.
So why did I read "Grant Speaks" through to the end? The answer is that, despite the book's fatal defects, every couple of pages or so I found something that forced me to laugh out loud. The Lincoln parody was a scream. Besides, the author deserves some credit for at least attempting a different, and potentially brilliant concept. "Grant Speaks" had the possibility of being a classic satire. I'm genuinely sorry that it is not.
Ev Ehrlich's treatment of one of our county's darkest times is both insightful and laugh out loud funny. From his characterizations of Grant's contemporaries to his use of historical events as a canvass for satire, Ehrlich has created a fast-paced novel worthy of praise.
Through Ehrlich's eyes, we see a portrayal of Grant that is self-questioning, scared, and flawed. From his drinking to his business failures, Grant struggles with his place in history. But it is in these struggles that we see a wonderful picture of a man, not the myth that Grant has become.
This is not -- I repeat, not -- a text book for history 101. While Ehrlich stays true to the events of history and does a masterful job of giving the reader the look, feel and politics of the times, it is a mistake to read this book as one would read the "nothing but the facts" scholarly tomes that have preceeded it. This is a fictional accounting that takes the events of the past and, with a wink and a nod, leads the reader on a fanciful romp through U.S. history with Grant the guide.
"Grant Speaks" is a must read this summer -- especially for those who know history but are not enslaved by it.
In all seriousness though, I can understand why some might dislike the book, it takes the events of a oft-criticized real man and overlays them with a sometimes outrageous plot. But it's that outrageousness which makes this book entertaining to read. When Grant and Sherman sit down and survey the battlefield after the first day of fighting at Shiloh, it's interesting from a historical standpoint, but the reason I keep reading is due to the fictional tension. In the end Ehrlich has woven an engrossing fictionalized plot with the reality of a great man's life.
Sometimes, I admit, I had to step back and wonder what's true and what's not -- some things like Grant's experience in the mountains of Mexico are obviously fabricated, but others it took me until the author's note at the end to know, still some I still guess at (that's why I just started re-reading Grant's real Memoirs!). Ultimately I found this book to be a sympathetic take on a much maligned General and President. I think the influence on the public will no doubt be a net gain.
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The highs and lows of this book are in actuality quite mundane. From the bickering between hiker and irresponsible tourists and the silliness of shouting "Everett Ruess, where are you?" in the middle of nowhere.
However, having hiked Davis Gulch to Lake Powell, searching for hints to the Ruess mystery, and locating Nemo inscriptions, I still enjoyed this book.
The Escalante National Monument area, recently "protected" by Bill Clinton in his second term, is a fabulous wilderness area located in Southern Utah, near the Arizona border. To explore this area frequently is to know the story of Everett Ruess. Not just of the plot, but also the emotion that must have motivated Ruess to his untimely demise.
Sandstone Sunsets relates the story of Everett Ruess and more importantly the author's introspective search for the truth behind his disappearance. This book lacks any groundbreaking physical evidence or testimony, and certainly doesn't reach the level of depth that Krakauer's novel "Into the Wild" achieves in examining the journey of Alex McCandless. Of course it's a lot more difficult task for the author, since the aforementioned events took place a generation ago.
Taylor (the author) reaches some pretty wild conclusions and speculations. Nevertheless from the perspective of someone who has been to Escalante repeatedly, I found the novel very entertaining. Sandstone Sunsets deals with physical territory with which I'm familiar with, and passionate about. And it's a novel motivated out of interest in a topic, Everett Ruess, who has lived on to demonstrate to modern day outdoor enthusiasts, that fascination with the wilderness is not just a new trend made hip by SUV commercials.
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Plus, in most cases, Everett has never even visited the locations he is discussing. Opting instead to repeatedly stating that he hopes to visit them one day. And some of the narration regarding places he has visited is laughable. For example, Everett's visit to the infamous Athens Mental Asylum consists of him simply waiting in line with 100s of others as part of a Halloween tour; only to be turned away with the tours were cancelled. Yup, that's it. No ghosts. No cold spots. Not even a glimpse of the legendary "stain" on the floor upstairs. He never even set foot inside the building. And yet Everett felt the need to include it in this book. Why? You'll be asking yourself the same question if you decide to spend your hard-earned money on this book.
Perhaps the two most frightening aspects of this book were discovering that a grown man wrote it and that it wasn't self-published!
The author, quite simply, is in desperate need of an editor who will throw this work in the author's face. It's not worth the paper it's printed on and certainly not worth its cover price.
Incidentally, the one-star rating is an Amazon requirement. If I could, I'd ask to have the star I gave this book returned.
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