I OWN ALMOST ALL OF ARMANDO GALLO'S BOOKS. BY FAR THIS IS WORTH ITS WEIGHT IN GOLD. IT IF FULL OF PICTURES BOTH COLOR AND B & W.
IT IS MY PRIZED BOOK NEXT TO MY LEATHER BOUND AUTOGRAPHED 'I KNOW WHAT I LIKE'.
PLUS ARMANDO HAS A HEART OF GOLD.[I'M PARALYZED] I GET STRENGTH FROM READING HIS BOOKS AND LOOKING AT HIS WONDERFUL PICTURES. IT REMINDS ME OF ALL THE GREAT GENESIS CONCERTS I HAVE BEEN TO BOTH BEFORE BEING [JULY 13 1982] PARALYZED AND AFTER. IF YOU CAN GET ANY OF HIS BOOKS YOU WON'T BE DISAPPOINTED. PLUS HIS DAD IS GREAT PAINTER IF YOU LIKE ART. MAY GOD WATCH OVER HIM AND HIS FAMILY. I HOPE TO SEE MORE BOOKS BY ARMANDO AND PAINTINGS FROM HIS DAD. THANK YOU ARMANDO,
JIM KISTNER

i want buing the book : peter gabriel by armando gall

This is THE best book on Peter Gabriel ever done, mostly because it was written by Peter's close friend. Armando Gallo is a professional photographer, so the book is HEAVY on not just photographs, but excellent photographs of the man and his music. Peter also answers quite a lot of questions in his usual unusual way. Makes you PROUD to be a PG fan! The best part of the book is seeing PG in an apron doing the host of a party's dishes. Everyone else was smoking pot and Peter decided to wash pots. Good luck finding an intact copy of this--most owners of a copy would rather sell their firstborn than this. I knew one fan who sold INDIVIDUAL PAGES of it and made a small fortune. I myself do not have a copy--just got to borrow it. (Hint, hint

This anthology, actually the first issue of what one hopes will be a highly successful literary magazine, is chock full of treasures. One could do a lot worse to discover the voices of tomorrow than look herein. Let's hope this issue garners its contributors some recognition, some prizes and careers to make readers heads swim for decades to come.

I absolutely love this book. It is a fine collection of stories by current, up and coming, new and established, honest and intellegent writers who write because they have always written. And while I've read it cover to cover, I still flip through for inspiration and laughs. Keep it by the bed, keep it under your pillow, but keep it near by if you can't read it until later, like after dinner, or whatever, just keep it around, because this little gem deserves a read.

This is a fine collection of new writings. Jeff Boison and Whitney Pastorek have outdone themselves. The selections by Bob Beier, Thisbe Nissen and the novelist Tom Bradley particularly stand out. Tom Bradley takes us deep into the Chinese jungle, to the lair of a witch who listens to Lennie Tristano on a transistor radio. PINDELDYBOZ is a must-read!

For anyone who struggled to understand why the nephron concentrates, then dilutes, then concentrates again the urine, this book will do much to ease your pain. Since medical school I've purchased Editions 1, 3, & 5, just so that I could keep up with my interns & residents. Here's how he does it:
#1: short book, (you know how intimidating those tomes can be)
#2: lots of diagrams
#3: end-of-chapter questions (with answers & explanations)

If you want to understand the Kidney, no matter where you are in your studies or practice, I wholeheartedly recommend this text.

Renal physiology can be very difficult to truly understand, and yet an understanding of it is essential to understanding so many aspects of physiology, pathology, and pharmacology. Studying diuretics for cardio pharm is nightmarish unless you understand the physiology of the loop of Henle. Vander takes this difficult yet important subject and makes it easy to understand. The book reads extremely quickly, and the flow-charts and diagrams are amazing. I never even opened Berne & Levy for renal phys--I read Vander's book (which is no longer than B&L's renal chapters) and cruised through renal phys. I am writing this review now, a year after I took physiology, because I am now studying for the USMLE Step 1. I have not looked at Vander's book in a year, but I still remember renal phys, and reviewing it now is the easiest part of my studying (the only easy part, in fact). That is because, thanks to Vander, I actually understand renal physiology. A great book!!

For any medical student that needs a comprehensive, but easily understood explanation of the structure and function of kidneys, I highly recommend Renal Physiology by Vander. It is very well written, and covers all the basic principles that you will need to know to understand pathologies associated with the kidneys.

In "Speaking to the Heart: A Father's Guide to Growth in Virtue," Stephen Gabriel sets out a clear, disciplined program for spiritual growth. In 20 chapters, he covers 20 character traits that will help men make their homes happier, their lives more productive and their faith stronger.

Each chapter begins with a meditative essay on a virtue--faith, integrity, justice, order and so on--then proceeds to "Considerations for Growth" in that virtue. The latter portion is chock-full of practical applications for everyday life, presented as a probing examination of conscience.

There's a crisis of fatherhood in our culture today. It's a spiritual problem that challenges even the best homes. The only cure is within each dad. But this book goes a long way in developing the inner strength of individual dads. It's a great buy for yourself, your men's group or the men you know.

"Speaking to the Heart is a great encouragement to men who want to be better husbands and fathers. It is both a practical job description of fatherhood-showing how fathers build strength in their children-and an inspiring call to family leadership. Any father who takes this book to heart and puts its wisdom into action will be known to his children as a great man."

'Speaking to the Heart' is a most practical guide to the biggest work any man can take on: raising his children. But it is more than a practical book, it is very solid, for it outlines the virtues each man must acquire if he is to be a good father, if he is to develop the character he needs for the job. It is based on the three supernatural virtues of faith hope and charity, the four cardinal virtues of prudence (balancing the virtues), justice, fortitude/ courage and temperance (appropriate use of the means). Some other virtues special to fatherhood get extra attention: patience, integrity, cheerfulness, perseverance, friendship, and (few would think of this one): poverty or detachment. Each chapter is short enough to be read through in two or three minutes, but yields enough for hours of reflection and meditation, and leads to very practical resolutions to be put into practice that very day. Because there are twenty chapters, it can be worked through in four weeks, on the five work days. I plan to read a chapter each day on the way to work, and repeat this every few months. It is a very practical way to keep this most imporrtant part of my life in focus and on a steady incline of growth.

Patrick F. Fagan William H. G. FitzGerald Fellow in Family and Culture Studies The Heritage Foundation Washington DC

This book is so wonderful because it gives another perspective of medicine. It is about educating parents so that they can make informed decisions about their children's healthcare, and not just rely on their doctor's opinion. I have enjoyed it because it has taught me which questions to ask my children's doctor, and even when to avoid taking my children to the doctor. (Another book that is similar, although not as thorough, is "How to Raise a Healthy Child in Spite of Your Doctor".)

This book is an essential part of our health-library! We've shared it with friends and family and everyone who has seen it has wanted their own copy for their family. This is so popular it is hard-to-get. The section about ear infections is especially useful today with so many kids being diagnosed with them. This book is a GREAT gift for parents with young children! Get a copy if you can!

Dr. Wootan enables the conscientious parent to take charge of her children's health in a practical, empowering way. In addition to basic grounding knowledge, it offers a chance to expand one's learning base i.e. to share discovering the health and working of bodies with your children so that they feel empowered to keep healthy. Guaranteed to save you money of doctor visits! Alternative or non-mainstream choices are respectfully treated and weighed against "modern" medicinal knowledge, and could encourage a waivering mind to follow it's intuition (ie to vaccinate or not to vaccinate).

This book edges ahead of others in that it features clear photographs, has words listed topically, and explains deaf history and culture throughout the book. It is much easier to use than books with a "dictionary" layout. The author has the experience and backing to know what works. I highly recommend it.

This book is an excellent introduction to ASL and Deaf culture issues. There is a manageable number of basic signs and insets providing details about being deaf in a hearing world, information on famous deaf people, and technological advances useful for the deaf. The introduction also contains a concise history of deaf education. The author is extremely credible, which is something important to me when learning a new language!

From the instruction of a single deaf individual, I have developed a rudimenary knowledge of sign language: the alphabet, numbers, various greetings, some nouns and adjectives. This book has helped me to reinforce what I know, clean up the sloppy signing I had been doing, and learn new things. I have had trouble learning signs from books in the past because I would often miss something important. With this book, I've felt very comfortable with the new signs because of the format. The combination of specific written descriptions with pictures gives a very understandable way to learn new signs. The added bonus of mnemonic devices to remember which sign is which is very helpful. It's embarrassing to admit, but I kept confusing the signs for "yes" and "no" until I read the helpful hints in this book - not a good thing to get wrong!

There may be books with more words in them, but I would recommend this book for all beginners, and advanced beginners like myself. Once the signs here are learned (and as in my case cleaned up considerably), then start looking for more comprehensive works. I've been practicing about 30-100 words a night depending on how many I already knew and feel very confident that I'm finally doing them correctly.

This is a clearly written and helpful guide, authored by the hearing son of two deaf parents. Its breadth of coverage, attention to details, and hundreds of photographs make this book stand out.

I especially appreciated the insets, which added insight into deaf culture.

Superb. I am a professional photographer, and i really admire Smiths work. This book is a great collection of some of his images.
The publishers did a good job reproducing the photographs, nice detail and tone. Definitely worth the price.

An excellent display and text of one of one of the world's great photojournalists. I would recomend this book highly to any fan of E. Eugne Smith

SMITH BOOK REVIEW

Having risked hernia to browse the impressive new book of an old friend and neighbor, ( W. Eugene Smith; Photographs 1934-1975 John T. Hill/Gilles Mora) what first grabs is the space, air and light enveloping these intense images with almost a loving caress, a sense of freshness and sunlight never possible in our dim, dingy-dusty claustrophobic Sixth Avenue loft building, where, just outside my studio door, were piled stacks upon stacks of his work mounted on black 16x20 dogeared mats, just waiting to be stolen, but which were, in fact, attributed by many visitors to some magical drugstore, and could I, please, arrange to have their wedding pictures made there, too? Gene couldn't sell one print for even twenty-five bucks in those days. Every night when I came home to sleep there was the despairing Clement Attlee staring upward at the bare light bulb over my doorway.

That was forty years ago, and twenty since Gene went to that great blast of ferrocyanide in the sky, and much ado about him has taken place in the interim. New York fifties mindset was Freudian psychoanalysis; everyone went to a shrink. Any prominent individualistic tendencies were often condemned to one definition of neurosis or another, and in the rather small and specious world of photography , Gene's maverick determination stood out in high relief. Businessmen photographers-- like the young Lee Friedlander, himself awash in Freudophilia, considered Gene a 'spoiler', pretentious-precious, and went instead to sit at the feet of the polymorphous Walker Evans; yes, "pomposity" was pretty much the legend that Gene's exit from LIFE brought down around his head. Not a team player at all; tsk tsk. And in his brave repudiation of corporate moloch, Gene valiantly pratfalled himself right into the lap of utter poverty.

To large extent, Gene's persona seemed to require a struggle against impossible odds; it focused and sharpened him to the high standards he demanded from himself , and he was no slouch when it came to grandstanding, often with tears, his anti-Goliath position. He built his own Myth of Smith, his self-invented public (relations?) image, fine when LIFE was footing the bill, but now, inside our firetrap former whorehouse , there was real rent to pay, real electric bills, bona fide empty refrigerators. That is about when we began to get acquainted--- I never really bought the Myth; for me he was just the strangely interesting guy downstairs who became a great pal.

Outside the loft, Gene was quick to acquire the packagable cliche of the garret-starved self-destructive artist. Compared to Van Gogh, he earned some residue of American Puritan contempt; this man whose great humanity was most evident in his work was treated most inhumanely by his peers.

Inside the loft, for many years the two of us were in daily contact, working and trying to exist under extremely difficult economic circumstances, and we often had one helluva good time!! I found him to be a genial, generous, courageous---often outrageous-- warm wildly witty man, always humble, sensitive, shy and hard-working, sharing a great interest in art, with a remarkable philosophical perspective. We jabbered of Welles and Chaplin , wide angle lenses, witches, Goya, Haiti, Satchmo, Stravinsky, O'Casey, Joyce, Kazan, war, suicide, politics, cock-fought over girls, guzzled cheap scotch, and swung with the jazz that regularly took place in my studio , as if great mind trips could avert the cold fact of the necessity to eat. I remember one hot summer day, making cream cheese and molasses sandwiches for us on cinamon bread. Gene argued that we didn't have to buy the molasses because we could get the iron from our rusty tap water. As a rule, his antic humor and punning sense managed always to keep things slightly off-balance; this man who had such a profoundly dramatic instinct and attraction for the tragic had also a capricious spirit of the absurd in the way he conducted his daily life; Van Gogh with a manic dash of Robin Williams.

And astonishingly productive. Yet always the gloomy impassioned chairoscuro came out of the darkroom-- prints blacker than black, then mounted on black, dense, intense, often in layout strangulation, making sure; I , W. Eugene Smith , won't let you go gently into that unferrocyanided good night. Sans assignments, now more artist than journalist, for years on end Gene shuffled his prints, made and remade PITTSBURG, photographed our jazz and our personal La Boheme, tried a failed book, a failed magazine, and finally luck brought him The Jewish Museum show and then his crescendo, Minimata.

One night in Bradley's in 1975, Gene said, "Well, Dave, I finally got there at last. I've got ten thousand dollars in the bank for the first time. Of course, it's only going to be there about a week."

Jump cut posthumous; an icon, passed away amongst us, is now suddenly acknowledged. Many who jeered him, refused him recognition, now come out to sycophant, to pedestal, to celebrate his life-- including LIFE itself. Gee, we're SO sorry; but let's exploit!

Those twenty-five dollar prints buckled the registers at auctions, and giant profits were made; yes, the same old art-woe story--- just at the time Vinnie the Gogh himself was pulling down millions in Sotheby sales. The dark side of Gene, finally, surely, took care of his children and at least one of his wives.

We get a brilliant and sensitive biography by Jim Hughes, a soso documentary, worldwide traveling shows. And then it seemed over. "There's no money left around for Gene Smith anymore" comments executor John Morris in the late eighties, handing his stewardship over to Gene's bastard son.

Now, surprise! comes this current coffee table dominatrix which gives Gene's babies, his pictures, the opportunity to have a life of their own in renewal. SNAP!! Of course one can argue anew the merits of the individual essays and which choices are the best, etc., but for myself-- having gone to bed amidst these images for many years, there's something new about them now; suddenly welcome. There is a spank-spank/no-no here; not all of what we see are Gene's own prints, very much against the artist's wishes, but the damage is by no means on the level of, say, Clement Greenberg's sanding off the paint on David Smith's sculptures after his death. And most of these choices help illuminate Gene's way of seeing and working. There are also textual inaccuracies; Hall Overton did not own the loft bldg. I had rented three floors, and Hall rented originally from me, and my friend Sid Grossman sent over Harold Feinstein to share Hall's floor. When Harold left, he brought in Gene.

I liked John Hill's technical essay at the closure. I was with Gene the night MAD EYES burnt out all the surrounding background, with ritual Clan MacGregor celebration, for neither of us-- one painter, one photographer-- gave a whit about 'objectivity'.

This spacious book-bomb adds honor and light to these master photographs, allowing them their own life and breathing room not usually available. Gene's insistence on control force-gilded his lilies, giving barely any space in his layouts to let the eye feel free to wander on its own volition. Now one can look afresh with impunity, and they look a bit different--even better.

In any event, Gene, now busily groping angels, can no longer argue in his own defense, no longer joke, weep, holler, cajole, rage, pun. And he doesn't need to.

You know? This fellow really had one goddamned great eye and sense of when.

David X Young

Oct 22 1998

It is nice to see that there are people still out there teaching and pushing the true essense of the martial arts. This is a good book for learning that, well done.

I am very impressed. This book is extremely accurate and holds alot of knowledge regarding Tai Chuan Tao and can definately be used as a tool. The authors dedication to this beautiful art is obvious. A must have for your library.

I found this book to be very informative especially for the novice student. It really gets into the theory of the martial arts. I'm waiting for more. Good work Mr.Gabriel and Mr. Griffin

This book is absolutely one of the most beautifully illustrated children's books I have seen in a long time. The pictures capture the attention of both young children and adults alike. The clever story is also easy for kids to understand, while at the same time, educational. My kids love this book, and it would be a wonderful addition to your collection!

I just purchased this book after hearing the illustrator speak. The pictures are bright and soft, the text musical and sweet. It just won the 2002 Pacific Northwest Book Award. A beautiful addition to any picture book library.

I appreciate a change from the usual cast of children's books characters (cat, dog, cow, horse): this book features otters, bats, foxes, anemones, eagles, and so on. The poems are great: the author rounds out the lines without useless filler words such as "very," "really," and "quite." Soothing verses and gentle pictures make this an excellent children's book. If you're from the Pacific Northwest, you must add this to your collection; if you're from anywhere else, you'll want to.

Titus Foster a long-time devotee of Swami Prakashananda has done the world(All of us) the greatest service. He has brought to the world the wisdom and stories of one of the most loving compasssionate souls to ever walk this earth. In a world colored by hatred and prejudices of every kind. This man didnt live for name or fame or power.As he said,"I came for Love and Knowledge and service to humanity"- and he got it! After Muktanandas death, Baba took on the task of helping many of Muktanandas orphaned children continue their spiritual destiny under his compassionate wing. Being part of a large group of devotees around Muktananda, I had always wished for the close contact and training of a great being. In Prakashananda I found a simple loving presence of great light and over-whelming spiritual beauty.I had the Opportunity to live with Prakashananda and Titus off and own for years. It is of great importance that the genuine article is now available for everyone and my only wish is that Babaji now to enjoy the "Name and fame" that he ironically so deeply deserves in service to humanity.Thankyou Harihar!

This small book consists of a short biography of Swami Prakashananda (58 pages) plus a lot of parables he told as his way to answer to requests of his pupils. This Swami seems to have had a very "rich" life. Lot's of travels and deep spiritual insights. One would really like to know more about him, but since he was not in the limelight, nearly nothing has remained about his pilgrimages. Nevertheless, it shows one, that there are great souls out there, even if nearly unknown. In the later part of his life he was a pupil of Swami Muktananda, and one learns here, that Muktananda would have liked Prakashananda to become his successor, Prakashananda declined, and therefore Chidvilasanda and Nityananda have been choosen. As we know from other sources, Nityanda left the "position", so nowadays one hears only about Chidvilasananda, when it comes to SYDA Yoga. But Swami Prakashananda was a man of his own and basically a Shakta in his Temple Sapta Shring. The book is short, but touching and worth reading. The author lived with the Swami for eight years and tells the story without bringing himself into it, which is quite an achievement. Thank you Titus:-)