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Stedman's graceful writing style, his obvious humanity, his wealth of scientific information, his artistic achievements, his jungle or social adventures, and his modern angst, all contribute to a lengthy and fascinating experience for the reader. Richard Price's introduction ably sets the scene.
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Read after Gabriel Horn's second book - 'Contemplations of a Primal Mind (****), this was the perfect reading sequence for me, as one led directly into the other.
I would strongly recommend this book to ALL Americans (and non-Americans), as a way to dispel the 'John Wayne' type sterotypes created about Native Americans, and to really understand them as a people, their culture and enlightening spirituality.
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It is a series of poems centering around the life-changing love of Dante for a young woman named Beatrice. The two first met when they were young children, of about eight. Dante instantly fell in love with her, but didn't really interact with her for several years. Over the years, Dante's almost supernatural love only increased in intensity, and he poured out his feelings (grief, adoration, fear) into several poems and sonnets. During an illness, he has a vision about mortality, himself, and his beloved Beatrice ("One day, inevitably, even your most gracious Beatrice must die"). Beatrice died at the age of twenty-four, and Dante committed himself to the memory of his muse.
I have never in my life read a book overflowing with such incredible love and passion as "La Vita Nuova"; it's probably the most romantic book I have ever seen. It's only a little over a hundred pages long, but it's a truly unique love story. Dante and Beatrice were never romantically involved. In fact, both of them married other people.
But Dante's love for Beatrice shows itself to be more than infatuation or crush, because it never wanes -- in fact, it grows even stronger, including Love manifested as a nobleman in one of Dante's dreams. There is no element of physicality to the passion in "La Vita Nuova"; Dante talks about how beautiful Beatrice is, but that's only a sidenote. (We don't hear of any real details about her) And Dante's grief-stricken state when Beatrice dies (of what, we're never told) leads him to deep changes in his soul, and eventually peace. (And though Beatrice died, because of Dante's love for her and her placement in the "Comedia," she has achieved a kind of immortality)
One of the noticeable things about this book is that whenever something significant happens to Dante (good, bad, or neither), he immediately writes a poem about it. Some readers may be tempted to skip over the carefully constructed poems, but they shouldn't. Even if these intrude on the story, they show what Dante was feeling more clearly than his prose.
It's impossible to read this book and come out of it jaded about love or true passion. Not the sort of stuff in pulp romance novels, but love and passion that come straight from the heart and soul, in a unique and unusual love story. Every true romantic should read this book.
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Both the Nocturne #13 and the suave, tranquil Barcarolle #13 are available individually from Masters Music Publications, and I would suggest that pianists supplement this book with both of those works to make a complete set of Fauré's nocturnes and barcarolles.
We'll see how the rest goes.