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Du Pré’s voice is unique, and perfect for this story. His dialogue is short, punchy, flicked with mordant barbs---an arrow in your heart when you are least expecting it. Two chapters into the book, found myself talking, thinking like Du Pré. Sounds like this:
“Du Pré knelt, looked, crossed himself. Some days he didn’t believe in God, but he did believe in crossing himself.
“Maybe this let you sleep now,” said Du Pré. He picked up the white skull, the color of the giant puffball mushrooms that came up in pastures in the wet years. The mushrooms were bigger, and startling in the green.
“’Now I got someone’s head in my hands, I thinking on frying mushrooms,’ Du Pré said aloud. ‘Dumb bastard’.”
The mystery of who killed whom in “Coyote Wind” is fairly easy to unravel once you get to know and care about the characters. It almost had to occur, considering the people involved. It becomes more important to see if Du Pré can help a friend stop drinking, rather than to figure out who murdered his friend’s brother. As Du Pré keeps telling everyone who will listen: “I ain’t a cop…I am a [brand inspector].”
Nevertheless, it is Du Pré who is tapped to solve a thirty-year-old murder. He goes about it in a style that is perfectly tuned to his character. Not a single false note from Du Pré or his fiddle.
“Coyote Wind” is a very satisfying read.
I would recommend this book for any kid who likes crustaceans.
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This book has full-page prints of almost every painting he has ever done with detailed background information on the opposite page. The preface is facsinating -- it details his life as well as the evolution of his style. It is thorough and well-written; although it can't replace a complete biography on Rossetti, it comes close. It includes some of the sketches he had done as preliminary work as well.
The other books we found either reprinted his paintings as small pictures in the text (which of course limits your enjoyment and examination of them) or they only had a few of his pictures or the text was hopelessly stuffy and academic.
My husband loved the book... and so will you!
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In this lovely anthology, Jan Marsh -- the foremost authority on the Pre-Raphaelite circle -- has collected and arranged Rossetti's writings. Buy this book, and sample the elegance of Victorian literature, and the genius of Rossetti.
What is different in this novel is the nature of the evil that threatens the existence of virtually every character. From the chillingly vivid portrayal of the Irish Famine to the life of one Harvey Katz, evil is present in every possible incarnation.
And evil wears a multitude of repulsive masks in DEVIL'S SOUL. Seeing behind those masks is the only hope, and perhaps the only consolation for those who meet up with the Devil.