This has to be my favorite biology book. It is clear, consise, comprehensive, and all the figures and tables are very useful for studying the material. I suggest that whoever buys this book for a course, KEEP IT! Don't sell it, because it's a basic book for all biologists, past, present and future.

This text has a lot of diagrams, pictures and graphs that help the reader understand the material more fully. Also well written and easy to read. The diagrams for respiration were especially helpful.

This book wrote in easy language, easy to understand, beautiful cover and artworks, I sure that this book is excellent in every page.

Well reasearched, well written, a must read for anyone who really wants to know what it was like to be an infantryman in Vietnam. It is a straight-forward story - not sugar-coated. Chaplian Newby is to be commended for the time and effort that he has put into his books to insure he has the story as accurate as possible.

Nice job. Brings back a lot of memories ... names, faces and places. You forgot noone when you were with us (A/2/8 Cav). You reached out to everyone. Both books tell the real story of how we survived.

This book will be studied a hundred years from now as the only one of its kind: A day by day vivid accounting of an Army Chaplain's life with infantry soldiers in almost constant combat in Viet Nam. Newby is only the 2d Chaplain in history to be awarded the Combat Infantryman's Badge. All soldiers, especially those who served in the First Cavalry Division in Vietnam, must read this stunning work.

This book has over 800 pages of visual items and then arrows that point to them and tell you what they're called. For example, on one two page spread an entire passenger liner ship is drawn with all the names of all the rooms and terraces and parts and compenents. just looking at the drawing inspires a mystery set aboard a cruise ship! Chapter Headings include "Astronomy" "Geography" "Farming" "Architecture" "House" "House Furniture" "Gardening" "Clothing" "Communications" "Road Transport" "Rail Transport" "Air Transport" "Weapons", and many, many more.

This an excellent tool and I'd recommend it for anyone who wants to know their way around places you might not already know your way around!

This fabulous book serves as an instant vocabulary enhancer and is packed with finely illustrated pictures that not only widen one's knowledge but also make for hours of wholesome entertainment.

I used to design publications and what I love about this book is the amazing quality of the color illustrations. There are thousands of them and they have all been computer generated so the style and quality is uniform. Looking at the spreads, for example, on Airport, Downtown or Wind Instruments and the time and creativity involved must have been tremendous. The design and printing of the book is excellent.

The authors want this book to be as practical as possible, Indoor Games includes a page on hands of cards, a House Furniture page shows six different spoons.

Another reviewer has noted that this lovely book would seem ideal for those learning American English and also for anyone who is just interested in finding out the name of everyday items.

A similar treatment to words can be seen in the Dorling Kindersley 'Visual Encyclopedia' (at a very much cheaper price) here the images are mostly photos and as the name implies there is a lot more information about each subject.

Both books are a joy to look at and unfortunately this only points up the bland design and production of most other highly visual books.

Claude Monet lived in rural Giverny from 1883 until his death in 1926. Many of the paintings that we most closely identify with his oeuvre were done on his property or in the neighborhood. Following his death, the property deteriorated until its restoration was completed in the 1970s with the help of Lila Acheson Wallace, of Reader's Digest fame. This book was created to in part to honor that restoration and the show that commemorated it. The show marked the beginning of a resurgence of interest in Monet that continues to grow. My only reservation about recommending this book is that it would have benefited from larger sized pages so that the reproductions could have been larger.

Giverny is located to the north of Paris, and is connected to Paris by the rail line from Gare St. Lazare (which Monet painted several times). The view of nature we get there is a reflection of Monet's very French focus on creating gardens, a lily pond, and walkways that bring natural beauty into our controlled grasp.

I have had the pleasure of visiting Monet's home at Giverny several times since it was restored and highly recommend that you make this journey as well when you are in Paris. Your concept of Monet's work will be changed by seeing his working conditions. The grounds are primarily an extension of his studio, for making observations of nature easier. First time visitors will be shocked to realize that the lily pond was dug and expanded at great effort and expense by Monet. Without his persistence, we would be missing many of our favorite Monet paintings.

Throughout the time that Monet lived in Giverny, his eyesight deteriorated . . . mostly due to cataracts. As an artist friend of mine points out, that eye affliction greatly improved his painting by making it freer and less detailed.

He also pioneered many techniques of al fresco paining, such as creating an artist's studio in a boat for his famous river scenes. This enabled him to capture many unusual perspectives from the water to the river bank. Similarly, one purpose of the Japanese bridge over his lily pond was to give him a similar point of perspective.

The book contains a map of Giverny and Monet's property (purchased in 1890 after he originally rented it), and 81 works that he created in the area.

Missing from these reproductions are the famous water lily paintings that he gave to the French nation which are now housed in the basement of the Orangerie. Be sure you see them when you next visit Paris. Many people go to the Orangerie and never make it to the basement. These are among the greatest jewels of Impressionism.

You will be pleased to see the 25 works from the Musee Marmottan in Paris. These masterworks are also often missed by those who visit Paris because they do not know about this small gem of a museum and its superb Monet collection.

The reproductions are organized around themes: (1) river scenes (from the boat) (2) haystacks [sic] (3) poplars (4) river and fields (5) morning on the Seine (from the boat) (6) the Japanese footbridge (7) the Garden Path (8) early water lilies (9) the late series (my favorites are the rose trellises over the garden path) (10) pond subjects, and (11) late water lilies.

The end of the book also has a chronology of Monet's life and works that will help you integrate this show into his entire work.

You will come away with a new excitement and respect for nature from these images. You will also feel more connected to and with the beauty of nature. Your mood will be lifted, just as Monet intended. What you see will be uniquely yours, also just as intended. Monet pays you the ultimate compliment here of letting you participate in the creative process by arranging the work in your mind to fit your mental needs and perspective.

After you enjoy these images, I suggest that you come away inspired to make what you do more accessible to others. How can you make your life and your work easier for others to participate in?

Live in beauty!

Whether you have appreciated Monet's works for years or you are just discovering him for the first time like me, this book is a beautiful, informative collection of his best.

Beyond the absolutely vivid and beautiful quality of the paintings displayed in Monet's Years at Giverny, I greatly appreciate the style of language used throughout the book. Unlike many major art books which often seem to forget about the layman reader, this book reads more like a beautiful story of his life providing great insight into his works.

In college, I was fortunate enough to see a collection of his Water Lilies in Paris. Although at the time I was amazed to see them, through Monet's Years at Giverny I came to fully appreciate them---Not only the paintings, but the man himself.

Excellent addition to any collection!

Unlike most art books, this small volume has been in print continuously since 1978 & when you read it, it isn't hard to see why: superb reproductions and an extremely elegant design (plus its small size - very unusual in art publishing) offer the reader a wonderful experience wandering in Monet's vision of a carefully constructed alternate reality. In Monet's Giverny, natural forms respond instantly to light. The images produce a peculiar sense of floating in the viewer - many of the pictures lack a horizon line or any indication of where the viewer is in relation to the picture. As a result, we seem to hover in flight, poised above a constantly shifting panorama of woods, water, fields, and lilies. Interestingly, no human figures are visible in these works (Monet was never really a figure painter) producing a peculiar sensation of isolation and contemplation in the spectator - we wander through this magical land alone, or with whatever companion we desire. A superlative achievement which has found few imitators in the world of art publishing.

When I first learned of this true life account of a very brave little mother cat, I was moved to tears. There is no creature on the planet, human or animal, who does not fear fire. Scarlet put her life at great risk, again and again, to save her five kittens. How great is a mother's love?

Scarlet may be just a cat to some, but to me she personifies everything a mother should be! If you care about animals, you can't help but love Scarlet. You will be deeply touched by the many caring humans who became intertwined in her little life. From the truly compassionate firefighter, David Gianelli, to the woman who eventually adopted Scarlet, you'll pleasantly savor and revel in the goodness of mankind.

This book should be recommended reading in our public schools because it lovingly teaches children compassion and virtues. Though the photos of a severely burned Scarlet are graphic,they poignantly illustrate the depth of her devotion and willingness to suffer pain in order to save the lives of her babies.

I loved this book. I love knowing that Scarlet is forever loved and cherished and has left a indelible memory in the hearts of caring people everywhere.

If this book doesn't lift your spirits and make you feel like there are still compassionate people in this world then nothing will. It is a "can't miss" book for cat lovers -- or for anybody who has a heart. It's the tale of the power of a mother cat's love in saving her family of newborn kittens, and of the people who worked so hard to help them recover. It is an inspiring story to share.

When I found out the book was out I just had to get it! Reading about her and seeing the pictures of how she was so hurt made me realize was a blessed cat she was. She went through hell to save her family. If this book does not make you both cry and feel great joy, then I wonder about you. Read this book, have your children read this book, you will love it!

When fall comes, so do the books. It is approximated that almost 2,000 children's books will be printed this fall. Of this mass number, perhaps a handful--a very small handful-- are actually worth reading to a young child night after night. Bijou Le Tord's A Blue Butterfly: A Story about Claude Monet, is part of this handful.

The book came out in 1995, yet it still holds my attention and respect. What sets this book apart from other biographies about the artist and other children's books is its celebratory nature. Its luminescent art work invites parents and children to revisit the art and life of Claude Monet. It captures the essence of art in its warm colors, creating a soft aura of beauty that encloses the reader even after the book is finished.

Anybody interested in sharing art with a young child or sharing the life of an artist should purchase this book. Not only do readers learn about an early twentieth century artist, but they also get to share in the joy of a contemporary artist, Bijou Le Tord.

I have always been bedazzled by Monet's painting and his home, Giverny. This book is another wonderful way to share Monet's gifts with young children. As a first-grade teacher, I appreciate the ideas suggested by the teacher below who shared her method for offering Monet to young children. An exceptional treasure to enjoy over and over again!

My 5 yr old daughter and I picked this up at the library and what a find! This is a book of delightful watercolor illustrations of Monet out in the field, in a garden, by the sea. The pictures are so pleasant and very reminiscent of Monet's work, and the few lines that accompany the drawings are perfect for young children. I heartily recommend this book.

‚Finance for Executives' is invaluable for everybody who needs to analyse companies and wants to know whether investment, financing or business decisions create value. It is written very clearly and is therefore easy to understand. It offers plenty of practically relevant examples, mostly based on one company which is being analysed in its different aspects throughout the whole book. Moreover, every chapter finishes with review problems (including solutions) and useful references. Some chapters offer appendices with mathematical proofs or additional in-depth analysis. - You will not be satisfied with this book if you are looking for a scientific, theoretical text. However, your expectations will be exceeded if you are a practitioner who wants to make an impact in a consulting or investment banking environment. - What does make this book so special? After working through it, you will be able to easily put into practice what you read.

This book is great as an introduction to the major concepts of finance. If you are looking for an advanced refernce book, this is not the one. But if you want to refresh your memory, or want a quick overview of concepts and methods, I can't think of a better book.

Every business owner, executive, accountant, banker and maybe even your lawyer should have this valuable book on their desktop! The authors demystify the art of finance and suggest pragmatic approaches and solutions for every day capital uses and needs. This attractive and attractively priced book is written in an innovative way, making it a useful quick desktop reference as well as an MBA level finance text. The glossary by itself is worth the price of the book. How astounding that the authors are both French, yet write with more clarity in English than any American finance writer I have read of late! Vive la readability!

Like so many, I find Madonna interesting. And I agree with the positive reviews of this book -- I really like it. The unique contribution here is the way the author discusses Madonna in ways that make "postmodern" an interesting, understandable, ans useful concept. And believe me, I am no fan of academic writing of or about the posrmodern. But this book can be highly and widely recommended.

Madonna:alot can be said about Her but Boring isn't one of them.thsi Book Explores the Many things that relate too the Artist&personna that is Madonna.this Book is Challenging&also puts Madonna into a Complete Perspective from start too finish.just like the Woman Herself it will keep you wondering more&what lays around the Corner.

In this book GC Guilbert shows how absolutely everything Madonna has ever done is packed with clever references. He doesn't mean that she's a plagiarist, far from it: she just uses her vast knowledge of (popular) culture, in a "postmodern" way. A fascinating read.

This is one of the funniest books ever written by french intellectuals. The only field work ever done by the founder of structuralist anthropology, who preferred to work from his Paris armchair, its centerpiece is an account of how Claude loses touch with the rest of the company and in the process of trying to find them by firing his revolver, also scares his pack-mule away and thereafter discovers the dangers of writing.

It comes as no surprise to students of L-S to find that the elegiac quality to his science (recherche des temps perdu, indeed!) starts in his formative years in the Amazon jungle. There L-S search for Comte's structure finds the romance of the human mystery, and it sings...a song that would continue through his complex studies of myths...the Immortal has a soul and that soul is the human condition, individual and ineffable; this book is a coda to the nostalgia of Rousseau's savage in Provident nature.

The traditional definition of anthropology is the study of man. And the activity immediately associated therewith are the field notes taken on the spot which the anthropologist then transcribes so the immediacy of his findings is preserved.

Then there is Claude Levi-Strauss, often called the 'armchair anthropologist.' This literate personage journeyed through central Brazil in the 30s, only to record his findings some 20 later in his book Tristes Tropiques, an untranslated title because no equivalent can be found in English.

Reminiscent of his forebear, Marcel Proust, Levi-Strauss presents us with memories distilled through time from which a structure emerges. Let me make clear that Tristes Tropiques is not a chronological account of Levi-Strauss' travels through South America.

Recollections, filtered in Tristes Tropiques, are further distilled in subsequent works and become systems or units which can be analyzed structurally, resulting in the fundamental concept of structuralism, that of universal analogies whose 'differences resemble each other.' One social organization, one myth is without value. Compared to a multitude, they acquire meaning.

Proust's universe is that of his personal recollections, whereas Levi-Strauss extends his own and from there goes on to establish cross-cultural analogies. But both are a product of the French intellectual tradition. The supremacy of the mind goes back to Rene Descartes, the 17th century French philosopher who said: "Je pense, donc je suis." "I think, therefore I am."

Angkor: Cities and Temples by Claude Jacques, et al undoubtedly presents one of the most enchanting illustrative descriptions of Khmer architectural design and history I've ever seen. The photos are crisp and clean and the printing quality is first class. However, the text, translated from French, is overly technical and lacks a sense of cohesiveness, which would have otherwise made it easier to percieve the "big picture" concerning the period of Angkor.

I had always wanted to visit the Angkor temples.And I was looking for some good books on Angkor. When I saw this book, I immediately bought it inspite of its price. The text is crisp and illuminating. And the photographs are the best I have seen of Angkor. They are so real and dramatic that you feel right there. The only drawback with this book is its size. It is mammoth, making it a reference guide rather than a guide you can bring with you on your travel to Angkor. Nevertheless, only in this book has justice been done to the magnificent temples of Angkor. If there is only one book you buy this year, make it this one.

Angkor Cities And Temples is perhaps one of the most beautiful books I have ever had the pleasure of owning. Everything about it beckons the reader to remain absorbed in its pages. The text by Claude Jacques is erudite, well-written, and very well translated. The photography by Michael Freeman is astonishingly good. Not only by virtue of his technical skills, which are considerable, but because he handles the art and architecture of the monuments with a tremendous sensitivity to detail and a glorious feel for the way in which light interacts dramatically with stone. Together, the flowing text and luminous colour images provide a wondrous exposure to an ancient world of great sophistication and profound aesthetic development.