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This was really an amazing book! It is also based on the author's actual life experiences. For me, I could not put the book down, I was hooked. I would reccomend this to everyone, especially those who are in the mood for reading about a truly sweet romance.
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The book is most revealing because not only does it provide primary sources (letters from a soldier to his family over a fifteen-month time span), but also it has response letters from his family, revealing the concerns, sacrifices and dedication of both those at the battles and those at home. It provides us with a window on military history and mid-nineteenth century society.
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Of particular value are the bibliographies at the end of each chapter, tempting you with hard-to-find books on each of the explorers or expeditions. It is tragic (not to mention expensive) that the books written by the participants are so difficult to come by.
It's too bad the book doesn't cover the Haardt-Citroën expedition, something I've been unable to turn up much information on.
This book is a real bargain, buy it now while it's still in print!!! I personally couldn't put it down (much to the chagrin of my three year old son, who wanted to do something other than watch me read)!
Buy this book! It's a kind of roadmap to a lost world of real life adventure from a far more innocent time when the world was a much larger place.
No armchair explorer should miss the real-life exploits of these "super-heroes" of Central Asia--both male and female. You may be familiar with one or two of these intrepid adventurers, but some are bound to be new. Action, privation, triumph, discovery, mysticism--and an absolutely bizzare quotation attributed to Winston Churchill--await you. Order this book before it goes out of print!
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I was not put off in the least by the three-part structure. Every third chapter is about the same generation. The generations are presented in chronological order and each block of three chapters is prefaced by brief description of the interior of cave, the significance of which is made explicit at the end of the novel. There is absolutely nothing confusing, puzzling or arbitrary about any of this. Quite the opposite: it makes the unfolding of the plot(s) more dramatic and drives home the theme of the novel, which is a meditation on the difficulty of finding truth in your life.
The recent movie "The Hours", based on a Michael Cunningham novel that I have not read, uses much the same technique, but is focussed on a different theme and the geneaological relationships among the characters are not as extensive. Each group of characters in the Leffland novel are members of the same family, one separated from the other by two or three generations. Leffland is quite good at making connections among the generations, some of the physical, such as the flowered rug made by Grete Rosted that has talismanic significance for Paula, although she never finds out that her own grandmother made it. Some of the connections are metaphysical, such as the compulsion to travel extemporaneously shared by Thorkild, his grandson and Philip. She is also quite good about showing us the hazy boundary between the memories of old people and the written historical record. And the varying reliability of both.
Leffland is an excellent plotter. The narratives are each compelling in their own right and while some threads are tied together at the end, the author has the art and good taste to leave some hanging, allowing the reader to imagine, for example the grimness of Thorkild's end. She uses a trick of switching to the present tense at the beginning and ends of each chapter, which makes the action quite immediate and has the effect of repeatedly building a bridge between the generations. One can almost sense the author's growing excitement and engagement as the book progresses. The prose of the initial chapters is a bit halting and the chapters are short. But as the novel progresses, the prose grows more fluid and the chapters stretch out to accomodate the sprawling plot.
If the book has a weakness, it is the failure to bring the theme into more focus. The Rosteds are not world beaters. They are intelligent members of the aristocracy in the nineteenth century and of the upper middle class in the twentieth century, but they are not geniuses or great in any sense. Therefore their struggle to find truth in their lives is constantly doomed to less than complete success. Thorkild wrestles with life's verities in his endless writings, which he eventually burns. Holger and Grethe throw Bohemian parties and Holger paints, but only as a gentleman painter. Paula is a sculptor of no discernible talent and Philip deserted his creative side while still in college and became a businessman.
So no one in this novel ever has a sort of 'aha' moment. Rather they all fail to discover the whole truth and must learn to settle for that. While this is the situation that most of us find ourselves in, I thought that perhaps Leffland could have limned the theme a little more clearly. However, it is quite possible that I simply need to read the book again. It is a great temptation in the last third of the novel to read very quickly as many of the climaxes approach. I may well have missed some of the art in order to know the end of a sad and beautiful story.
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It started off really great - I was interested. Getting to know the characters, learning the story - appreciating the language and prose. I was moving right alone and then it just started to get stale. About half to three-quarters of the way, I was bored. It just didn't move along anymore. I kept waiting for the next big crisis or climax. Never happened.
I think this book could have been great - perhaps more help with the ending would have really saved it. I was disappointed - a shame really, since it started off so wonderful.
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This story has two themes. You don't always end up where you think you are going and that happiness is like beauty- in the eye of the beholder. These two themes mean a lot because that this is what the story is based on. Ella has an immense journey to travel and there are many twists and turns.
Just Ella is a story full of complications. We found this book full of surprises. You can always ask, what will happen next. This story is one we will never forget. Why? It is a spunky book that is more enjoyable than poor old Cinderella and her ways of cleaning the floor.
Many books are similar to this story. The book Catherine Called Birdie by Karen Cushman has a similar theme to this novel because Catherine is forced to do many things that she doesn't want to do. Will things go her way? What will happen to Ella?
Sherin Witz
The Prince, for example, infuriated me with his lack of a brain. He may have been a Charming, and incredibly handsome, but he was so dull-witted, well we all know someone like that. I really liked how I could identify with the views of Ella. Whenever I can relate to the opinions of any of my favorite characters in a book, I just love it! And Ella is the type of good role model that you sometimes can't find in fairy tales, for the females are usually dull-witted, just like Charming.
Ella doesn't fit into the carefully sanded edges of a typical princess mold. Madame Bisset knows this, and tries to change her frequently. I hated the characters of Madame Bisset, Prince Charming, and Quog, that disgusting rapist guy. They just made me so ANGRY!
Well all I can say is, I really enjoyed it, so buy your self a copy! Try Haddix's other books too; I liked all of them. One of my favorites is Leaving Fishers.
She learned that royal life wasn't what everyone thought it was. She learned that a simple life is what made her happy. I think everyone who longs for that perfect fairy tale life could learn a lesson. Even if your happy with you life you have, you should still read it. You could learn something, too.
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Anyway, what I found most disappointing was Ella's decision to forgo her singing career to get married. I realize that is what most girls did back then, and I guess the book was originally written in the 1950s (not our most enlightened period) but still, couldn't Ella have been a trail blazer? Couldn't she tell Jules that if he wanted to marry her, then he'd have to agree to her career? It would've been so refreshing, such an inspiration for any girl reading it now. Instead, it made me want to throw up. First her mother lost a chance at a singing career, and now Ella.
There's better books for young girls out there. Read the rest of the series, but skip this nonsense.