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Both the writing and the artwork are extraordinary--I would recommend it for any child.
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I loved this book when I read it nearly 20 years ago and loved it anew when I re-read it this year.
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First, the Thurlos don't have nearly the lyrical voice of Hillerman. You have much less of a feel for time and space and terrain in the Ella Clah books.
Second, the Thurlos spend much more time on external circumstances than on their characters' internal struggles. Even Ella's constant conflict over being a cop and not having time enough for her family seems forced.
Third, the Thurlos give far more play to the supernatural than Hillerman. Progressive though Clah is, her family and her enemies are not. If you're not willing to suspend disbelief, this book won't work for you.
That said, it's not a bad book. I enjoyed reading it, and found it a faster read than all but the most recent Hillerman (i.e. Hunting Badger). The characters are not as deep, but the action is paced well enough to keep the story interesting.
Both groups operate in secrecy, but when one of the miners is murdered, the escalated tension between the two groups is noticed by the police. Ella, who is in charge of the investigation, concludes that some powerful person, working behind the scenes, is manipulating events to further drive a schism between he two communities. Before the reservation explodes into more deaths, Ella must learn who the enemy is and why he has brought evil to the peaceful area.
This is the third book in the Ella Clah series and it is by far the best one to date, an amazing accomplishment since the first two novels were quite good. Readers feel a real connection to the heroine's angst as she struggles with an inner turmoil caused by having her feet straddle two worlds. It should not surprise fans of the terrific Thurlo twosome that this novel has a haunting quality reminiscent of Tony Hillerman and Louise Eldrich.
Harriet Klausner
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Follows her from orphan to icon - gives you an oversight of how the singer was discovered in Harlem and rose to be the highest-paid jazz singer in the world.
Not an actual biography this book collects writings about Ella Fitzgerald and her career from a variety of sources and follows her achievements over the years.
I bought the book because I recently decided to "go natural" with my hair. I had all my relaxed hair cut off last month, which left me with short natural hair. I was hoping that Ms. Joyce's book would be a good supplement to "Good Hair" by Lonnice Brittenum Bonner in helping those of us who have been moved to go without chemically altering our hair. Unfortunately, that was very much not the case. Ms. Joyce shares her many hair trials, but I wasn't looking for her experience; I already know the trials that come with dealing with kinky and curly hair! I was looking for substantive information about natural-hair care. The book is touted somewhat as a how-to book. I was reminded "how to" return a book to Amazon. Even her critique of hair-care products left me empty.
Beyond the poor writing, worse grammar, and lack of any real information, I was also disappointed that Ms. Joyce neglected to show us more photos of her journey. Like Ms. Bonner did in her book, Ms. Joyce showed plenty of photos of her final result. (In Ms. Bonner's book, she has a photo of her short afro and then photos of her shoulder-length hair. What happened in the meantime?) There were no "in- between stage" photos or information that would be helpful to the many of us who are transitioning. It's as though POOF! One day you decide to go natural, and the next day you have a head full of long hair. While Ms. Joyce used braids to transition, more information and pictures of the in-between stage would have, I think, provided more inspiration.
I can say that if you are looking for a bit of information about braids (she really touts those for transitioning), then you may be able to glean something from this book. However, I have to caution you that even that information is presented in a somewhat disjointed fashion. I really think this is a "one star" book; but I'm giving the book two stars for the simple reason that there is a bit of information about braids as a transitioning device. Someone may find that information helpful.
A final note: Ms. Joyce, we editors are out here. Please use one of us before your next publication!
I am in my third year of wearing my hair in natural styles. It has at times been a difficult three years. I have often wanted to throw a relaxer in my hair to conform to the average standard of beauty and to be able to care for my hair with ease.
I have read and own several of the natural hair care books out there. I really like Lonnice Bonner's books but was unable to duplicate the natural curly styles that she wears until I read Kink Phobia. Ella Joyce's Kink Phobia provided me with inspiration, detailed styling instructions, a products list, and reassurance that my thick curly mass of hair is indeed beautiful. Ms. Joyce reminded me of the many reasons that I decided to go natural in the first place.
Any editorial failures should be overlooked in consideration of Ms Joyce's sincere, open-hearted, and sista-ly sharing of kinky information that she learned the hard way.
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Lots about recording - of course he was not there - and nothing about her other than "and then she did"...
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Well, several books on, Mr. and Mrs. Thurlo still haven't learned to write adequate fiction.
The dialog is wooden and unconvincing--especially between the heroine, Ella Clah, and her brother, Clifford, who is a Navajo healer.
The plotting seems to be straight from the Plot-O-Matic
Characterization is equally weak, especially for the set-piece bad guys, Navajo witches or skinwalkers. On the other hand, I didn't have a clear sense of Ella's character either...