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Some complaints about the story, though.(1) Conrad professes to love Philippa, yet never shows any hint of trust in her in the matter of her sister's marriage. (2)Only after seducing her does he let her know he can only keep her as his mistress and never even ask how she feels about it. That looks like cheating to me.(3)The story gets very redundant and repetitive halfway through. Whenever they meet, Conrad is forever whining that he loves Philippa, that he can't live without her; and Philippa is always busy thinking of how she is affected by him and whether she should stay with him or not.
Despite those problems, overall this book is still very enjoyable.
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Do yourself a favour and take a trip back into Nineteenth century where technology is just a blink in everyone's eye. What you will discover, however, is that human beings have not really changed, just the conventions have.
Trollope presents a dilemma for most readers. On the one hand, he wrote an enormous number of very good novels. On the other hand, he wrote no masterpieces. None of Trollope's books can stand comparison with the best work of Jane Austen, Flaubert, Dickens, George Eliot, Tolstoy, or Dostoevsky. On the other hand, none of those writers wrote anywhere near as many excellent as Trollope did. He may not have been a very great writer, but he was a very good one, and perhaps the most prolific good novelist who ever lived. Conservatively assessing his output, Trollope wrote at least 20 good novels. Trollope may not have been a genius, but he did possess a genius for consistency.
So, what to read? Trollope's wrote two very good series, two other novels that could be considered minor classics, and several other first rate novels. I recommend to friends that they try the Barsetshire novels, and then, if they find themselves hooked, to go on to read the Political series of novels (sometimes called the Palliser novels, which I feel uncomfortable with, since it exaggerates the role of that family in most of the novels). The two "minor classics" are THE WAY WE LIVE NOW and HE KNEW HE WAS RIGHT. The former is a marvelous portrait of Victorian social life, and the latter is perhaps the finest study of human jealousy since Shakespeare's OTHELLO. BARSETSHIRE TOWERS is, therefore, coupled with THE WARDEN, a magnificent place, and perhaps the best place to enter Trollope's world.
There are many, many reasons to read Trollope. He probably is the great spokesperson for the Victorian Mind. Like most Victorians, he is a bit parochial, with no interest in Europe, and very little interest in the rest of the world. Despite THE AMERICAN SENATOR, he has few American's or colonials in his novels, and close to no foreigners of any type. He is politically liberal in a conservative way, and is focussed almost exclusively on the upper middle class and gentry. He writes a good deal about young men and women needing and hoping to marry, but with a far more complex approach than we find in Jane Austen. His characters are often compelling, with very human problems, subject to morally complex situations that we would not find unfamiliar. Trollope is especially good with female characters, and in his sympathy for and liking of very independent, strong females he is somewhat an exception of the Victorian stereotype.
Anyone wanting to read Trollope, and I heartily believe that anyone who loves Dickens, Austen, Eliot, Hardy, and Thackery will want to, could find no better place to start than with reading the first two books in the Barsetshire Chronicles, beginning first with the rather short THE WARDEN and then progressing to this very, very fun and enjoyable novel.
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Me Ra Koh
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This book is a fictional memoir written by Marie Antoinette between 1789 and her death in 1793. It covers her whole life (sympathetically) and dispells the rumor that she said "Let them eat cake". Read this!
This is her story, grounded in historical fact and set within the framework of history. This work of fiction about the life of Marie Antoinette, as seen through her own eyes, is fascinating, as it captures the flavor of those uncertain times and the events that led to the French Revolution and the end of the monarchy in France. It is a reflection on how Marie Antoinette's own behavior influenced the fate of France. Indulging in the excesses of the day, she initially gave little thought as to how her actions might affect the people of France or the monarchy. By the time she realized that her actions and excesses had wide spread political ramifications, it was too late, and the fate of her and her husband was sealed. No amount of personal regret could change it.
This book will be enjoyed by those who enjoy good, well written historical fiction. It is little wonder that this book spent two months on the New York Times Best Seller List. It is simply historical fiction at its best.
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The book is full of fascinating characters and events, most of which are given unconscionably short shrift in our educational system. Goldsmith fleshes out the stories and personalities of many people who were previously just vague images in my mind, such as Elizabeth Cady Stanton and Henry Ward Beecher. It seems from this book that female suffrage could have occurred as much as 50 years earlier than it did, if it hadn't been for a couple of missteps on the part of the supporters of suffrage. For one thing, there was a bitter division among the suffragettes about whether the female right to vote should be part of the movement for enfranchising the recently freed slaves. Sadly, Elizabeth Cady Stanton, despite her many wonderful and even heroic contributions to the movement, comes across as an out-and-out racist on this issue, and probably damaged the very cause to which she devoted her life. Secondly, some of the foremost spokespeople for female suffrage got caught up in unrelated, controversial issues, and even in personal sexual scandals.
If you have an interest in American history, you may very well have the same reaction I did while reading this book. Almost every other page, I found myself exclaiming, "Hey, I didn't know that! How come that's not in any of the history books?"
The only reason I gave this book four stars instead of five is that I think the organization and focus could be a little better. The book isn't organized strictly chronologically, and it jumps from one character to another without apparent reason.
But there's just too much really good stuff here to give anything less than four stars, and I have no quarrel with those who have given it five. You won't often pick up a book written for a general audience and learn so many interesting facts that you probably didn't know.
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Elen Hawke author of In the Circle, The Sacred Round, Praise to the Moon
But when it arrived...WOW!! The pens and clocks made perfect sense, and this was the first time I'd ever gotten a deck that looked better in my hands than on the web. (I've been so disappointed by so many decks before!) This is easily the best contemporary deck I've ever seen. The aesthetic standard of so many decks is so low, it was wonderful to get one in which the pictures on the cards were truly Art in their own right. But, that is not all! The whole package is beautiful. For once I got something that felt like better value than what I'd paid for. There is the nice velvet bag, and the book is substantial--well researched and informative. As well as providing little historical tidbits about Victorian society, it gives background for some of the sources of the images on some of the cards. It also has a very nice essay about collage and making your own collage deck in the back. It is obvious that the creator(s) has genuine love and passion for the medium as well as for tarot, and wants others to experience the same joy. I can't say enough good things about this one. It is intelligent and raises the level of tarot artwork to a new standard. It should become a modern classic.