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Stephen of Wilmont and Marian de Lacy became lovers at the age of sixteen and carried on a brief affair. Stephen, unaware of the fact that he'd made Marian pregnant, sets off to find himself and explore the world after their time together comes to an end. Marian, meanwhile, leaves her father's home under his threat of banishment because she won't divulge the name of the noble that has impregnated her.
Six years and a lot of maturity later, Stephen meets Marian's cousin Carolyn and, not realizing them to be related, begins courting her because he believes the beautiful Carolyn will make him a sensible if not particularly endearing wife. When Stephen claps eyes on his first lover again, however, it isn't long before his thoughts begin straying toward and remaining on Marian.
At the same time, Marian begins to entertain doubts that she had made the correct decision six years ago by not telling Stephen about his twin daughters and giving him the opportunity to do the right thing by them. She wonders how long it will take before people begin to notice the resemblance between them and also wonders if she can bear to watch her own cousin marry the only man she has ever loved...
The plot is suspenseful, and the primary and secondary characters are intriguing...definitely worth reading.
(Sexual content = PG-13)
I usually end up reading these kind of series out of order, which is the case with this book, but you don't really need to have read the previous two to enjoy this one. While they do make references to things that happened in the hero's past, it's usually only enough to make you think...hmmm, I need to get those books to find out what happened!! This story is a sweet story about a woman who is raising her twins which she had out of wedlock and a man who discovers that there is more to life than wenching & wandering! Not much sex here...but a nice story indeed!
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Twenty walks are included, though some are in the same location: Bath (2), Cambridge (2), Canterbury, Chichester, Church Stretton, Dorchester, Hay-on-Wye, Knole, Oxford (2), St. David's and Solva, Salisbury, Stow-on-the-Wold, Tenby, Wells, and York (2).
Each walk is covered in eight to ten pages including a one or two page map (labelled with main thoroughfares only). The tours lead one to enchanting sites and draw one's attention to architectural and historical points of interest, but the narrative is minimal and so may detract from one's enjoyment of a place. No information is given about the approximate length of a walk or transport to and from the walk, nor niceties such as refreshments available along the way, but museums are listed with times (not phone numbers). There is good index.
I would rate this book three-and-a-half stars but that is not possible. I will round up to four because I think that the spirit of this book is not to document every step of your way, but rather to help you enjoy the underdiscovered path; in that it succeeds, and would make a lovely supplement to a more traditional tour book.
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Of particular interest is his detail on the Order of Battle, uniforms, tactics, weaponry and leadership for both the American and Mexican Army.
The Naval War is covered in suprising detail as well.
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Taboo really dabbles in the realm of exploring your inherent right to use your body as you see fit (in gentle consensuality with chosen others). This is not for the NFL/Lonestar beer set that just wants to get their groove on. This work is for those who consider sex to be a highly sacred, enlightening experience worthy of the most assiduous effort and unbridled, maximum joy.
Intelligence and ritual do play an intrinsic role in fits of ecstasy. This book deftly bridges the gap between "Masters and Johnson clinical" and "in your face indulgence" rendering a delightful and accessible (not to mention highly mystical) middle ground available to those with the proper focus and stamina.
If anything, the book provides keys to becoming more sensitive to the finer nuances of human beings' favorite pastime.
Enjoy!
Robert Anton Wilson says of "Taboo"...
"I assure you that what you are about to read is obscene, lewd, blasphemous, subversive, and very interesting, and that all right-thinking people will agree that it should be banned, bowdlerized, censored, suppressed, and burned by the public hangman...I think it is safe to predict that almost every organized group of idiots in this country will regard this book as extremely dangerous."
Wilson is probably right, Taboo's challenge to unite sexual and religious practices probably won't go over well with the New Right. But for the rest of us, the authors present a roller-coaster of a read complete with case histories, theories, and secret sex rituals of interest to both "adepts' of esoteric sex cult societies as well as "ordinary" people. Full of interesting quotations and anecdotes from alchemists, sex magicians, and vampires--not to mention old Yawey himself--this is a fascinating a colorful work that seems predestined to upset many people in our sex-negative society. Those who believe that taboos are made to be broken, however, should find Taboo and enjoyable and entertaining read.
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The last ten pages are a preview of his next book to be published, _Tale of the Tribe_, advertised as being about the Internet (by which I assume New Falcon means the World Wide Web). Given that so much of _TSOG_ looks like an amateur website captured on paper, one can hope that a book on contributions to cyberspace models by Rennaisance thinkers will work out better.
It seems to me that the state of the U.S. gov't needs to be critiqued in the way that Robert Anton Wilson does. It's unfortunate that, as the need grows, his power to voice that critique seems to be failing.
Wilson's mind is razor sharp but as thrillingly imaginative as ever with delightful intellectual surprises around every corner. The reader marvels at Wilson's uncanny ability to interconnect the Church with the U.S. government with the Mafia and sundry other human folly.
The author openly bashes the hypocrisies of "faith-based organizations" and the many dangers of orthodoxy.
A lively account of a trip to Cannabis Cup leads to various wonderful uses of the "f" word.
Bungling idiots in office are skewered like never before in parodies that challenge the best of Hollywood's comedy writers to hyperkinetic runs for the money.
Mainly the thrill of reading Wilson is the uniquely acerbic but always light-hearted and comedic tone which reminds you what is so important about freedom. In the end you may not have created a rupture in the power structures but your mind has roamed through dimensions that are constantly considered off-limits.
Wilson shows all of us that thought processes are not heretical -that we are free to use our minds as we see fit. In this spirit exists the only real hope that while living in an increasingly more restrictive society we, the people - and not our Tsarist government - will ultimately be victorious.
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Here you have the primer for those interested in pursuing Religious Satanism. Religious Satanism is not Gothic Satanism - that is to say it's not the pretend Satanism you hear the media talking about. Nor is it Biblical Satanism... LeVay named it Satanism because of the sharp contrasts between it and the teachings of Christianity. LeVay feels that the only things that are really important are pursuing pleasure in the here and now. He talks about how restrictive Christianity is, and spends some time speaking of pursuit of the "Seven Deadly Sins" with other consenting adults. Not a bad idea.
I loved it when I read it in highschool, but shortly after I was exposed to another author... one who published a bit before LeVay. Ayn Rand. And after reading Ayn Rand's works I went back and reread some parts of LeVays works. He speaks of his respect for Ayn Rand and her ideas within the Satanic Bible - and well he should, for many of "his" ideas are rewritten Objectivism (Ayn Rand's Philosophy).
Those ideas, combined with some - unnecessary - Christian hate comprise about two thirds of the book. The last portion is mostly "black magic". I found this especially strange as most Satanists are atheists or agnostics themselves (worshiping Satan as a concept, not as an actual creature) and I would think this portion fo the book to be totally unnecessary. Perhaps LeVay included it to make his book appealing to an even wider audience - I don't know. It doesn't add anything to the philosophy and you can skip over it without missing a thing.
In summation, the book isn't half bad. There are a lot of good ideas presented within, and the "questing" the book has many people do is excellent. However, the unnecessary elements and borrowed ideas force me to rate the book lower than it could have been.
1. It surprised me with it's lack of hype or madness;
2. I could almost believe, with some grammatical variation, that I had written it myself.
This book made me aware that I was not "the only one who felt this way". High Priest Anton Szandor LaVey has here written a text that agrees with my own nature.
I was actually in the process of cleansing the ridiculous bonds of ignorant additions from the Magical Arts when I finally read what I had previously assumed to be a fraudulent, hyped up jest. My only motivation for reading the Satanic Bible initially was purely amusement. I was both surprised and exultant to find that this work was expressing my own feelings and goals. In addition, I was surprised to find it had been written (just) before I was born!
This is a text that details True Magic and Natural Religion. To authentic Witches and Warlocks it conveys that feeling of "coming home". My only regret is that I shall never meet the author personally.
If Magic is what you seek - buy this book.
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The book is set in the time before and during the French Revolution. It is about the experiences of two French families and how those experiences later collide with their future. Their experiences not only create a great fictional story but they also dipict the true horrors that occured in France at that time.
Dickens makes the plot very interesting because he incorporates fiction and historical facts and events. For example in the storming of the Bastille scene, he brings to life an actual event and adds the fiction of what the peasants found in Dr. Manette's cell and the inside look on how they may have felt. Two other examples include the scenes where the revolutionaries kill the king and queen of France and the many times they use the guillotine. They demonstrate this mixture because they're true events yet, Dickens adds fictional characters and the feelings and emotions the people might have had.
Another great touch that Dickens adds is all the detail. Although at times it is rather long it helps to make a clear picture in the mind of what is going on. One such example where he does this is when he describes fate and death. He makes two rather hard to picture objects visible in the mind as the Farmer and the Woodsman. Another example of his great use of detail is when he describes Mr. Lorry's trip down the Dover mail. His description gives the feeling of actually being there. These are just two but there are numerous of other examples.
One more thing that made this novel fascinating was how Dickens reveals bits and pieces of the plot mixed together, but then ties every piece together at the end. For example he dipicts the Marquis' cruelness first and does not explain his involvement right away. However, by the end he turns out to be a key character. He also does that with the character of Dr. Manette. He introduces the character but leaves the suspense of that character's involvement until later. The suspense keeps the interest in the novel going. Dickens details, mixture of fact with fiction, and suspense makes the novel a extremely enjoyable book. After reading this book a clear understanding is achieved of why Charles Dickens is such a renowned author. A Tale of Two Cities is a unique and fascinating story which is why it is a must for anyone's bookself.