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Written and produced by Jeremy Siepmann, this audio-bio not only tells the strange story of Chopin's life but also includes generous examples of his music, drawn from the bottomless pit of Naxos musical CDs. An excellent idea was to use actors for the voices of Chopin (Anton Lesser), George Sand and other females in his life (Elaine Claxton and Karen Archer), and other male acquaintances (Neville Jason). It is the kind of reading that would fascinate even if the work were fictional.
His letters are particularly fascinating, especially as they are read dramatically by the small cast; and one would rather hear about all his faults--physical and psychological--from people who knew him well. Perhaps his strange epistolary relationship with his Titus is dwelt upon a bit too much, but such are the times (then and now).
My only criticism in a negative direction is the length of the musical examples. I do not really think the entire "Revolutionary Etude" had to be played or the entire "Funeral March"; a minute or two with a fadeout would have been fine, especially on repeated hearings where one wants the facts. Nevertheless, highly recommended.
By the way, the listing above of this work as "abridged" is simply inaccurate since the text (I am told by the publicity person at Naxos) was written specifically for this recording and is by definition "unabridged."
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Chekhov is often regarded as a dreamy writer, dealing with the themes of regret and loss in subtle shades of pastel. Certainly, he could often be very delicate indeed. But Chekhov had a far wider range than is generally acknowledged: he could paint with primary colours as well. This particular collection, for instance, contains two of his finest stories - "Peasants" and "In the Gully" - which are both deeply shocking. The latter story has a horrific climax that would not be out of place in a novel by Zola.
I cannot think of any other writer who could write stories such as these, and also something as poetic and sad as "The Bishop": here, the protagonist, of peasant stock, is dying, and he feels alienated even from his own mother, who holds him in awe. It is a profoundly melancholy story, and one of the most moving things I have read.
In each of these stories, there seems to be enough material for entire novels. It is not possible to describe adequately in a few lines the sheer variety and depth of human experience depicted in these stories. Few writers have depicted humanity with such understanding and compassion.