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Choosing Hursley, a small English village as her setting, Ms. Brown again writes with eloquent grace in spare, prismatic prose - an intriguing glint here, a revealing glimmer there as she artfully sketches the emotional terrain of her characters.
Fifty-five year old Norris Lamb is the village postmaster, a position he undertakes with the utmost respect and solemnity, viewing the mails as "a marvelous system of common trust," keeping "his postal scales highly polished," and employing "a new rubber stamp frequently so as to avoid smudges."
He is also a philatelist, the volunteer organist for St. Alphage,, and a self-described "...stick whom his neighbors consider a confirmed bachelor. Terrified of women, perhaps? [....](So careful with his appearance, etc.)"
But then, on the night of the 1969 American moon landing when Norris walked outside to get a closer look at the galaxy, he saw an even more remarkable sight - 41-year-old Vida Stephen dancing nearly naked in a garden. Norris had known her all his life, "But he'd never seen her like that before. He'd never seen anything like that before." And, quite suddenly, "He is Norris Lamb in love. Lamb in love."
Vida lives at Southend House, a derelict mansion, where for twenty years she has served as nanny for Manford Perry, a retarded young man who is also mute. His mother dead and his architect father often gone, Manford is totally dependent upon Vida who is devoted to him. Never having had a holiday or ventured far beyond Hursley, the routine of Vida's life is relieved only by letters from her one living relative, Uncle Laurence, who lives on Corfu, a seemingly unbelievably beautiful locale of which she can only dream.
Old enough now to be considered a spinster, Vida is viewed by fellow villagers with pity.
"But Norris knows - he believes he alone knows - what is there to be rescued and revived. He imagines that he sees what others, lacking the wondrous prism of his passion, cannot."
The question that torments him is how he will win her.
Unable to declare himself in person, Norris enjoins fellow postmasters to help him - he pens love letters which are posted to Vida from foreign lands. He leaves bouquets of flowers on a bench that she frequents. Finally, he ventures beyond Hursley, to Winchester where he buys Vida a gift - a nightdress an intricately patterned robe of Oriental silk.
Norris finds himself emboldened by love. Not allowing "reason to interfere with the anticipation of adventure, even danger, that accompanies the matter of delivering his gift," he sneaks into Southend House and artfully arranges the robed gown on her bed.
At first puzzled then frightened by these unfamiliar attentions, Vida confides to Norris that she feels stalked. He is desolate, "utterly undone." Later thinking, "Oh, you're a bungler, Norris Lamb. Nothing but a bungler. Go on, step aside. Give it up. She won't look twice at you!"
But look twice she does, and in an unexpected way.
With a warmly wise and uplifting denouement, Carrie Brown reminds us of love's transcendency and the unquenchable strength of hope. A writer with luminous gifts, not the least of which is a painterly attention to detail, Ms. Brown has imbued the heartwarming Lamb In Love with whimsy, passion, and noble spirit
wonderfully distinctive accents, came very much alive for me. I felt as though I knew each one of them by mid-book.
I have "re-visited" the village and its folk twice now, and probably will again. I will be very much disappointed if there is not another Norris/Vida/ Manford novel. And if there is one, I do hope Rintoul will be the reader. There can be no better one!
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This book is a tremendous value, filled to the gills and them some with useful, practical, down to earth advice from somebody who actually is a landlord. Leigh Robinson knows his stuff, there is no question about it. If you are currently a landlord/lady then you should run, or trot to your keyboard and order this book from Amazon.com. If you think you might want to become a landlord/lady then this book is recommended for you also.
One example contained in the book is having escrow accounts for the tenant's security deposits. I have personally used this for years even though not required by state law. The bank I use does not charge me anything to set up the escrow account with a separate sub-account for each tenant. Even people sharing one place have a separate individual sub-account with interest accruing to the tenant. Another example from the book is the landlord/lady's car. You can drive your Mercedes, Porsche, or BMW, just not to your rental properties. Personally I like a 1982 Cordoba, but a beat up car or pickup truck will do. The reason for this is many tenants think that all of their rent ends up in the landlord/lady's pocket. They forget about mortgage, taxes, insurance, utilities, repairs, supplies, etc.
The author recommends that no appliances be furnished. Usually for houses we don't provide any appliances except ranges, but supply refrigerators for apartments. Very rarely would we supply washer, dryer, air conditioners, etc. Leave that to the tenants, this reduces repair bills and responsibility. One owner that I talked to had a refrigerator fail and the tenant claimed that the owner was responsible for spoiled food.
Since then that landlord does not provide any tenant with a refrigerator, and therefore is not responsible if the appliance breaks or for food spoiled.
The author notes that 50% of tenants have pets and discusses at length the pros and cons of renting to the pet's owner. Coin operated laundry is also discussed with the author's recommendation being that you only provide if there are 16 people or 12 bedrooms in the building. For smaller building than that it is not feasible to provide that to tenants. Leigh Robinson's recommendation on page 273 for wording on a section 8 lease could save thousands of dollars. In my opinion this book is invaluable and worth many more times the asking price. There is no better book on "Landlording" and I think I've read most of them. Buy it, enjoy it, use it, and profit from it.
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- a lot (I mean a lot) of new feats anybody can use
- several variant core classes like the Gladiator or the Infiltrator that can easily be used in other campaigns
- new prestige classes (like the Golem Master)
- canons (holy books) for Kalamarian faiths. They are written up very generically, so they can easily be used in FR/GH or wherever
- new equipment: poisons, alchemical items etc
- a lot of spells
- how to make rulers more powerful
- gaming rules for clerical hierarchy
The book suffers from some errors, mostly editing and playtesting. The art is sometimes irritating and some 'crunchy' bits have already appeared in other books. I, however have found this book to be of excellent value.
Classes: This book takes the Dungeon Master's Guide's advice and takes the initiative to create variant classes. These range from more specific versions of a class with cool abilities (like the Gladiator and Shaman) to classes that combine existing ones into exciting new classes that are much different than the old ones (like the infiltraitor). These classes are as flexible as the old ones and are fairly well balanced. Also are new prestige classes that cover specific jobs (Mariner, Muse) and a few of the many orginizations on Tellene (Sentinels of Providence, Alliance Merchant).
Feats: Absolutely tons of new feats in this monster. New types of feats like the Enhanced Familiar feats (which give your familiar better abilities like a higher intellegence or the ability to speak) and regional or race-based feats which you can only take at first level help shape your character to exactly what you want and brings the game back to roleplaying.
Religion: This book details the canons of each church. Although these are specifically related to Kalamar gods, they can be adapted to fit any setting. In addition, this book gives ideas on how clerics can advance through the church and very basic game rules like time spent and how to advance to the next level and what you get at each level.
Other rule stuff: The equipment section isn't too terribly exciting but it does give a shot at pushing the edge. Included are (some) new weapons and rules for slaves. The most exciting part is the new alchemical mixtures that will get you thinking of your own and are all interesting in their own way. Their is repeat in the domain section, but not a large amount. The new spells are kinda cool, but what is really nice is the scalable spells. These are kind of like Wheel of Time spells where you choose the level it is cast at.
At the end: The white pages. If you are thinking telephone book when I say that you are on the right tracks. In these are a comprehensive list of all feats and spells (divided up by class) in all official D&D products and where they can be found. These can then be copied to use as a spell sheets. Also back here is a gigantic Place of Origin table. Only useful if you are playing Kalamar but it is non-obtrusive and only takes 7 pages.
To close, this is a great book for all D&D players and DMs alike. If you don't have it yet, I recommend you pick one up.
I have also heard two of these renound speakers, in person, and in my opinion, they indeed "walk their talk". I am greatful on this special Thanksgiving.
John Rossetti Deerfield Beach, Florida
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Good for any programmers working with ADO, as always, Wrox made it possible for beginners to understand the book and for experienced programmers to learn new stuff.
Another must by Wrox and I'm waiting to get a hand on the "Professional Ado 2.5 Rds Programming With Asp 3.0" that should be coming out soon.
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The story is simple enough to start. David's mother marries a man, Murdstone, who makes life hell for her and young David. David has the courage to rebel against the tyrant and is sent off to boarding school and later to a blacking factory. For readers who want to compare childhood rebellion to authority in the movies, Alexander's defiance of the Bishop in Ingmar Bergman's great movie, Fanny and Alexander, is equally dramatic and sad.
David runs away and finds his Aunt Betsey Trotwood, who takes him in and supports him, with a little help from her wise/fool companion Mr. Dick. This is story enough for many novelists, but it is only the beginning for Dickens. David has yet to meet one of the great villains in literature, that "Heap of infamy" Uriah Heep. Uriah's villainy is terrible because it is hidden under a false pretense of humilty and service to others. The final confrontation between Heap and Micawber is one of the great scenes in literature.
None of what I have said answers the question, Why read this book more than once? The most important answer to this question for the nonacademic reader is "for the fun of it." From cover to cover this novel gives so much pleasure that it begs to be read again. We want to revisit David's childhood and his confrontation with the terrible Mr. Murdstone. Mr. Micawber is one of Dickens's great creations and anytime he is part of the action we can expect to be entertained. When we pair Micawber with Heap we have the explosive combination which results in the confrontation mentioned earlier in this review.
These brief examples only scratch the surface of the early 19th century English world Dickens recreates for the reader. Some other of Dickens' novels like Bleak House may be concerned with more serious subjects, but none lay claim to our interest more than Dickens' personal favorite "of all his children," that is, David Copperfield. Turn off the television, pick a comfortable chair, and be prepared to travel along with David Copperfield as he tells us the story of his life.
Fortunately this Naxos abridgement read by Anton Lesser is superb. I haven't yet found an actor better at handling both the male and female voices, old and young, rich and poor. It's so easy to forget that that is not a large-cast dramatisation -- it's just a a one-man reading, brilliantly executed.
As a story, 'David Copperfield' means a lot to me because it means a lot to my Dad. Now 73 years old, he had a troubled childhood in and around London, and a difficult relationship with his stepfather. While Dickens needed to create some out-and-out baddies such as Uriah Heep and the Murdstones, many of his characters are basically decent folk, rigidly sticking to Victorian values, and I think this is how my father still sees the world.
Much of the detail in this story is specific to England, but the basic human themes are universal. As a first pass at getting into 'David Copperfield', I would very strongly recommend this 4CD audiobook.
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