Even though my copy is old, yellowed, and has the pages falling out, I would not give it up for anything less than a new copy. It has brought me from, a sometimes winner, to the point where I have to find new players. The old ones are tired of loosing. A truely outstanding book for understanding the tactics and spirit of the game!!!

I have this book as part of my chess library. Chernev and Reinfeld have collaborated on a marvelously instructive book on tactical wepons that can be used by any player of any strength. I consider it my tactician's bible and I take it with me to tournaments. In many years of chess play I have never seen another book on tactics to compare with this one. It is indeed a classic. Get a copy. I know you won't let it go

I read this book in college over 30 years ago. I still recall its simple, direct message: Most chess games are won by the use of the double attack, the concentrated attack, the uncovered attack and the skewer, according to the authors. The book helps you learn to spot chances to exploit these tactics.

An absolute must for anyone studying Cuba or communism in general. This book provides a fascinating account of the unknown secret struggles within Cuba's political élites. Thanks to classified documents he was able to obtain, this author - a young and promising Oxford and Cambridge graduate - puts us into the picture of the delicate and intricate power games at the regime's peaks. Thrilling throughout all its pages, and very easy to read.

This book uncovers the evil machineries of Castro's repressive apparatus. As it unveils the full real story of a 1996 purge against Cuba's top academics, it brings us back to the times of Stalinist terror - but in our century, and in the Western Hemisphere ! The author has managed to get hold of confidential (or secret ?) documents, which no other scholar had been able to acquire. The book offers an excellent and valid academic approach, but it is at the same time a "human story", it is written in a style similar to a novel even though - unfortunately - it is pure reality. It tells the story of human beings living their everyday lives in Castro's Cuba, who have suffered this horrible tragedy, even leading to the death of one of them. It will be pleasant and enjoyable for the average reader, even if she/he is not so informed about the subject.

In this book, Maurizio Giuliano has been able to collect material which may otherwise have been destroyed, on the secret tensions and divergencies among Cuba's political élites. It is the first time that this type of documents are published, enabling scholars and others to know more on this delicate issue. The stories of repression against Cuba's dissidents are no news, but the repression and internal purges within the élites are something very different, which can indeed tell us a lot about the prospects for change in Cuba 'from within'. This book therefore does a marvelous job. It constitutes an extremely valuable source, as well as fascinating reading with extremely astute intepretations and observations.

This McManus book is one of his classic mixtures of stories about growing up poor in Blight, Idaho (really he grew up in the Idaho panhandle around Sandpoint, I believe) plus hunting and fishing stories. As always with McManus books, the book will leave you "splitting a gut" from all the laughter.
Highly recommended.

If you've read anything by Pat and laughed and would like a book or another book, trust me when I say that you'll like this. It's just more of the same kind of thing, Rancid and Crazy Eddie and Pat running around scaring his friend's Grandma. You can't read it or rememeber it without laughing or smiling, unless you're dead in which case you have no business having the nerve of reading or remembering anything. Trust me, there's nobody better than Pat out of all the humorist authors. Even Daniel Steele. You'll love it if you love anything he's done.

The book is a composite of stories of his childhood and adolescent years. He grew up in the boonies in an old run down shack. As a child he spent most of his time outside. He tells stories of tying his best friends brother up and locking him in the basement. He also gives pionters on taking fish hooks out of a buddys' ear. The book has a plot in every story; with 26 stories there are lots of plots to get burried in. The theme is pretty much the same throught out the book; Life is good if you have the right perception. I thought the book was hysterical. I actualy read the whole book. My parents almost got a divorce, because my dad would shake the room. He was laughing so hard. The book really reminded me of when I grew up; my friends and I were always outside raising cane. The way Patrick tells the story is like a joke, he lets your mind wonder before telling what happens. His choice of words really catch you, words like gunkholing or podner. I would definetly recommend this book to anyone who enjoys the outdoors. Patrick really knows how to make people laugh.

The Complete Works of Shakespeare edited by David Bevington

Bevington's edition of Shakespeare's plays is a popular choice, and not without good reason. But that doesn't make an ideal choice. The introduction to this one volume edition is ample with chapters on life in Shakespeare's England, the drama before Shakespeare, Shakespeare's life and work. These are good, but they tend to rely on older scholarship and they may not be current. For example Bevington repeats Hinman's claim that there were 1200 copies of the 1623 Folio printed. However later scholars think the number was quite a bit lower, around 750. It should be said that we don't know for sure how many copies of the 1623 folio were printed and either number could be correct.

Bevington's edition prints the plays by genre. We get a section of Comedies, Histories, Tragedies, Romances and the Poems. He puts "Troilus and Cressida" with the comedies, though we know the play was slated to appear with the tragedies in the 1623 folio. The play was never meant to appear with the comedies, and all the surviving Folios that have the play have it at the beginning of the tragedies.

Let's get down to brass tacks. You are not going to buy an edition of Shakespeare's works because of good introduction. You're going to buy one because the quality of the editing of the plays. Is it reliable? Is it accurate? For the most part this edition is reliable and accurate, but that does not mean it is accurate and reliable in every instance.

Modernized editions of Shakespeare's plays and poems are norm. Since the 18th century (and even before) editors of Shakespeare have modernized and regularized Shakespeare's plays and poems. There are good reasons for this modernization. There is the reader's ease of use and the correcting misprints and mislination. I have no problem with this regularization of spelling or punctuation. But when an editor goes beyond normalizing and modernizing--when an editor interferes with the text then I have a problem.

Let me give two examples of the editorial interference that I am writing about:

King Lear 2-1-14 (p. 1184)
Bevington has:
Edmund
The Duke be here tonight? The better! Best!
This weaves itself perforce into my business.

The Folio has:
Bast. The Duke be here to night? The better best,
This weaues it selfe perforce into my businesse,

Even allowences made for modernization of punctuation and grammar would not account for Bevington's "The better! Best." Bevington glosses this to mean "so much the better; in fact the best that could happen." Nice try, but "The better best" of the folio is a double comparative, (which is a regular feature of Early Modern English) and not two separate adjectival phrases. Interestingly, the Quarto printing of Lear prints this scene in prose, and there is no punctuation between "better" and "best" in that version either.

A few lines down Lear 2-1-19 Edmund continues
Bevington has:
Brother, a word. Descend. Brother, I say!
Enter Edgar

But Bevington has reversed the order. The Folio has:
Enter Edgar.
Brother, a word, discend; Brother I say,

Bevington does not say why he changed the order, though to be fair other modern editors have done the same thing.

These two changes just a few lines apart go beyond regularization or modernization. They interfere with the text as presented in the 1623 Folio. And Bevington does not explain the changes. So next time you pick up this or any other modernized edition you should ask yourself "am I really sure what I'm reading is what Shakespeare wrote?"

THE COMPLETE WORKS OF SHAKESPEARE. Updated Fourth Edition. Edited by David Bevington. 2000 pp. New York : Longman, 1997. ISBN 0-321-01254-2 (hbk.)

As complete Shakespeares go, the Bevington would seem have everything. Its book-length Introduction covers Life in Shakespeare's England; The Drama Before Shakespeare; London Theaters and Dramatic Companies; Shakespeare's Life and Work; Shakespeare's Language : His Development as Poet and Dramatist; Edition and Editors of Shakespeare; Shakespeare Criticism.

The texts follow in groups : Comedies; Histories; Tragedies; Romances (including 'The Two Noble Kinsmen'); Poems. Each play is given a separate Introduction adequate to the needs of a beginner, and the excellent and helpful brief notes at the bottom of each page, besides explaining individual words and lines, provide stage directions to help readers visualize the plays.

One extremely useful feature of the layout is that instead of being given the usual style of line numbering - 10, 20, 30, etc. - numbers occur _only_ at the end of lines which have been given footnotes - e.g., 9, 12, 16, 18, 32. Why no-one seems to have thought of doing this before I don't know, but it's a wonderful innovation that does away entirely with the tedious and time-wasting hassle of line counting, and the equally time-wasting frustration of searching through footnotes only to find that no note exists. If the line has a note you will know at once, and the notes are easy for the eye to locate as the keywords preceeding notes are in bold type.

The book - which is rounded out with three Appendices, a Royal Genealogy of England, Maps, Bibliography, Suggestions for Reading and Research, Textual Notes, Glossary of common words, and Index - also includes a 16-page section of striking color photographs.

The book is excellently printed in a semi-bold font that is exceptionally sharp, clear, and easy to read despite the show-through of its thin paper. It is a large heavy volume of full quarto size, stitched so that it opens flat, and bound, not with cloth, but with a soft decorative paper which wears out quickly at the edges and corners.

If it had been printed on a slightly better paper and bound in cloth, the Bevington would have been perfect. As it is, it's a fine piece of book-making nevertheless, and has been edited in such a way as to make the reading of Shakespeare as hassle-free and enjoyable an experience as possible. Strongly recommended for students and the general reader.

Last year for Christmas I asked my parents for some William Shakespeare's plays.Boy was I suprised!Not only does it have all of the plays,but also his Sonats,poems,and illistrations.Despite the fact that it's a large valuem and will need quite a bit off book space from you're self.You wont regret getting it.You will never need to get another book on William Shakespeare's plays and everything else ever again.It also has a list of dictonary for understanding the words better.

It's easy, I suppose, to knock 'The New Yorker' as effete and self-satisfied. Certainly its left-wing bias looks a bit strange surrounded by all those ads for expensive imported whisky and porcelain figures. This book demonstrates, however, that for seventy-five years the magazine has been turning out splendid profiles of a very disparate group of people. And, what's even more important, they're written so beautifully. Even an oddball piece like Ian Frazier's 'Nobody Better, Better than Nobody' is lucid and full of fine sentences. Every one of the profiles in this book has something to recommend it. You needn't admire or be familiar with the subject of the profile. I harbour an intense dislike for Roseanne Barr, for example, but John Lahr's profile of her had me enthralled; and I enjoyed Roger Angell's piece on Steve Blatt, despite my never having seen a baseball game. David Remnick states in his introduction that he gave pride of place to Joseph Mitchell's 'Mister Hunter's Grave', and that's understandable: it's a masterpiece. But Richard Preston's long story about the Chudnovsky brothers and their search for pi, or Mark Singer's tale of the amazing sleight-of-hand artist Ricky Jay, would distinguish any anthology. I think that Remnick could easily compile another volume as strong, and I hope he does so in the future -- he should include something by himself next time.

This is a compilation of some of the best Profiles to appear in the New Yorker over the last 80 years. Sometimes you will be familiar with the person being profiled, sometimes not, but in all cases you will find the stories entertaining and the writing, superb.

My favorite Profile happens to be of one of the non-famous persons, George H. Hunter ("Mr. Hunter's Grave," by Joseph Mitchell). It is a story not so much about a person but of a long-forgotten community, and a way of life. Despite being the longest entry in the audio collection, I rewound the tape three or four times to listen to it again and again - it was that good.

Some of the celebrity stories are just as compelling, although, being celebrities, many aspects of their lives are already well known. But this sometimes opened a window into foreshadowing that could not have been appreciated by the reader (or even the writer) at the time the piece was done. One example of this concerns Ernest Hemingway ("How Do You Like It Now, Gentlemen?", by Lillian Ross). Hidden somewhere in the middle of the Profile, Ross mentions the fact that Hemingway's father had committed suicide. This had no major relation to the story in general, and was probably forgotten by most readers at the time, but we have the perspective of history. And it becomes more than just a tidbit when we realize that Hemingway, too, committed suicide 10 years later, in 1961.

Another eyebrow-raising instance came when hearing about Marlon Brando ("The Duke In His Domain," by Truman Capote). Capote was on location with Brando in Japan as Brando was taking part in the filming of "Sayonara." Brando at one point confesses to Capote that he had to lose weight for the part, and that he wasn't there yet. He still had 10-15 pounds to go. Despite this, the dinners delivered to Brando's hotel room are not those of one looking to cut down; to the contrary, Brando could only gain weight eating the food being sent up to him! Hearing Brando fuss about what he should and should not eat and Capote take note of the rich foods on the tray, it almost seems fake, as if Capote knew how Brando was going to end up. But, of course, he didn't. The story was written in 1957!

But what makes this collection great, though, is the quality of the writing itself. It matters not the subject: actor, comedian, dancer, writer, boxer, even a dog! The common thread running through all the Profiles is the way in which each story is told. Always lucid, always interesting, the stories are less stories and more like works of art.

If you enjoy exceptional writing, this collection is for you. Highly recommended. Five stars.

Anyone who has ever read Joseph Mitchell's fascinating profile "Joe Gould's Secret" (now a book and a movie) knows what the New Yorker does with "Profiles". If you haven't read Mitchell, here's your chance, plus an unbelievable collection of life rendered beyond simple biography by a stable of superb writers. It's a must for any serious reader !

Chernev certainly knew how to instruct club-level players and his love for the game was infectious. The reasons for every single move are explained clearly. The only drawback with this is that there are only so many ways to annotate 1 P-K4 (in the old descriptive notation of the book I had as a pre-teen)!

A number of very important principles are illustrated, and most club players need to know what rules apply in the majority of case. The games are also good to play through.

The games are usually one-sided, and show what can happen when one player makes strategic mistakes. As more advanced books such as Watson's "Secrets of Modern Chess Strategy" note, such games with unified grand plans really happen between evenly matched strong players, and he emphasises rule independence.

But Chernev's approach is appropriate for his intended audience. I think that the reason many players BECOME strong is that they know the sort of plans he illustrates, so they know what to avoid getting caught up in! And Chernev is not so naive as to think that rules have no exceptions. He points out that the best way to meet a rule-violating move is often with another rule-violating move.

I recently acquired this hard to find gem that is one of the most popular chess books ever written in my opinion. Chernev is GREAT at explaining the process one move at a time. I have played many years, and have read many books. This one has the gift of teaching. Many others just go through specific games, and you still can't play well after reading them. The step by step process leads to deeper understandings of the game. I especially like the commentary that begins in detail from the very first move. the obvious comment about the need for controlling the center squares was unnecessary All chess players know that! A minor point. His teaching takes you through the process of learning the depth of a game and why certain moves are important, why a certain piece is critical to move at a certain time. The simple advice of "develop all your pieces before starting any combinations" is one gem. He gave me a fresh way of looking at the game. I recommend a strong buy here! A must have for serious players wanting to improve their game.

This book was recommended to me many years ago by a chess book store owner when I was just starting to get serious about chess. I tore through the pages as fast as I could read them and my rating went up by 100 points almost immmediately!

This book is fantastic - every single move of every game is commented on. The comments are by Irving Chernev. He had a love of the game and its' great masters like few authors I have ever read. He also had a great sense of balance between verbal descriptions of the ideas behind the move, and the possible variations. In other words, his books are heavy on words and a little lighter on variations than many other books.

This is the perfect balance for developing players who need more explanation as to what is going on during the game. More advanced players (1700+) will probably not get much instructive value out of the book, but may still enjoy the games.

This is definitely a must-have book for players rated 1100 - 1500.

These are the days of Sony Playstation 2 and Harry Potter, activites that do not really ever try to tell a great story that also gives a lesson without being preachy.

The Velveteen Rabbit is heartwrenchingly beautiful. The Rabbit who yearns to be Real and whose love for the boy was unconditional is both imaginative and sad. I cannot read this book without a lump coming to my throat and being transported to simpler days when the love of a toy was the greatest thing in the whole world.

This is a book with an ending that is mixed, that touches on the ambiguity of life and loss. But there is also hope of a new beginning. And I think children can understand that and grow from it.

I cherish this book deeply.

A great book on love! I really loved this book as a kid and still remember when my Gramps used to read it to me when we would visit him in the province. He gifted me the book on my 7th birthday and became a real sentimental favorite. My original book got lost when my family vacationed in Milan when I was 12, too bad. I could recall how depressed I became when I discovered that I left the book in the hotel. I missed that book terribly and eversince I was on the look out for another copy, until 16 years later, my beautiful girlfriend gifted me one on our anniversary when she returned home from Munich. I was so happy as I lifted the copy out of the box and I couldn't help but shed a tear out of happiness! Since then, it remains on my bedside table. It is very enlightening, heart warming and full of love. I really love toys up to now and this book really manifests unconditonal love. I will surely treasure this book and in time gift it to my future kids. It's a real classic , something to be treasured forever!

This book is a simple work of art. Its beauty in itself is virtually indescribable. When I was little, it was my favorite book. In fact, I've had it ever since I was born. It is about a boy who owns a stuffed rabbit, and longs for it to be real. Eventually, because he loved the rabbit so much, his wish was granted. The book is so well written that it brings tears to my eyes almost every time I read it. It is definitely one of my all-time favorites.

This is a book full of funny stories about the outdoors. Everything from camping, hunting, fishing, and hiking is covered, with the dry and witty humor of Pat McManus. He describes the boyhood joys of his first big hunt and his first big camping trip out into the wilderness, among other hilarious stories. Very funny.

My father gave me this book when he thought I needed some cheering up. It was a life changing experience. Now I am on a quest to collect anything he has ever written. Caution to first time McManus readers: When you find your eyes are tearing up and you can't catch your breath, wait a short time before continuing. I nearly passed out from back to back fits of hysterical laughter caused by reading his passages too quickly.

This book is Pat at his best. Of course once you buy this one you'll want the rest, so you might as well take advantage of the reduced shipping and just order them all. Get the hard bound versions otherwise you'll wear the binding out from re-reading the stories in these books.

My favorite line about his bike, was "built by a fiend with his own 3 hands, traded to my mother for the price of a good milk cow." The seat was like a hatchet, put a doily on it for padding.

Pat just sets you up, and then drops it on you, the next minute everyone in the room is looking at you as you are laughing and rolling on the floor tears streaming from your face.

I will say that some people just don't get it. Dave Berry calls them humor impared, and well there is no cure. But for the rest of us, if you've ever spent any time fishing, camping, or just messing around outside as a kid, these are the books for you.

One other note: You can't lend these books out, they don't come back! So I keep a pile of them in my closet as gifts.

This is a great book of 62 games that are highly instructive in all aspects of the game, but in particular strategy.
The games are played by some of the best players in history;
Botvinnik, Capablanca, Lasker, Rubenstein, Fischer. Just to name a few. Each Game is an instructive and entertaining masterpiece that will enlighten any player. Each time you read it you learn and understand more and more about the game of chess. This book however is not for the rank beginner. Perhaps it is best to consider it the sequal to the author's great book "Logical Chess: Move By Move".

This book is great. Get it. Read it. Enjoy it. You won't regret it.

This book, along with Chernev's "Logical Chess Move by Move" is clearly the authors Magnum Opus.

The book features 62 chapters (i.e. games) played by the "older masters" like Tarrasch, Lasker, Capablanca, Rubenstein, Fischer(I know - not that old), Botvinnik, Nimzowitsch, Petrosian, etc. etc.

The games are dissected at a level comfortable for club level players. Each game focuses on a theme (i.e outpost, weak square, bishop pair, rook ending, Occupation of 7th rank, isolated pawn, etc.

I highly recommend this book (along with the other book mentioned) to anyone rated between 1100 - 1600. I can think of few other titles that will return as much value for the modest time investment to read them!

Chernev has an infectious love for the game of chess paralleled by few (if any) chess writers, past or present. He was probably around International Master Playing strength. Each game hammers on one particular positional theme. This book is incredibly instructive.

Easily one of the best books ever written. This is one of the first books I purchased over 30 years ago. I am sure it helped start me on the road to Chess Mastery.

Chernev, like Reinfeld, did NOT write chess books to impress other Chess Masters. He wrote books simply and with great care. He also put his tremendous love of the game into this book.

I simply cannot convey what a wonderful book this is. This book will especially appeal to the average player, especially someone who wants to improve his game.

I usually don't rave about books. This is an exception.

Here is what I say about this book on my web site:
<< The next book is by Irving Chernev. I met this man several times, and he had a real love for the game that few players today demonstrate. He would look at games by the hour with anyone. I personally believe Chernev was at least IM strength. (I believe he played in several U.S. Championships.) The book is:
"The Most Instructive Games of Chess Ever Played."
[62 Masterpieces of Chess Strategy.]
It contains 62 true masterpieces of chess by various different players. (Masters such as Fischer, Capablanca, Alekhine, Tal, etc. Plus many more of the all-time greats!!) Each game is carefully and lovingly annotated. This book had a tremendous impact on me and the way that I viewed and looked at chess.
{I studied it many, many, many times.}

Chernev provides games with an almost blow-by-blow commentary. His ideas are simple, fresh, insightful, and expressed with great clarity. He explains all the basic ideas of the game in a manner that ANY chess-player can follow. The variations are perfect. Not too much to overload the senses. I have had players who were almost beginners to players who were accomplished tournament players ... tell me that they profited from a careful study of this book. I think one should study this book, as I did. Every time your rating goes up 100 points, you should work your way through this book from cover to cover! You won't regret it and you definitely will improve!

Another unique thing is he finds one idea or theme in each game,
and just hammers away at it. It is a VERY good study method.

It also contains some of the classics of Chess, and Chernev brings you a fresh insight and analysis to each game. (Indeed - his comments and analysis may differ greatly from the ones that may have been published in the {chess} press when the game was first played.) Chernev was one of the greatest all-time teachers and writers in the chess field. This book is a true pearl!!! I think it belongs in the library of every real chess aficionado. >>

I also rate this in, "The Ten Best Chess Books Ever Written." Need I say more?

This is the best Bunnicula book written. I have read the whole series and this is the best!

Bunnicula is a vampire bunny and he is on the loose. The Monroes, the family who owns Bunnicula, really don't have a clue about his escape. Bunnicula's pals Harold, Chester, and Howie are there to track him down in order to stop disaster. Chester has a theory that if Bunnicula bites the vegetables in everyone's garden they will turn into vampire vegetables and then attack the town. The message to the readers relays that ones mind can jump to many conclusions from the simple to the bazaar. Chester's idea of what may happen is defiantly leaning towards the bazaar. I like Celery Stalks at Midnight because the author told the story using animals which creates a hilarious picture in my mind.I recommend this book to all ages because of the animals and the mysterious happenings.

I loved the book and if your thinking about buying it go for it.However if you haven't read Bunnicula and Howliday Inn your really missing out on some great books and you should get those too!