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Strutin asks--what is the American Midwest? She outlines what she thinks comprises the area and discusses the forests, wetlands, huge fresh water lakes, and prairie that can still be found throughout the region. She imagines what the first European explorers must have seen when they arrived. She says, for example, the word prairie is French for meadow. French explorers were the first Europeans to travel extensively through the American plains. They saw the amazing wide open spaces where grass grew 10 feet tall and lacking any other word, likened it to their own grass meadows back home. The French named many places from Des Moines to Des Plains.
Strutin says conservationists are working to restore parts of the prairie to their natural state. She explains some of the research involved in determining the correct proportions of Asclepia (Butterfly Weed); Echinacea; Daisy; and other flora in a region that contains one of the three major U.S. flyways for birds, butterflies and other migratory animals.
PLACES also contains photos and text about non-prairie areas in upper Michigan and Wisconsin where hugh forests once existed as anyone who has ever read Laura Ingalls Wilder's LITTLE HOUSE IN THE BIG WOODS or heard of Paul Bunyun knows. Even today this area is a source of timber and home to many paper mills, though a good deal of the timber is being recovered from the bottom of Lake Michigan where it landed a century ago.
Irving and Strutin could have called their book HIDDEN PLACES OF GRACE. There are many wonderful nooks and crannies that somehow escaped the developer's axe, and today are protected in one way or another. This is an interesting and beautiful book.
Good production values overall make this a nice addition to other landscape photography books. Highly recommended.
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I was originally concerned that a drama focusing on an old woman's artwork would not translate well to a listening experience. How could I care as deeply about Miss Helen if I was not able to see the oddball sculptures she had created? Surely the vision of "a city of light and color more splendid than anything I had ever imagined" could not be adequately transmitted through the speakers of my tape player. I need not have worried. One of my favorite parts of the entirely wonderful listen remains the moment when Helen lights her room with candles -- music comes up and there is absolutely no problem seeing a room aglow in a growing light of imagination and art. Adding to the experience is a superb cast performing a well-written examination of what it means to be an artist, what it means to be older, and what it means to be shunned. Fabulous!
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along similar lines. This book is unique because it offers
readers a new way to think about their world. It has a system
and a theory -- not just a collection of tips.
If you liked Lynn Grabhorn's book, Excuse Me Your Life is
Waiting, you'll probably like this one too.