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This book gives a complete presentation of the major operator and stack architecture elements. While much of the information is no longer valid for the current architectures, the basic PCW, RCW, MSCW words are there in theory, if not accurate for today's systems. This book gives a good insight into the reason that ALGOL screams on these systems. I highly recommend this book for all support or systems persons on the A Series or Clearpath NX systems.
*****Although Zimbabwe stone sculpture is argued to be firmly located within a modernist discourse, its content and form are informed by traditional spiritual beliefs, myths, legends, oral history, customs, and rituals, which impart a new function and modernist aesthetic for creative expression in stone. Prestigious galleries around the world have been honored to exhibit the work of many of Zimbabwe's finest stone sculptors, such as the Paris Rodin Museum and the New York Museum of Modern Art. The larger pieces have been exhibited at the Kirstenbosch Gardens in Cape Town, the Kew Gardens in London, the Parlmengarten in Frankfurt, the Berlin and Hamburg Botanical Gardens, the Yorkshire Sculpture Park in Yorkshire, the Hannover Expo 2000, and the Missouri Botanical Gardens in St. Louis.
*****Celia Winter-Irving is the Writer and Documentalist in Residence at the Chapungu Sculpture Park. She is also the lead writer on art for the Zimbabwe Herald with her own column in the Herald 'Art and Leisure' each Saturday. At the park she writes books on sculptors, produces the newsletter, compiles and writes essay/biographies on sculptors represented by Chapungu, and organizes media relations. A listing of her more recent books includes Lazarus Takawira (Lazarus Takawira June 2000), Anderson Mukomberanwa (Anderson Mukomberanwa June 2000), Tengenenge Art Sculpture and Painting (World Art Foundation, Eerbeek, The Netherlands, April 2001), and Soottie the Cat at Tengenenge (Tengenenge Pvt Ltd, April 2001). In 2002, she finished a book concerning the successful Zimbabwe sculptor, Agnes Nyanhongo.
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It is still possible to miss the point of this book. Fanning the pages looking for what passes for beautiful bodies these days will tell you more about yourself than the artist.
This work will startle some people who know only Penn's famous portraits and fashion photographs. These are primitive, direct and pure essence of the subject, counterpoint to his highly refined public work. Penn uses the power of the raw photograph with great self-assurance to discover detail in otherwise very simple images. Some of his pictures seem unfinished, but the author makes it clear there are no accidents in these prints - they are as carefully done as his familiar published work.
Some images deliberately recall sculpture from Venus de Milo and Nike of Samothrace to the female scuptures from prehistoric caves. Some images draw on Stieglitz, Weston, and perhaps Bernhard. A lesser artist would just seem derivative but the few references to others simply reinforce the strength of Penn's own vision.
Hambourg shows us by her editing just how Penn worked. She includes one contact sheet that invokes the closeness of the "dance" between artist and model that most never see and photographers seldom want to show. Hambourg's deft touch greatly enriches this book without distracting from the artist.
Penn's nude photographs ranks with the nudes of Weston and only one or two others. It is a curious coincidence that the nudes of Weston, Stieglitz and Penn were all conserved and presented to us by women. That is sufficient reason to pay attention to how this work is presented.
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