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in North America and provides detailed information on the practical aspects of the fascinating and fast-growing hobby of archaeology. Photographs, maps, and
drawings complement and explain the text.
Step by step, in nontechnical language, this volume shows the reader how to locate and excavate an archaeological site. As an examplc of the mechanics of an
archaeological survey, it analyzes an area of successful excavation near New Bedford, Massachusetts. It explains how to make a preliminary survey and where to obtain
topographical maps, advises what equipment and precautions are required, and suggests how the techniques of prehistoric archaeology may be applied to the newer
fields of historic and underwater' archaeology.
For those who have already researched and selected their site, the book tells how to organize a "dig," how to lay out a "grid"; discusses the various methods of
excavation and when to employ each.
A separate chapter tells how and when to record information, as well as what cameras and lenses to use in archaeological photography. Other chapters explain how to
identify and classify artifacts; how to clean, preserve, and repair archaeological finds; how finds are dated; and how to write final reports on a site.
Valuable appendixes include a glossary of terms and an index; suggestions for further reading, films, and slides; information about study courses, sites, and museums to
visit; and laws governing the excavation of antiquities. The local, regional, and national societies listed are excellent sources of information on archaeological activity in
specific areas.
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Because Shulman portrays the sexual escapades and pot smoking in candid fashion, it's easy for critics to stigmatize Dukes as a trashy novel. That however neglects the many dimensions to the book, including some very fine writing by the author. Instead, I take it as an honest depiction of what Shulman knew and chose to set out in unusually forceful and unpatronizing terms. Coveted by teenagers of the time for its daring assault on censorship, the language and events may seem tame compared with today's non-existent standards. Yet Shulman's characters and their dramatic narrative remain as fresh and timely as ever, the murder of the teacher standing, in retrospect, as an opening shot in the youth rebellion to come. Substitute Latino or Black for the Jewish Dukes, add a level of drug trafficking, and the story (including the awful conditions that spawned them) remains essentially unchanged from then to now.
Also, author Shulman goes into vivid detail describing the youth fashions and moral behavior of the day, or what kids then considered 'cool'. More important, however, is his sharply drawn slice of class realities, as experienced by pivotal characters Frank Goldberg and his 11-year old sister Alice. Their two wrenching tours through the tonier parts of the city are among the book's memorable highlights. In fact, it is the easily overlooked Alice, and not the more melodramatic gangbangers, who remains the book's most pivotal and sympathetic character. For it is she who's being propelled into a new post-war era with all the sadness and growing sense of entrapment that bedevils the working poor. It is through her youthful enthusiasm slowly succumbing to despair that the book touches a universal chord, as we experience with her the poignancy of a crushing loss of hope. It is here, far from the prurience and rawness of the rest of the book, that Shulman achieves his finest, most revealing moments. I like to think that in the coming years, low-interest loans, Levittowns, and other now much derided assisstance programs redeemed at least some of her innocent dreams. (There's also a glimpse in these passages of the rational basis of consumerism.)
Because of its questionable content, The Amboy Dukes continues to lead an underground existence, overshadowed by the more respectable and refined Catcher in the Rye. But the fact that it has survived the years and continues to be published is testament to a lasting value as social commentary.Though currently out of print, Shulman's book is far more than a teen novel. It is a permanent record of artistic achievement deserving of literary respect, cultural interest, and a continued readership. Pick it up.
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While the book does not cover the watercraft of all North American First Nations, it does provide a broad range of information on craft from many Nations across the continent.
This book is highy recommended to anyone interested in the history of canoes or kayaks as developed on the North American continent.
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