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This quote from Thoreau aptly applies to the work of Flagstaff, AZ. artist James Turrell. Turrell has been fascinated all his life with the concept of light and its use in art and architecture. Add to this his notion that the individual should experience this art alone, embracing what the piece has, and does not have, to offer, and one has the basic mindset to take on his art.
To best experience Turrell, one needs to go to an exhibit and take the time necessary to participate IN his art. Like a good book or good music, art reqires a level of active participation to fully realize the piece's potential and to maximize its impact. A Turrell exhibit is a glorious thing- each person actively participates, taking in his color concepts, becoming one with them. Whether in one of his famed "skyspaces," where the participants sit in a consistently lighted room to look through an oval shaped hole in the roof at dusk to watch the changing lighting patterns- the light from the roof diminishes and the consistent railing lighting in the room dominates- or vice versa if one sees the exhibit at dawn, to his "dark rooms" where the viewer is in a 99.9% darkened room with the faint glimpse of an outline of light, allowing the mind and eyes of the viewer to re-conceive its surroundings and realities- not unlike an ink blot test, but in the dark, Turrell's pieces are challenging the concept of light and how each of us perceive it and use it in our lives.
What his art offers is vividly displayed in this book, a wonderfully in-depth one that showcases his growth and remarkable consistency brilliantly. His art is eclectic, ranging from the aforementioned "dark rooms," "Skyscapes," "blue rooms" (viewers in a room with a blue light dominating it, again, challenging perceptions and optics), to a recent "skyscape" that allowed perceived viewings of an eclipse, to his re-construction of a dormant crater (outside of Flagstaff, AZ) to allow unique views of the sky, light, the world. Each piece of art challenges the concept of optical illusion vs. reality- the light offers 3 dimenstional viewing in a 2 dimensional world based on angles of the light, the walls, etc- as well as the common perceptions of light in art.
Again, Turrell should be viewed in a proper exhibit, but this book offers a brilliant overview of his career. The text is in both German and English, but still offers precise pictures, diagrams,and Turrell's philosophies on art, light, and the world. It's a brilliant work by one of today's foremost artists.

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De Tocqueville also saw the insidious damage that the institution of slavery was causing the country and predicted some 30 years before the Civil War that slavery would probable cause the states to fragment from the union. He also the emergence of stronger states rights over the power of the federal government. He held fast to his belief that the greatest danger to democracy was the trend toward the concentration of power by the federal government. He predicted wrongly that the union would probably break up into 2 or 3 countries because of regional interests and differences. This idea is the only one about America that he gets wrong. Despite some of his misgivings, De Tocqueville, saw that democracy is an "inescapable development" of the modern world. The arguments in the "Federalist Papers" were greater than most people realized. He saw a social revolution coming that continues throughout the world today.
Schleifer in his book ably shows how De Tocqueville realizes at the very beginning of the "industrial revolution" how industry, centralization and democracy strengthened each other and moved forward together. Schleifer's book convinces me that not only is De Tocqueville still the preeminent observer of America but is also the father of social science. As a retired Army officer and student of political philosophy, I find this book is a must read for anyone interested in American history, political philosophy or the social sciences.

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The writing is outstanding and shows the birth of the game on American soil to start of USGA, professionals, ladies entering game, to architects, to players, and literature.
Especially enjoy the watercolors of the 100 Heroes of American Golf and the accompanying writeups.
Collectors item.