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Williams was born in 1849 of racially mixed parentage and was a Union Soldier, Baptist minister, and Ohio State legislator. In preparing the history, he "consulted over twelve thousand volumes and thousands of pamphlets" (1:vi). One thousand works are referred to in footnotes and its conceptualization and methodology are similar to the work of Robert Benjamin Lewis. This monumental epic divides the history into two segments. The first half is devoted to African origins, slavery in the colonies and the Negro during the revolution. The second volume focuses on the nineteenth century and deals with such topics as the Negro participation in the Civil War and Reconstruction. Social and cultural history are covered in each volume.
Williams declares this history is necessary because he "became convinced that a history of the colored people in America was required, because of the ample historically trustworthy material at hand; because the colored people themselves had been the most vexatious problem in North America, from the time of its discovery down to the present day; because that in every attempt upon the life of the nation, whether by foes from without or within, the colored people had always displayed a matchless patriotism and incomparable heroism in the cause of Americans, and because such a history would give the world more correct ideas of colored people, and incite the latter to greater effort in the struggle of citizenship and manhood". (1:iii-iv)
The work is moralistic in tone and contains a futuristic assessment of Africa as "taking its place among the modern nations of the world once it is Christianized."
Having come to the America and entering the Christian fold, blacks become shapers of their own history. They resisted slavery and became poets, scientists, soldiers and property owners. Williams concludes his history on this optimistic note: "Race prejudice is bound to give way before the potent influence of character, education and wealth" (2:551-52).
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Oh, and you have to love that cover art.....
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When a reader approaches a historical novel he does so frequently with some knowledge about the subject. In this case, the subject was Britain's youngest Prime Minister, Pitt the Younger; and the reader, yours truly, knew very little of the subject apart from, of course, what all good little Brits like me learn in school (something vague about youth, the French Revolution, and the fact that Pitt the Elder was a DIFFERENT person). I thought that was all there was to know (or care) about.
Boy, was I surprised.
In fact I was so surprised that I wanted to read more. And when a historical novel does something like that to a reader, then the primary goal of the novelist must have been attained. Some historical novels simper. This one roared. The good ones reach out to the reader. This one positively grabbed and didn't let go, either. The portrait of Pitt was so sympat
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