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His directions are always the best, his "two cents" comments are always appreciated, and his listing of springs is fairly comprehensive.
His other two hot springs books are great, as well.
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George Wilkerson and his female persona, Bobbi Williams, bring to life the realities of living as a transgendered person. This is a courageous book. At great personal risk, George writes about his own experiences and those of others. It's about pain, personal growth, and acceptance of self and of others. It's about the delight in expressing the part of yourself that (especially for men) is usually hidden (or forbidden). I laughed out loud at some parts of this book. Others made me weep. But all of the book helped me understand the people whom others love to hate. And accept them, as they are.
My favorite story in the book was "Looking Good," which starts as a group of the gyrls are out on the town and having a wonderful evening. Then, one of the gyrls gets a phone call from her wife to come to the hospital: the wife's father has had a stroke. The wife, forgetting that her husband is out on the town as a gyrl, begs him to come to the hospital. He (and the other gyrls) go to the hospital directly from the bar. The rest is a funny and poignant story of love and acceptance.
The most difficult story to read in the book was "One Last Story". It is a true story about a transgendered man who was murdered in Schenectady earlier this year. After reading that story, it is clear that this book represents an act of great courage.
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What differentiates Schickel from Bogdanovich and Emery is the fact that, for many years, he wrote film reviews for Time magazine and thus had an immense audience with which to share his opinions about more than a thousand films. Also, he is the author of more than 20 books about film making which include biographies of Marlon Brando, Cary Brando, and James Cagney. Over the years, he has earned and richly deserves his reputation as one of the most thoughtful and knowledgeable of film authorities. In this volume, he interacts with eight of the greatest film directors. At no time does he seem intimidated by them nor does he ever disrupt the flow of information exchanged with self-serving observations. He guides each director into subject areas which are probably of great interest to most film buffs but he also allows each director to ramble, digress, etc. when reminiscing or when sharing specific opinions about films and actors with whom they were associated. Sure, there is some delicious gossip. And yes, some insights not otherwise available. However, for the most part, Schickel sets up various subjects and then allows each director (many of them a personal friend) to proceed wherever he may wish, at whatever pace he may prefer. His brilliant orchestration of responses ensures their scope and depth. That is to say, he did not merely turn on the recorder and then let each of the eight take it from there. On his reader's behalf, Schickel remains actively involved, indeed engaged in the exchange of information but at no time is intrusive. Within its genre, this is indeed a "classic."
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The individual entries have been written by eminent judges, jurists and lawyers in Australia. It was edited by 3 of the most well regarded legal academics in Australian history and is a terrific reference source. I can recommend it to anyone with an interest or need to look in detail at the Australian legal system. There is no other work with such detail and information in one volume.
The book is organized encyclopedia-style, with entries arranged alphabetically from the AAP Case (1975) to Ziems v. Prothonotary of the Supreme Court of NSW (1957). The entries are contributed by various Australian legal scholars, and cover a very wide range of interests. My personal favorite entry is the one on 'Jurimetrics' by Tony Blackshield.
Despite the hefty price tag (to match such a hefty book), this is one book that is well worth owning. Toting it around may give me permanent back problems, but I'm willing to risk it.
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