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The scholarly articles and footnotes in the Oxford edition are top-notch; although they have a decidedly Anglican flavor in places they are generally ecumenical and quite informative. If you were to only have one study Bible, this is the one I would recommend.
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On occasion words are used that Americans may not be familiar with, such as calumny, obdurate, and betide, and the text does read at a literary level, but is still clear.
The text is not as gender-inclusive as the New Revised Standard Version, but more so than the New International Version; the English is also not as "British" as the New Jerusalem Bible. For sheer reading pleasure this translation is the best.
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The scholarly articles and footnotes in the Oxford edition are top-notch; although they have a decidedly Anglican flavor in places they are generally ecumenical and quite informative. If you were to only have one study Bible, this is the one I would recommend.
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Ironically though, it doesn't matter.
Kerr has a such a superior writing style (esp. in the 3rd book onward) that the same boring story (a siege here and there, a new King disguised here and there, a foaming berserker here and there, Nevyn looking strong despite his burlap face here and there and EVERYWHERE, a main character getting killed with sudden regularity, the VERY bizarre appearance of a dragon, and finally the entire Guardian thread which appears to be pasted to the books rather than integrated) will keep you riveted to your seat, no minor achievement.
I read the series straight through and attempted numerous times to pick up something else. I couldn't do it. After reading Kerr's fluid prose, I couldn't handle anything else. You can only dream of how good she'd be if an original story was to be had.
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One aspect of this book, however, is less than satisfying. The section set during the Civil Wars contains infinetely more developed characters than the section set in "the present;" Kerr seems far more engaged and in tune with Nevyn, Lilli, Bellyra and Maryn than she does with Dallandra, Niffa, Raena and Rhodry. This has been a problem throughout the Dragon Mage series. As a result, the second half of this book feels flat compared to the first, and its characters seem strangely unrealistic when placed against the tortured, complex, wonderfully human characters described during the Civil Wars. Despite the imagination that has gone into the Horsekin, the Guardians and the dragon, these elements of blatant unreality detract a lot from one of the series' main strengths.
However, one shouldn't complain too loudly about a novel that's just "very good" instead of "brilliant." Anything by Kerr is usually vastly superior to the majority of fantasy novels out there (many of which seem to have been written on autopilot by authors trying to make condo payments). Deverry fans will find no reason here to stop loving the series!
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If you haven't read a Deverry book yet, start today with DAGGERSPELL. (If you know me and have any interest in fantasy at all, I have already bought you a copy; for the rest of the world, I will have to be satisfied with urging you to buy it yourself.) If you've read the books before, don't wait! This book's incredible and, I promise, it will send you scurrying back to every book in the series to pay closer attention to plots you *never knew were there*... plots I now *can't wait* for the next book to follow... esp. this 'falcon' book... we all know who that must be! Or I hope we do!
But I digress. My perspective? I was a little worried after A TIME OF OMENS and more recently that the books were losing a bit of their momentum--but I couldn't have been more wrong. The events of those books will take on new significance and now I'm ready to protest that two more books will not be enough! What can I say? I loved it. I feel like I'm discovering this series and the characters all over again, and I think everyone else should too! Happy reading!
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of the country, the bristling wood of spears,
the grievous flood of the enemy.
- The Gododdin of Aneirin, Stanza A 84
This volume interleaves two skeins of history: the 'present' (Jill and Rhodry's time) and the last years of the Time of Troubles (the civil wars between Cantrae, Cerrmor, and Eldidd, all of whom had claims to the high kingship of all Deverry). The Time of Troubles thread began in _Darkspell_, but picks up here a generation or so later in the course of the wars of that terrible era.
In the present, Salamander has determined that the mysterious ring of dwarven silver is destined for Rhodry. But Rhodry's fate is that of Aberwyn - his brother's "barren" ex-wife, now married to another man, has just given birth to her first son, so Rhodry's recall from exile is the only way to avert civil war over the rhan. The ring is his from his blood-father, but he's heir to the rhan through his legal father. This story is continued in _The Dragon Revenant_ - Salamander's puzzle of how to get the ring into Rhodry's hands without destroying his claim to the rhan.
In the past, Maddyn (later Rhodry) has been wounded unto death in his lord's last charge, and as an outlawed man, has no choice but to turn mercenary. Here we have the founding of the silver daggers, and the beginning of the thread that will later lead to the forging of the ring. Maddyn's story continues in _A Time of Omens_, _The Red Wyvern_, and _The Fire Dragon_, and is concluded in _A Time of Exile_.
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First of all, the subject is very interesting, and Halperin does discuss some truly frightening aspects of the trade, a definite wake up call to those considering entering the business. But a lot of what he writes is inconsistent or seemingly random - a chapter on the 'bad' years of the mega-supermodels merely catalogs some well known incidents without delving any further. And while he reiterates constantly about certain problems, he again just touches them on the surface, providing only a few examples to back up, for example, his claims that many, many models are murdered each year. One of the strangest chapters is one about Stella McCartney, and whether she is famous for her own talent or by virtue of being Paul's daughter. Not uninteresting, mind you, but what on earth does it have to do with the dark side of supermodels? And for that matter, if the author went undercover to 'discover' the true world of modeling, how come he uses mostly anecdotal and not personal references?
The only reason I gave this book three stars is because the topic is interesting - its presentation may be below par, but that doesn't change the importance or relevance of the subject. It's fascinating to learn about rampant criminal activity behind the scenes, drug use, virtual prostitution and so forth, and for that the book is worth reading. I suppose I just wish that he'd dug deeper, provided more insight or evidence or details, repeated less and proven his startling, and significant, claims. As an overview, it's a good introduction, but it only skims the surface. Its structural, language and editorial problems unfortunately undermine it's power yet it remains a fairly intriguing read.
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My ten-year-old daughter and I loved this book. The story is quite charming, with Helen Craig's illustrations adding to the book's charm. I must admit that it was a bit beneath my daughter's ability, she read through it in about 10 minutes, but she enjoyed it all the same. Therefore, my daughter and I both recommend this cute book.
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Angelina Ballerina is enjoyable for little ballerinas of all ages. Not only will it encourage your little ones to read, but to also have faith in themselves when trying something new. The illustrations will also make you and your little ones smile in excitement. A must have book for all ballerinas.
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