A great read for someone trying to decide on a career or dealing with a new work environment. It's a quick, friendly, easy read that you'll come back to time and time again.
Good luck!
The action of 'The Last Man' takes place between 2073 and 2100 AD. England is ripe for change as the last King of England abdicates his throne in response to public outcry for a more democratic form of government. Lionel Verney, a shepherd, is drawn out of a life of wildness and crime by Adrian, the former crown prince of England. The charismatic Lord Raymond enters the story as the lover of Lionel's sister, Perdita, and the newly-elected Lord Protector of England. Torn between his love of power and his affections for his wife and a persistent attachment to Evadne, a Greek woman, Raymond renounces his political position and flees to Greece. There, he leads a military campaign to establish Greek independence and bring about the end of the Turkish empire.
Then, the Plague takes over. The nondescript malady has wiped out the population of Constantinople just as Raymond conquers it, making his victory meaningless. Word of the plague's virulence comes in from Asia and America, and from the southern, eastern, and western corners of the world, the plague begins to encroach inward towards Europe and England. The remainder of the novel tracks Lionel and Adrian's attempts to save the human race from utter annihilation.
In 'The Last Man', Mary Shelley gives us a horrifying, desolate prophecy of the future, when religion, technology, and human effort are all exposed as meaningless. Although many might say that she also abandons the redemptive possibilities of art, I think that art provides the novel's only hope. Mary Shelley's dependence on art of every format is clear in the novel's influences - She has Lionel refer to literature, including the works of Daniel Defoe, Charles Brockden Brown, Ann Radcliffe, Homer, Shakespeare, and Jonathan Swift among others.
The novel is fraught with problems of gender and power relations. At any moment of emotional weakness, Lionel calls himself 'girlish' or 'womanly,' and the novel seems to privilege women who are selfless and submissive. On the other hand, as Morton Paley's introduction points out, the plague itself is consistently described as female, at one place referred to as 'The Queen of the World'. With regard to power relations, Lionel continually mentions that in the dying world of humanity, social distinctions have all been abandoned - and yet there are still references to his 'servant' or those of other people. The most problematic scene in the novel revolves around racial distinctions when Lionel encounters a dying black man in London.
There are a million things to talk about in 'The Last Man,' and a novel so rich for discussion deserves to be read by as many people as possible. This is a book I warmly recommend, so pick it up and discover that there is more to Mary Shelley than 'Frankenstein'.
Written in 1826, this is, as far as I know, the first novel to take up the subject of a deadly plague that threatens the survival of the human race. Potential readers need to be warned that the writing style takes an effort to get used to. There is nothing wrong with it. It's simply different from a different age, the age of the Bronte sisters and Jane Austen. It is well worth the effort.
military college in South Carolina, tells the story of her experience there
in her new YA memoir, IN THE COMPANY OF MEN: A WOMAN AT THE CITADEL.
Although the writing is passable, it's not top-notch--there's a lot of
"telling" and too little "showing"--and there are some details left out that
might have helped.
HOWEVER, I do believe it will have an audience with younger high school
students (and maybe middle schoolers, are though there are a few S and F
words scattered throughout), and I recommend it on this list for that
reason. In the current national climate, there is likely to be more demand
for books about the military and training for it. I think this book is
valuable, especially for teen girls, because it depicts a woman successfully
completing a rigorous, typically male-dominated course of study. In
addition, she has ADD, and triumphs in spite of her troubles with school
work.
Mace explains that the Citadel is a functioning anachronism and always has been, that's part of its appeal. This reviewer commanded a battalion when women were first assigned to the 82nd Airborne Division about twenty years before The Citadel integrated women into the Corps of Cadets. In a long special operations career I consistently found women who met every expectation - physical and mental -- of their male commanders. My rhetorical question at that time was, if our unit is provided female paratrooper officers, why none from The Citadel? Why no female Citadel graduates in industry and politics? Mace helped to change that nitwitterey.
It sometimes seems that Mace's book is more about Mace than The Citadel which under her circumstances is acceptable, but limiting. Many girls will read this book and ask who needs all the stress created by the 4th Class system along with the other pressures of college? Unfortunately, Mace doesn't provide the answer. Here is the answer: The Citadel graduates a higher percentage of its freshman class in four years than any other state college or university in South Carolina and among the top five percent in the nation. The Citadel does this providing a superior education, an honor system that works, a commitment to national duty and fidelity, and a sense of self worth rare on most campuses. Cadets are taught by professors, not graduate students, the education is demanding, and one of the best education values in this country. The Citadel "system" develops a young person's mind, physical capability, and character in a crucible of measured stress. It's a good preparation for real life. But, a word of caution - the motivation for all this must be from within the student, not urged by the parent.
I don't often get into 'juvenile literature,' which is how this book is categorized. In fact, the last 'juvy' book I read was 'Battle Dress,' Amy Efaw's fictionalized account of her first year at the US Military Academy, a title to which 'In the Company of Men' bears certain obvious similarities. Some of the things other reviewers have considered lacking in this book -- insufficient legal context, not enough sociological analysis -- can, I think, be explained by looking at for whom Mace was writing. Having read Strum and Brodie about VMI, as well as Catherine Manegold's tendentious 'In Glory's Shadow,' I too hope to see some of these issues addressed first-person on an adult level. But that's not to take anything away from this book.
Nancy Mace's story is well written and inspirational. And though I understood the strong feelings and resentments many of The Citadel's alumni and friends bore about the (inevitable, in my opinion) decision to admit women, I was still shocked by the vehemence of the abuse she received -- especially from 'the wealthy Charleston women who formed the backbone of Citadel social support,' known as South of Broads (referring to Broad Street), or SOBs. Mace considers the abbreviation apt, and I can't say I disagree with her. Similarly, the drunken alumnus who took it upon himself to personally berate Mace at every Citadel football game should be shamed into seclusion by her portrait of him (though I suspect he still considers himself a hero).
At the same time, there's also a lot of humor in this story, as well as touching comradeship with (some of) her fellow cadets and a deep and reciprocated love for her parents. Mace may not address the larger question of why a young woman (or, for that matter, a young man) might want to attend The Citadel, but it's clear why *she* did: she loved her father, and she loves the school. I'd been looking for some time for a book that details the life and experience of a cadet at VMI or The Citadel, and here at last is that portrait. It's moving, challenging, and its target audience should, I hope, find it inspirational. I commend the author for writing the book, but more importantly for her determination to confront the challenges and emerge on top.
Second, we get a pretty good story line. The first shocker is the apparent suicide of a famous anchor, followed thereafter (but paced well) by the murders of his doctor and his secretary. Even the most dense of us realize the connections, though the trained newshounds seemed to miss it. A big surprise at the end serves up a murderer I dare say few suspected more than a page or two before the unveiling, so high marks for suspense.
Third, and of course not as welcome, we do get an awful lot of characters, relationships, AIDS pleas, disease causes, snippets of events, changes in scenery, etc.; to me, all that clutter gets a little tiresome. Certain loose ends never do get wrapped up, and I'm not even sure that a major subplot, the campaign machinations of a presidential candidate, really advanced the basic story line that well. I also personally disliked chopping the book up into 141 (!) chapters - do the math, they span 302 pages, so that's like two pages each. And the last 35 span only 25 pages, so we're down to barely more than the "sound bites" so lovingly quoted throughout.
So - for her first outing (of four to date), not bad. Clean things up, simplify a little, give us a little longer reading stretch with out raising and lowering the curtain a hundred times, and we might have something here. I'll at least move on to number 2 - "Do you promise not to tell?". And you?
List price: $12.95 (that's 20% off!)
This book was offensive to me as an African American woman. I was enraged that my child would have to wade through all of the negative stereotypes (e.g. Mary was uppity b/c she used a fork and no longer sopped her gravy up with her biscuit) before she can begin to appreciate all of the remarkable accomplishments of Mary McLeod Bethune.
Although Mary McLeod Bethune endured a hard life, focusing on the aspects that perpetuate negative stereotypes of black people minimalizes the importance of Mary's story.
Several years later I found that during moves I had misplaced this book. I found another...I cherish this book very much. I just finished reading this story to my second grade daughter. She learned so much about how life was and how life should be. I think it is a wonderful expression of how everyone should and can get along in this world.
Let me digress a moment to take you on a short journey that led to my special find. It started when I read Jonathan Fenby's excellent new book "France on the Brink" in which he refers only in passing to Varian Fry, an American who was responsible for saving thousands of Jewish intellectuals while in Marseilles, France in 1940-41. Since I had never heard of Varian Fry it piqued my interest to say the least, especially since I am a former resident of Marseilles. Do we have another Schindler here? A library search was fruitless but the internet turned up Mary Jayne Gold's book. After reading Mary Jayne Gold's account of her involvement with Vivian Fry, I did a subsequent search and discovered that Andy Marino has just published a fine, well researched biography of this remarkable man, "A Quiet American".
It took Mary Jayne Gold 40 years to write her account of that historic period in Marseille but it took the next writer, Andy Marino, 60 years! Why so long to recognize this man? In 1945, Varian Fry wrote his own account of that rescue in Marseilles but his book "Surrender On Demand" soon drifted into obscurity, meeting the same fate as Mary Jayne Gold's Memoir, now long out of print.
This memoir, like the person who wrote it, remains an enigma. Who really was Mary Jayne Gold? What happened to her? Was she as strange and different as her biography? Mary Jayne Gold was a rather attractive young lady with a lot of money, who decided to stay on in France long after France had been overrun by the Germans. Despite the hardships of the war she decided to flee to the south of France and try to continue her carefree existence. It was a journey, like her life, without any particular mission, until two men came into her life. The first was a n'er do well hoodlum, recently escaped from the French Foreign Legion and the second was Varian Fry. The Scoundrel and the Saint. It all makes for fascinating reading because it is written by an amateur writer who could never have made up this bizarre chapter in one's life. She may have been flighty, maybe even flaky, but her heart was in the right place. Mary Jayne Gold's contribution to history is little more than a footnote but I do wish that Andy Marino had not given her such short shrift in his new book on this episode. All I can say after reading all this is that it should be a movie. If, after you've read, Mary Jayne Gold's account you wonder what happened to her, (and who wouldn't?), drop me a line.
Let me digress a moment to take you on a short journey that led to my special find. It started with Jonathan Fenby's excellent new book "France on the Brink" in which he refers in passing to Varian Fry as an American pimpernel responsible for saving thousands of jewish intellectuals while in Marseilles, France in 1940-41. Even though a former resident of Marseilles, I had never heard of Varian Fry so it piqued my interest to say the least. Do we have another Schindler here? A library search proved fruitless but the internet turned up Mary Jayne Gold's memoir. After reading her book, a follow-up search revealed that Andy Marino has just published the first well- researched biography of this remarkable man, "A Quiet American."
It took Mary Jayne Gold 40 years to write her account of that historic rescue operation in Marseilles but it took the next writer, Andy Marino, 60 years! Why so long to recognize this man? In 1945, Fry wrote his own account of that rescue mission but his book "Surrender on Demand", like Gold's later memoir, disappeared into obscurity and both are long out of print.
Gold's memoir, like the person who wrote it, remains an enigma. Who really was Mary Jayne Gold? What happened to her? Was she as strange and different as her biography? Mary Jayne Gold was a rather attractive young lady with a lot of money, who decided to stay on in France long after the German invasion simply because she didn't want to go home. She fled to the south of France with French friends in a vain attempt to continue her carefree existence. It was a journey, like her life, without any particular mission, until two men came into her life. The first was a n'er do well hoodlum, recently escaped from the French Foreign Legion, and the second was Varian Fry. The Scoundrel and Saint. It all makes for fascinating reading because it is written by an amateur writer who could never have made up this bizarre chapter in one's life. Gold may have been flighty, maybe even flakey, but her heart was in the right place. Gold's contribution to history will be little more than a footnote but I do wish that Andy Marino had not given her such short shrift in his new book on this episode. She deserves better than that. All I can say after reading Gold's book is that it should be a movie. If, after you've read Gold's account, you wonder what happened to her (and who wouldn't?), drop me a line.
One thing that I had never thought about: what happens to the defendant's family. It is almost as they are guilty by association. Yet society does not provide anyone to help them thru the emotional trauma they must endure.
A consolation: You do not have to be black to have an important member of your family do something reprehensible, humiliating, and illegal. I speak from experience. It happens in those 'superior' white families also. And how to they handle it? Just like your family did ... some better than others.
By the way, the reason the police appeared to bungle things: they are as much in awe of the 'juice' as his family. Heros just DO NOT do things like that!