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This is a strong anthology in many ways. It had a variety of civil war literature that helps to give a fuller picture of the civil war experience. There are many letters, stories, and diary entries and even a copy of orders given by a General. We get a picture of the inner workings of the war by people directly involved, as well as a picture of the world outside the war and how it was effected. We hear aspects of the war from multiple points of view. A soldier's fighting experience, a General's commanding view, letters to loved ones back home, the viewpoint of a young southern girl, life in a military prison. The reader gets to see not just the war, but the world it encompassed.
The anthology is made even stronger by the selections of famous people's writings. We get to read the words of General Ulysses S. Grant, Stephen Crane, Generals Pickett and Sherman, Abraham Lincoln, and even Walt Whitman (who worked in the hospitals treating wounded soldiers from both sides).
The only negative thing about this book is that it has no amazing powerful pieces. Almost all the selections are good (with two or three exceptions), but none are outstanding, in terms of either the writing or the story. There are no exceptionally well written pieces and no really incredible stories. This is unfortunate, but does not detract too much from the overall book. And also this volume includes some fiction, which generally does not exist in these series of books. Other than that the book is good and worth reading.
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Dr Jacques COULARDEAU
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--Mark V.
p.s. I get my results in two weeks. I hope I pass. I'm fairly confident that I did pass.
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The quality of the writing grabs you on the first page. Characters are drawn with accuracy and keen insight. The plot is beautifully developed. It is suspenseful but not in a predictable way, you see what's coming, but trust me you are still surprised and amazed. This book has several graphic love scenes.
Peter Abrahams is the author of eight previous novels, including " The Fan" and "Lights Out", which was nominated for an Edgar Award for best novel.
The quality of the writing grabs you on the first page. Characters are drawn with accuracy and keen insight. The plot is beautifully developed. It is suspenseful but not in a predictable way, you see what's coming, but trust me you are still surprised and amazed. This book has several graphic love scenes.
Pam @ MyShelf.Com
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I liked this book very much because it gave a little bit of detail about Indians back then and how they lived together. In some points of the book sometimes it is very sad because he lost his whole tribe by some disease. When Squanto was in the city of America I was obviously known that the Americans were suprised that there were still Indians around. Then, when they brought Squanto here the White men settled their own camp in the island of Indians. This book was very interesting.
My favorite part was when Squanto returned to his village. Even though it was sad it came to my attention that it was the main event in the story. Squanto might of felt really sad, but atleast he had other tribes he could of went to. If he had no tribes to go to anymore he could have been captured by the Pilgrims. But I doubt it that they will survive there with all those Pilgrims.
After giving some specific information on certain common disjunctive accents, it then shows the rest of the disjunctive accents with little or no explanation as to what they are doing in the text. The conjunctive accents are listed separately with no explanation whatsoever as to how they work. And two of the most common text pointings found in the Hebrew Bible are missing! I've never found memorizing symbols without explanations to be of any help in anything.
One should just pay a little more money and buy a reference which gives all the accents and explains their uses. As it is, my copy of this book has told me virtually nothing that I hadn't already learned in the two Hebrew grammars/ workbooks I've used to learn Hebrew.
Invest your money elsewhere than in this book.
Upon careful reading, I found the explanation of the accents in this volume to be adequate, especially when applied directly to individual verses in the BHS.
1) Any author who needs an interpreter, explainer, or support from the educational system to keep readers is simply not a vital author. If Shakespeare was a vital author, people would love him without the brainwashing and spoonfeeding of a vast educational system that insists on teaching these tired plays year after year because everyone has done so year after year.
2) Silly romances and boring dramas driven by improbable plots and vulgar jokes are not great literature. These plays are the work of a man who spent far too much time on scandal and trivial junk to be taken seriously.
3) The Shakespeare nuts want it both ways and they can't have it either way. On the one hand, they insist that Shakespeare be regarded with the reverence one would give to holy scripture. No one must dare question its greatness, truthfulness, or entertainment value. If you do so, you will be attacked as a philistine. On the other hand, when people believe this nonsense and stay away from Shakespeare because they do not want to be bored, the cultists insist that we are taking it too seriously and that Shakespeare is simply great theatre (when it is nothing of the sort) which can be enjoyed with as much gusto as a rock concert or a stand up comedy act (which is a lie).
4) Any book that needs a glossary for the reader in order to be understandable must either be abandoned as dated or translated into modern English. The Shakespeare nuts wouldn't insist that anyone read Beowulf in Old English or argue that its Old English language is so beautiful that we all must learn what is now a foreign language to us but they do this when it comes to Shakespeare. This is beyond irrational. Imagine being forced to read a viking saga in Old Norse with only a glossary to assist you because the professor happens to love the cadences of Old Norse. This is no different from the nuts who do the same with Shakespeare.
5) I judge literature on two, and only two, criterion: Is it intriguing? Is it entertaining? I don't give a fig about some academic telling me I need to read something because it is hitorically important. I doubt that Shakespeare's audience paid to see his plays because they had historical importance and neither will I. Alas, what was entertaining even twenty years ago seems dated and boring today, nevermind what may have been entertaining hundreds of years ago. Old jokes lose their punch, old romances become foolish and insipid with time, old dramas about historical figures become irrelevant and sleep inducing, old concerns no longer concern us. Shakespeare is dated, unfunny, boring.
And no amount of forcing the issue will change that. Free Shakespeare from the support of the educational system and watch him become forgotten as quickly as last years fashions. And I say, "good riddance" to an author who should have been relegated to the trash heap at least a century ago.