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The character of Hamlet is so interesting because his misery can be interpreted in so many different forms. Hamlet's misery can be construed as his frustration over his father's death or his love for Ophelia, or just adolescent misery in general. The fact that it can be all of these things just makes it more interesting because in each way the play can be read in different ways.
Hamlet seems so noble in his efforts to expose his uncle as a murderer but he is also a murderer because he murders Polonias. This event in turn makes Ophelia mad and she then commits suicide and therefore her brother blames Hamlet so there is double guilt for Hamlet.
In the end of the play I believe that Hamlet is so tortured not only with his own guilt but also his misery of all of the other factors such as his mother that he actually wants to die. But he had to kill Claudius in order to feel ready to die because then he would have done his duty and avenged his father's death.
My favorite part in the play is where Hamlet devises the play to his own benefit to confirm that Claudius is really the killer and that the ghost was really his father and not the devil.
This play is great fun to read and play out in your mind. If you want to see a good video version of this play rent the version that stars Mel Gibson. This is my favorite Shakespeare play and always will be.
Devices used in the Play:
1) a woman plays a man/ boy role ( several of his plays : As You Like it,
Twelfth Night))
2) a deception by a villain to lie the virtue of a Lady ( Much Ado about
Nothing)
3) Princes kidnapped and brought up as common men ( I don't know if he
uses this in other plays)
4) poison that causes a coma ( Romeo and Juliet)
5) a Prince who is a vile fool ( used in his historical plays)
6) a Queen who is a plotter and evil ( Macbeth)
7) a Prince who kills another Prince and it redeemed by his hidden
identity
8) a Prince sentenced to hang by mistake
9) a King who condemns his daughter wrongly ( King Lear)
One wonders how much of this is historical fact and how much pure fiction.
With all this scheming in the plot , it should be a very successful
play.
It is a total flop!
What it comes out is seeming unreal and contrived.
You get that happy ending feel that is so much in his comedies
but it has a very false feeling to it.
That's probably why Cymbeline isn't performed much.
If he hadn't gone for all these at once it might have worked, but the
result is that you see the playwright as ....
If anyone wants to take the air out of a Shakespeare pedant,
this is the play to do it with! He makes Shaw and Eugene O'neil l
look good. He even make Rogers and Hammerstein and Gilbert and
Sullivan look better, ha, ha...
This play is not Shakespeare's finest hour!
"Cymbeline" is, then, completely nuts, but it manages also to be very moving. Quentin Tarantino once described his method as "placing genre characters in real-life situations" - Shakespeare pulls off the far more rewarding trick of placing realistic characters in genre situations. Kicking off with one of the most brazen bits of expository dialogue he ever created, not even bothering to give the two lords who have to explain the back story an ounce of personality, Shakespeare quickly recovers full control and races through his long, complex and deeply implausible narrative at a headlong pace. The play is outrageously theatrical, and yet intensely observed. Imogen's reaction on reading her husband's false accusation of her infidelity is a riveting mixture of hurt and anger; she goes through as much tragedy as a Juliet, yet is less inclined to buckle and snap under the pressure. When she wakes up next to a headless body that she believes to be her husband, her aria of grief is one of the finest WS ever wrote. No less impressive is her plucky determination to get on with her life, rather than follow her hubby into the grave.
Posthumus, the hubby in question, is made of less attractive stuff, but when he comes to believe that Imogen is dead, as he ordered (this play is full of people getting things wrong and suffering for it), he rejects his earlier jealousy and starts to redeem himself a tad. There's a vicious misogyny near the heart of this play, as Shakespeare biographer Park Honan observed, kept in balance by a hatred of violence against women. The oafish prince Cloten, who lusts after Imogen, is a truly repellent piece of work, without even the intelligence of Iago or the horrified panic of Macbeth; his plan to kill Posthumus and rape Imogen before her husband's body is just about as squalid and vindictive as we expect of this louse, and when a long-lost son of the king (don't even _ask_) lops Cloten's head off, there are cheers all round.
Shakespeare sends himself up all through "Cymbeline". I wonder if the almost ludicrously informative opening exposition scene isn't a bit of a gag on his part, but when a tired and angry Posthumus breaks into rhyming couplets, then catches himself and observes "You have put me into rhyme", we know that Shakespeare is having us on a little. Likewise, the final scene, when all is resolved, goes totally over the top in its piling-on "But-what-of-such-and-such?" and "My-Lord-I-forgot-to-mention" moments.
Yet the moments of terror and pity are deep enough to make the jokiness feel truly earned. When Imogen is laid to rest and her adoptive brothers recite "Fear no more the heat o' the sun" over her body, it's as affecting as any moment in the canon. That she isn't actually dead, we don't find out until a few moments later, but it's still a great moment.
Playful, confusing, enigmatic, funny and shot through with a frightening darkness, this is another top job by the Stratford boy. Well done.
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The concept that all ideas deserve equal attention and truth or falsehood will always be shown in court is flat-out wrong. This book is the "how." Read "Atlas Shrugged" for the why.
Several of the companies mentioned in the book were severally damaged by what this books talks about. A number of excellent products have been taken of the market never to come back and more will never see the light of day because of those who have no other desire that to either make money or push their unsubstantiated agendas have been allowed to take advantage of our tort court systems in the USA.
Yes, some not so good products also have been taken off the market but for the wrong reasons. This too keeps other excellent products locked away in the closet.
In our increasingly technological world lack of understanding in science and technology along of this issues by both sides of the junk science debate will only result in more witch-hunts and more tilting at windmills.
To be successful in life one cannot simply allow them selves to be a victim, we must understand the world around us. No matter how good it really is, everything has a cost, everything has a dark side, but even with these costs and risks that do exist we must address the real issues and not simply make someone pay for the downside of life just because they can.
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"The first time I ...
"... sold a tv-pilot after working for fifteen years as a staff-writer for a highly successful television show."
Or ...
"The first time I ...
"... adapted one of my highly sucessful stage plays into a screenplay."
And so on.
Many of the personal essays are interesting, some are funny, and the book is worth reading, if what you want to read are the kind of mildly amusing, sometimes hopeful essays contained in this book. If what you want is a book of essays by highly successful screenwriters about how the broke into the business, you'll find little (although some) of that here.
Also, I must point out that the forward by William Goldman was worth the price of the book all by itself. I thought I was going to die laughing. I think I read the whole thing out loud to my roommate.
All in all, this is a wonderful book, with many memorable and hopeful stories.
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Mr. Carmichael does a fantastic job of revealing how some of the young Confederate officers like Pegram viewed the Civil War. Since most Civil War books focus more on the Generals than the junior officers who actually fought the battles, I felt that this book really brought a new perspective to my understanding of the conflict.
I do not recommend this book for those who do not already possess a good understanding of the Civil War. Instead, I highly recommend this book to anyone who has gained an appreciation for the war, and is looking to find out more about its participants. This book really opened my eyes about "the Southern Cause", and how it meant different things to different people.
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There are a few weaknesses, however. The maps were helpful but somewhat incomplete. Major towns and fiefdoms mentioned throughout the book cannot be found in the maps of Scotland. The diagrams of Stirling and Falkirk are great but lack some important details (they might've sacrificed detail for greater area). Nonetheless these are minor points compared to the one factor I found very problematic. The author makes sweeping assumptions several times throughout his work, mostly concerning the character and essence of a certain people or race. Though cultures have strong mores or habits, that does not apply to entire peoples who may undergo several cultural transformations. In his assumptions the author stands dangerously close to stereotyping, however harmless his conclusions.
Overall the book is a well-researched and honest account of Scotland's famed freedom fighter. The bibliography at the end is interesting in and of itself. It certainly moves one to explore further the mystery of William Wallace, a true nationalist.
a) It is divided into logical sections.
b) It covers both the life of Wallace and the aftermath right up to the date of publication (1996).
c) It is very strong on the military aspects of Wallace's life and campaigns.
d) It sets Wallace's life into the context of Scotland at that time.
e) It is very well written, avoids going into unnecessary detail, and makes the important points.
The epilogue is slightly out of date now as a lot has happened in Scotland since 1996 i.e. the devolution referendum in 1997 and the establishment of the new Scottish Parliament in 1999.
In summary, one of the best Wallace biographies - we recommend it very strongly. [MacBraveHeart May, 1999]